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    Home » Photographer Andy Mahr Moves Into Director’s Chair, Joins Motion Content

    Photographer Andy Mahr Moves Into Director’s Chair, Joins Motion Content

    By SHOOTMonday, November 14, 2016Updated:Tuesday, May 14, 2024No Comments3534 Views
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    Andy Mahr
    DALLAS --

    Director Andy Mahr has joined the roster of Dallas-based production company Motion Content, Inc. Mahr made his initial mark in advertising as an art director and creative director on accounts including Hummer, Discovery Channel, American Airlines, Texas Tourism, Bell Helicopter and Nationwide Insurance.

    After years of creating campaigns for advertising agencies including, Pyro, The Richards Group, and TM Advertising, Mahr successfully made the transition from art director to a career in photography. His photography credits include work for Nike, RAM Trucks, United States Marine Corps, Toyota, California Tourism, and Chick-fil-A. His work has been continually recognized in Communication Arts, and he was named one of Archive Magazine's 200 Best Ad Photographers Worldwide in 2012, 2014 and 2015.

    In 2013 Mahr was among those whose work was featured in The Richards Group’s lauded Super Bowl commercial, “Farmer,” for RAM Trucks. Imagery in the two-minute Super Bowl spot also came from such notables as William Albert Allard of National Geographic fame and noted documentary photographer Kurt Markus. The ad tapped into the “So God Made a Farmer” speech made by famed radio broadcaster Paul Harvey in 1978 at the National Future Farmers of America Convention. The eloquent remarks became even more poetic and lyrical when accompanied by images capturing U.S. farm life for the Ram Trucks’ Big Game spot.

    Mahr now aims to bring his dramatic visual sensibility and gift for capturing the genuineness of real people to the moving picture. At Motion Content, he joins executive producer Diana Payer, and a talent pool that includes directing team Peter & Annie, and Brooklyn-based Todd Broder.

    Payer said of adding Mahr to the Motion Content roster, “Andy’s work has a truthfulness to it that is just incredibly powerful. I’ve long been a fan of his photography, and am looking forward to working alongside Andy as he brings that talent to the motion side.”

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    Category:News
    Tags:Andy MahrMotion Content



    Director Juliana Curi Joins Honor Society x MacGuffin

    Monday, January 12, 2026

    Juliana Curi, a Brazilian director who gained her first U.S. representation in 2019 when she joined Honor Society, has now returned to the company which has since evolved into Honor Society x MacGuffin. The move also marks her return to the U.S. market after spending considerable time honing her skills and creative vision internationally.

    Curi traveled extensively, developing projects across different cultures--which established her multicultural and global signature. The most significant milestone was her feature-length directorial debut, Uýra - The Rising Forest. Shot in the Amazon, Uýra captivated audiences worldwide, reaffirming that an authentic point of view and emotional resonance remain at the core of Curi’s craft.

    The film has been showcased at venues including the Barbican in London, BAM in Brooklyn, Fondazione Prada in Milan, and the DGA Theater in Los Angeles, and earned awards recognition, including a GLAAD Media Award nomination for Outstanding Documentary, a Special Programming Award win at LA Outfest, and the London Film Week Jury Prize. Watching a story born in the Amazon resonate with audiences around the world--from New York to Geneva--affirmed her storyteller’s path: creating work that is culturally grounded, emotionally truthful, and globally relevant.

    The director’s experience creating Uýra further developed her storytelling, craft, and emotional architecture instincts, which then enriched the way she directs for brands--especially in collaborative branded content environments working directly with agencies. The film allowed her to approach commercial and branded content with a deeper narrative maturity, and challenged a long-held segmentation: that socially driven narratives can’t... Read More

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