"Drive My Car," "Passing" and "The Souvenir Part II" garner two honors apiece
The Power of the Dog came up the big winner at the 42nd annual London Critics' Circle Film Awards, winning four major honors at the group's virtual awards ceremony from The May Fair Hotel on Sunday (2/6) night. Jane Campion’s acclaimed Western was crowned the Film of the Year, while Campion herself was named Director of the Year. The film’s stars Benedict Cumberbatch and Kodi Smit-McPhee won Actor and Supporting Actor of the Year, respectively for their performances as secretive, psychologically dueling rivals on a 1920s Montana ranch. It is Campion’s second film to take the Circle’s top honor, 28 years after The Piano triumphed in 1994.
Three other films took a pair of awards each. Drive My Car, Japanese auteur Ryûsuke Hamaguchi’s meditative drama on grief, companionship and Chekhov, won Foreign Language Film of the Year, while Hamaguchi and co-writer Takamasa Oe took the Screenwriter of the Year prize.
Joanna Hogg’s cinematic self-portrait The Souvenir Part II was named British/Irish Film of the Year–two years after its predecessor took the same honor–while it was one of three films, along with Memoria and The French Dispatch, for which Tilda Swinton received the British/Irish Actress of the Year award.
Actor-turned-director Rebecca Hall’s delicately nuanced racial drama Passing also garnered two wins. Hall took the Breakthrough British/Irish Filmmaker award. And Ruth Negga was named Best Supporting Actress of the Year for her performance as a white-passing Black woman in 1920s New York City.
Actress of the Year went to Olivia Colman for her layered turn as a conflicted mother reflecting on her past in Maggie Gyllenhaal’s The Lost Daughter; it’s Colman’s third award from the Circle, having previously won for Tyrannosaur and The Favorite. Another previous winner, Andrew Garfield, won the British/Irish Actor of the Year award for his varied performances in tick, tick… Boom!, The Eyes of Tammy Faye and Mainstream. And 11-year-old Woody Norman rounded out the acting winners with the Young British/Irish Performer prize for his remarkable turn opposite Joaquin Phoenix in C’mon C’mon.
Documentary of the Year went to musician and filmmaker Ahmir “Questlove” Thompson for his archival musical immersion Summer of Soul, while this year’s multi-disciplinary Technical Achievement Award went to the visual effects team of Denis Villeneuve’s dazzling sci-fi epic Dune. Mitch Kalisa’s Play It Safe, a powerful reflection on performance and prejudice, won the British/Irish Short Film award.
For the second year in a row, the event took place virtually on the London Critics’ Circle YouTube channel, this time with critics presenting awards remotely from the ceremony’s usual home at The May Fair Hotel. An in-person event to celebrate this year’s winners is being planned for later in 2022.
Here’s a full rundown of winners:
FILM OF THE YEAR
The Power of the Dog (Netflix)
FOREIGN LANGUAGE FILM OF THE YEAR
Drive My Car (Modern)
DOCUMENTARY OF THE YEAR
Summer of Soul …or, When the Revolution Could Not Be Televised (Searchlight)
The Attenborough Award
BRITISH/IRISH FILM OF THE YEAR
The Souvenir Part II (Picturehouse)
DIRECTOR OF THE YEAR
Jane Campion – The Power of the Dog (Netflix)
SCREENWRITER OF THE YEAR
Ryûsuke Hamaguchi and Takamasa Oe – Drive My Car (Modern)
ACTRESS OF THE YEAR
Olivia Colman – The Lost Daughter (Netflix)
ACTOR OF THE YEAR
Benedict Cumberbatch – The Power of the Dog (Netflix)
SUPPORTING ACTRESS OF THE YEAR
Ruth Negga – Passing (Netflix)
SUPPORTING ACTOR OF THE YEAR
Kodi Smit-McPhee – The Power of the Dog (Netflix)
BRITISH/IRISH ACTRESS OF THE YEAR
Tilda Swinton – for her body of work in 2021, including Memoria (Sovereign), The Souvenir Part II (Picturehouse) and The French Dispatch (Searchlight)
BRITISH/IRISH ACTOR OF THE YEAR
Andrew Garfield – for his body of work in 2021, including tick, tick… Boom! (Netflix), The Eyes of Tammy Faye (Searchlight), Spider-Man: No Way Home (Sony) and Mainstream (Universal)
The Philip French Award
BREAKTHROUGH BRITISH/IRISH FILMMAKER
Rebecca Hall – Passing (Netflix)
YOUNG BRITISH/IRISH PERFORMER
Woody Norman – C’mon C’mon (Entertainment)
BRITISH/IRISH SHORT FILM
Play It Safe
TECHNICAL ACHIEVEMENT AWARD
Dune – Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer, visual effects (Warners)
Review: Director Morgan Neville’s “Piece by Piece”
A movie documentary that uses only Lego pieces might seem an unconventional choice. When that documentary is about renowned musician-producer Pharrell Williams, it's actually sort of on-brand.
"Piece by Piece" is a bright, clever song-filled biopic that pretends it's a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it's a bit of both.
Director Morgan Neville — who has gotten more and more experimental exploring other celebrity lives like Fred Rogers in "Won't You Be My Neighbor?,""Roadrunner: A Film About Anthony Bourdain" and "Steve! (Martin): A Documentary in Two Pieces" — this time uses real interviews but masks them under little Lego figurines with animated faces. Call this one a documentary in a million pieces.
The filmmakers try to explain their device — "What if nothing is real? What if life is like a Lego set?" Williams says at the beginning — but it's very tenuous. Just submit and enjoy the ride of a poor kid from Virginia Beach, Virginia, who rose to dominate music and become a creative director at Louis Vuitton.
Williams, by his own admission, is a little detached, a little odd. Music triggers colors in his brain — he has synesthesia, beautifully portrayed here — and it's his forward-looking musical brain that will make him a star, first as part of the producing team The Neptunes and then as an in-demand solo producer and songwriter.
There are highs and lows and then highs again. A verse Williams wrote for "Rump Shaker" by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner... Read More