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    Home » POV: Content Marketing—Next Agency Evolution?

    POV: Content Marketing—Next Agency Evolution?

    By SHOOTWednesday, April 16, 2014Updated:Tuesday, May 14, 2024No Comments3027 Views
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    Matt Bonin

    By Matt Bonin

    --

    There’s a great scene in Fight Club where Tyler Durden says, “It was right in everyone’s face. It was on the tip of everyone’s tongue. We just gave it a name.” I don’t know who named it, but Content Marketing is on the tip of everyone’s tongue. Our clients are embracing it and expecting change.

    Many of my Integrated Production colleagues are hearing the call from clients to solve their content needs and do so at increasingly smaller budgets at real-time speeds. At the same time, clients aren’t satisfied with low-cost corporate video shooters doing the “low-budget” work, while their agencies don’t get out of bed for less than a $500K TV spot. Rightly so, we’ve been saying we should be involved in helping craft all brand messaging; clients are calling us on it.

    Perhaps Content Marketing describes the shift from campaign-centric thinking and doing to always-on thinking and doing–a shift away from big-moments-in-time and toward near-real-time communications. Content Marketing could prove to be as disruptive a change to agency structure as digital was almost 20 years ago.

    You’re probably thinking: Isn’t everything an agency does Content Marketing? Yes and no. Content Marketing needs to be planned using tools like editorial calendars and partnership opportunities, but much of it needs to be envisioned, created and distributed on the fly, and it’s always-on. The opportunities for a “brand as a channel” forces a different team structure and mentality for producing work.

    We’ve formed two unique teams that tap into one another as needed, but are structured independently. First, the NewsRoom team is comprised of folks who monitor and analyze conversations happening around our brands and help craft responses in the short, near and long term.

    The second team, Agile Video, is built around a journalist/writer, staff director, agency producer/line producer hybrid and editor. Complementing them are designers/infographics experts. The teams are smaller, independent and self-contained. The teams can deploy quickly and, of necessity, skirt some of the protocol for campaign-based marketing, such as pages of briefs, layers of oversight, and rounds of internal and external check-ins. This requires a disruptive leap of faith for the agency teams in creative and production and a high level of client trust.

    Maybe Fight Club is an ironic film to reference; its premise was that advertising makes us want things we don’t need. But that might be the twist that Content Marketing delivers. At its best, Content Marketing is marketing that works so well you don’t mind that it’s advertising.

    (Matt Bonin is chief production officer at Ogilvy & Mather New York.)

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    Category:POV (Perspective)
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    Location Lensing In L.A. Declines In 2025

    Thursday, January 15, 2026

    FilmLA Research has issued a report on regional filming activity in 2025 as well as for Q4 of that year (October-December). And while there was improvement during that three-month period as compared to the previous quarter, it wasn’t enough to save the bottom line for 2025.

    On-location production activity for the Q4 of ‘25 totaled 4,625 shoot days (SD), a 5.6 percent increase from the prior quarter (July-September, at 4,380 SD). Overall, 2025 finished with an annual total of 19,694 SD, a number 16.1 percent below the 2024 total (at 23,480 SD).

    “While the year-end numbers are disappointing, they are not unexpected,” said FilmLA VP of integrated communications Philip Sokoloski. “FilmLA has consistently projected that the full effect of the expanded Film and Television Tax Credit Program would take time to materialize, and although our overall numbers remain low, there are dozens of incentivized projects that have yet to begin filming. We were pleased to see that a majority of the incentivized project shoot days in the feature film category were for independent films, and we look forward to continuing to support productions of all sizes as they kick off early in the New Year.”

    Since the expanded California Film & TV Tax Credit Program went into effect last July, 119 projects have been awarded incentives. The most recent allocation round, held in early December, awarded credits to 28 film projects, many of which will be made in Greater Los Angeles. All approved productions have 180 days to start production after receiving their incentive award. Incentivized projects accounted for approximately 13 percent of all Film and TV shoot days in Q4.

    “FilmLA is grateful to have had the opportunity to meet with independent... Read More

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