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    Home » Pink Sparrow hires Cathryn Garcia-Menocal as design director

    Pink Sparrow hires Cathryn Garcia-Menocal as design director

    By SHOOTThursday, August 18, 2022Updated:Tuesday, May 14, 2024No Comments2543 Views
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    NEW YORK --

    Pink Sparrow, a design and fabrication shop for experiential event marketing, retail environments, art installations and more, has hired architect and designer Cathryn Garcia-Menocal as its new design director.

    Garcia-Menocal is the founder of Garcia-Menocal Studio, which specializes in creative production, sculpture and architectural design. She has designed spaces, events and objects for the Cooper Hewitt Smithsonian National Design Museum, the Met Gala, Apple, Hermès and many others.

    In her new role, she will lead a team responsible for designing and pitching custom environments to brands and agencies. She reports directly to managing director Anthony Santiago. 

    In addition to providing strategic vision for Pink Sparrow’s design and production work, Garcia-Menocal will help develop and maintain client relationships with brands and agencies. The designs and concepts are built in Pink Sparrow’s fabrication shops in Brooklyn and Los Angeles. 

    Earlier Garcia-Menocal was a project director at Supermatic. Prior to that she was an architectural designer at Joeb Moore & Patterns, LLC, where she designed residential projects. As an architect and architecture specialist, she has also worked internationally in countries like Milan and Munich. During the COVID-19 pandemic, she designed a factory that produced 1.24 million pieces of PPE for the NYC Economic Development Corporation. 

    Garcia-Menocal received her M.Arch from the Yale School of Architecture, where she was a George Nelson Scholar and received the American Institute of Architects Henry Adams Medal. She received her B.F.A. from Washington University in St. Louis, where she was the first student to double major in sculpture and architecture.   

    She has held teaching fellowships at the Yale University undergraduate department of art history and architecture as well as in the graduate school of architecture. 

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    Tags:Anthony SantiagoCathryn Garcia-MenocalPink Sparrow



    Writer-Director Ian Tuason Deploys Sound To Scare You In Minimalist Horror “Undertone”

    Thursday, March 12, 2026
    This image released by A24 shows Nina Kiri in a scene from "Undertone." (Dustin Rabin/A24 via AP)

    Alfred Hitchcock famously claimed he didn't watch his films in theaters. When asked if he missed out on hearing the audience scream, he said, "No. I can hear them scream when I'm making the picture." While writer-director Ian Tuason, the mind behind the buzzy new auditory horror "Undertone," reveres and references Hitchcock as much as the next horror filmmaker, he has to disagree with him on this one. For Tuason, the real screams are the point. "My favorite thing about this whole process is just watching it with audiences. I think that's probably why I wanted to make a horror film … just to kind of witness the reactions," Tuason said in a recent interview. "The same way as when you tell a ghost story at a campfire, it doesn't feel that great unless you see your friend scared." His debut film "Undertone," which opens in theaters on Friday (yes, the 13th), is already doing just that. After playing at the Sundance Film Festival, it had some calling it the "scariest movie you'll ever hear." "Undertone" is a minimalist horror, set in one location, with essentially one character. Evy (Nina Kiri) is a paranormal podcaster who is taking care of her dying, comatose mother upstairs. She's the skeptic of the podcast, which she does with a remote co-host (Adam DiMarco) in the middle of the night. Nothing can scare her, but this new investigation, in which they try to decode a series of unnerving audio files sent anonymously, has rattled her. Why sound is so scary Tuason always dreamed of being a filmmaker, but he began his career in virtual reality and made a name for himself as an early proponent of immersive 3D sound for his cinematic horror shorts, which have been viewed millions of times. Soundscapes became his calling card. So, when he sat... Read More

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