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    Home » POV: Reflections on 30 Years in the Direct Response TV Ad Industry

    POV: Reflections on 30 Years in the Direct Response TV Ad Industry

    By SHOOTWednesday, September 10, 2014Updated:Tuesday, May 14, 2024No Comments2050 Views
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    Tim Hawthorne, chairman & founder of Hawthorne Direct

    By Tim Hawthorne

    --

    Having recently been inducted into the Direct Response (DR) Hall of Fame, I’ve begun to reflect on my three decades of “Asking for the Order.” Thirty years ago  (June 1984) the FCC deregulated broadcast TV commercial time limits. Thirty years ago this coming November, I sat in the basement of a friend’s house. He was the only guy I knew that had a giant satellite dish. I waited until 11 p.m. to make sure the first airing of the first infomercial I ever produced made it on air – an hour-long “product documentary” made for the astonishing budget of $15,000.

    Once it ended, I waited 30 minutes, then called Astro Telemarketing in Omaha, Nebraska, and anxiously asked how many orders we received. “One hundred,” came the response. “Oh, that’s all?!” I remember thinking. After all, this was media time on a small but national satellite network. For a moment, I was crushed.

    But then I remembered to do the math. I had bought the time for $3,000 and had sold 100 products–for $300 each. That’s a 10-to-1 media efficiency ratio–MER, we would later say. I distinctly remember that night thinking, “There’s a business to be made here.”

    Thirty years later, I’m still proud to say I’m a DR guy, no matter how many “Saturday Night Live” infomercial parodies I have to sit through, no matter how many general advertisers I hear discredit direct marketing. What I do is honest, upfront selling. I’m not afraid to say, “Hey, we’ve got a great product here; check it out.”

    I’m proud that I’m not going to sell you a burger or a beer by objectifying women or sell you stocks or water by using babies so that you like my brand more and I influence your future behavior perniciously at a subconscious level. No, I want you to use your rational thinking mind to learn about what my product actually does, its features and benefits, what problems it solves, what it costs and that if you’re not satisfied for any reason, you can return it for your money back. I’m proud to represent products that solve problems and can change people’s lives for the better.

    As an ad man, I sleep pretty well at night. I might not be winning any awards at Cannes, but our clients and consumers are happy.

    As the Direct Response industry enters its fourth decade, we can only be grateful for the lessons learned from those that preceded us: the entertaining pitchman of the traveling Medicine Shows of 100 years ago; the Morris–and Popei–family Atlantic City pitchmen from the 1940s and 1950s with their Vegematics, Dialomatics and Whipomatics; the advertising patriarch Claude Hopkins, who wrote “Scientific Advertising” in 1923 and said, “The product itself should be its own best salesman.” And legendary ad man David Ogilvy, who said, “I do not regard advertising as entertainment or an art form, but as a medium of information. When I write an ad, I don’t want you to tell me that you find it ‘creative.’ I want you to find it so interesting that you buy the product.”

    After 30 years, I was proud to be inducted into the DR Hall of Fame by Response Magazine and to have been associated with an amazing Hall of Fame class, including Katie Williams, Collette Liantonio, Chickie Bucco, Suzanne Somers, AJ Khubani, Gary and Mary West, Tony Little and the deeply missed Billy Mays.

    So 30 years on, I will continue to pay tribute to the roots of the DRTV industry, and where we came from. We carry on that age-old tradition of direct selling–proud of the products we represent, unafraid to stand up and ask for the order, and always careful to utilize the secrets of our trade judiciously.

    As famed medicine show pitchman Doc Bloodgood once said, “Never use one word when four will suffice.” I kind of did just that.

    Tim Hawthorne is the chairman and founder of Hawthorne Direct, a full service brand response agency based in Los Angeles.

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    Funny and Feminist Fashion Advances The Storytelling In “Palm Royale”

    Friday, November 14, 2025

    When Kristen Wiig steps out of a vintage Rolls-Royce in the opening scene of Season 2 of "Palm Royale," she's sporting a tall, yellow, fringed hat, gold platform sandals and sunny bell bottoms, with fabric petals that sway with every determined step. It's the first clue that the costumes on the female-driven comedy are taking center stage. The Apple TV show made a splash in its first season with the starry cast, high production values and ubiquitous grasshopper cocktail. Wiig's character, Maxine, tries to break into Palm Beach high society in 1969 and bumps heads with co-stars Carol Burnett, Allison Janney, Leslie Bibb and Laura Dern. But also playing a starring role are the vintage designer frocks that reflect each character. For Season 2, which premiered this week, Emmy-winning costume designer Alix Friedberg says she and her team coordinated "thousands" of looks that reflect the characters' jet-setting style. She says 50-60% of the brightly colored and graphic print costumes are original vintage designer pieces, sourced by shoppers and costume designers. "The looks are so iconic. Sometimes Kristen will walk in in something, and it brings tears to my eyes," Kaia Gerber — who plays Mitzi — said in a recent interview. The creative process entails more than shopping If not original vintage, Friedberg's team builds the costumes, and if a character has to wear an outfit in multiple scenes or in big dance numbers, the team may create duplicates to preserve continuity. Friedberg says she was lucky to find so many vendors with vintage designer pieces in great condition. "(Bibb's character) Dinah wears a few original Oscar de la Renta pieces that are really so perfect. Bill Blass was a big one, Oleg Cassini," Friedberg says. "There's a... Read More

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