Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Pharrell Williams Testifies He Didn’t Copy Marvin Gaye’s Music For “Blurred Lines”

    Pharrell Williams Testifies He Didn’t Copy Marvin Gaye’s Music For “Blurred Lines”

    By SHOOTThursday, March 5, 2015Updated:Tuesday, May 14, 2024No Comments1652 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Pharrell Williams leaves Los Angeles Federal Court after testifying at trial in Los Angeles, Wednesday, March 4, 2015. (AP Photo/Nick Ut)

    By Anthony McCartney, Entertainment Writer

    LOS ANGELES (AP) --

    Pharrell Williams told a jury Wednesday that he was trying to evoke the feel of Marvin Gaye's music but did not copy the late singer's work when he crafted the 2013 hit "Blurred Lines."

    Williams said he grew up listening to Gaye's music and was familiar with his song "Got to Give It Up," but did not use it as a basis for "Blurred Lines," which was a hit for him and collaborators Robin Thicke and T.I.

    "He's one of the ones we look up to," Williams said. "This is the last place I want to be."

    Williams, Thicke and T.I. are being sued by Gaye's children who claim "Blurred Lines" infringes their father's copyrights for 1977's "Got to Give It Up," but Williams' testimony is crucial because he wrote the song's music and most of its lyrics. Although Thicke received a songwriting credit on the song, he acknowledged earlier in the trial that he didn't do much work on the song.

    T.I.'s rap track was added later, and Williams said he wasn't involved in its inclusion in "Blurred Lines," which was nominated for a Grammy Award. T.I., whose real name is Clifford Harris, is expected to be among the case's final witnesses on Thursday.

    Williams spent more than an hour describing his musical process and he how he crafted "Blurred Lines" in mid-2012 in between working on tracks with Miley Cyrus and rapper Earl Sweatshirt. Thicke arrived after the music and lyrics had been written, Williams recalled. He quickly brought the singer up to speed and they began recording what would become 2013's biggest hit song.

    "We were bopping and dancing," Williams recalled. "It was a cool night."

    His answers were sometimes too lengthy for U.S. District Judge John A. Kronstadt, who cut off Williams several times mid-sentence and didn't allow him to elaborate on some of his answers.

    "Blurred Lines" has earned more than $16 million in profits and more than $5 million apiece for Thicke and Williams, according to testimony offered earlier in the trial.

    Williams said after the song was released, he saw similarities between "Blurred Lines" and Gaye's work but said that wasn't a conscious part of his creative process.

    Richard S. Busch, who represents the Gaye family, asked Williams whether he felt "Blurred Lines" captured the feel of the era in which Gaye recorded.

    "Feel," Williams responded. "Not infringed."

    The case opened last week and featured testimony from Thicke, who told jurors that he took a songwriting credit on "Blurred Lines" despite Pharrell doing most of the work.

    Thicke brought a bit of showmanship to a trial that has focused on minute details of chords and sheet music. He performed elements of "Blurred Lines" and hits by U2 and The Beatles to show how different songs can include similar-sounding musical elements.

    Williams did not perform any music during his more than hour of testimony, and complained that audio comparisons of "Blurred Lines" and "Got to Give It Up" had been created in a way that made them sound similar.

    Despite the lack of vocals on the tracks, Thicke bobbed his head while his hit was played.

    The trial has included detailed analysis of snippets of chords and notes from both songs, all created in the same key. Jurors have heard "Blurred Lines" and lawyers for Gaye's family wanted the panel to hear "Got to Give It Up," but Kronstadt has limited how the song can be presented in court. Rulings state Gaye's song can only be played as it appears in a sheet music submitted to get the song copyright protection.

    Williams' career as an artist-producer has been booming in recent years, with the singer performing his hit "Happy" at the 2014 Oscars just weeks after winning three Grammy Awards for his work with Daft Punk.

    He also serves as a judge on the NBC competition show "The Voice."

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2015-03-07)
    Category:News
    Tags:Pharrell Williams



    Ang Lee To Receive ACE Golden Eddie Filmmaker of the Year Award From American Cinema Editors

    Wednesday, January 21, 2026
    Ang Lee (photo by Brian Bowen Smith)

    American Cinema Editors (ACE) has named two-time Oscar®-winning filmmaker Ang Lee as recipient of the ACE Golden Eddie Filmmaker of the Year award. He will be presented with the honor at the 76th Annual ACE Eddie Awards taking place Friday, February 27, at UCLA’s Royce Hall, where winners will also be announced in 14 competitive categories recognizing the best film editing achievements of the year in film and television. Kim Larson, managing director and head of YouTube’s Creator and Gaming team, will be accepting YouTube’s previously announced ACE Visionary Award, and Emmy winning editor/director Arthur Forney, ACE, and Oscar® nominated editor Robert Leighton will receive ACE Career Achievement awards. Lee joins a group of Golden Eddie award recipients including Jon M. Chu, John Waters, Gina Prince-Bythewood, Spike Lee, Quentin Tarantino, Kathleen Kennedy, Christopher Nolan, Lauren Shuler Donner, Guillermo del Toro, Steven Spielberg, Vince Gilligan, Alexander Payne, J.J. Abrams, Nancy Meyers, Martin Scorsese, Norman Jewison, Robert Zemeckis, George Lucas, and the Sundance Institute. “Ang Lee’s exploration of our most closely held emotions has ignited an international passion for cinema for over 30 years”, said ACE president Sabrina Plisco, ACE. “The breadth of his filmography is unparalleled, ranging from the intimate and boundary-breaking romance of Brokeback Mountain, to the epic drama of Life of Pi and Crouching Tiger, Hidden Dragon, to even the pre-MCU Marvel film Hulk.” This year’s ACE Visionary Award recognizes Larson and YouTube’s profound impact on visual storytelling as a whole, the importance of digital content and spaces in the evolving media landscape, and ACE’s ongoing work to support... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleValerie Petrusson Named President of Beast
    Next Article NBA, LeanIn.org Team On PSA Campaign To Get Men To Fight For Women’s Rights
    SHOOT

    Add A Comment
    What's Hot

    Review: Directors Judd Apatow and Michael Bonfiglio’s “Mel Brooks: The 99 Year Old Man!”

    Wednesday, January 21, 2026

    Ang Lee To Receive ACE Golden Eddie Filmmaker of the Year Award From American Cinema Editors

    Wednesday, January 21, 2026

    Fela Signs Artist William Ukoh To Its Live Action and Photography Rosters

    Wednesday, January 21, 2026
    Shoot Screenwork

    Director Pete Marquis, Mischief @ No Fixed Address Are In Their Creative Hay Day With Lance Bass

    Wednesday, January 21, 2026

    Good Behavior’s Pete Marquis has directed the latest Supercell Hay Day campaign featuring actor and…

    The Best Work You May Never See: Innocean Berlin, Stink Director Eoin Glaister Team On Stunt For NewMotion

    Tuesday, January 20, 2026

    Nissan, TBWA\Paris, Director Romain Staropoli Take Us On A “Last to Legends” Journey In Formula E Racing

    Monday, January 19, 2026

    LePub NY and Director Ivan Zacharias Herald The Return Of Dos Equis’ Most Interesting Man In The World

    Friday, January 16, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.