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    Home » RED launches next generation DSMC3 camera system with new V-RAPTOR 8K VV

    RED launches next generation DSMC3 camera system with new V-RAPTOR 8K VV

    By SHOOTWednesday, September 1, 2021Updated:Tuesday, May 14, 2024No Comments3252 Views
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    FOOTHILL RANCH, Calif. --

    RED Digital Cinema® has unveiled the new V-RAPTOR  8K VV camera, launching its first entrant into the next generation DSMC3 platform. Building on RED’s dedication to advancing image quality, the camera is RED’s most powerful to date. It features the highest dynamic range, fastest cinema-quality sensor scan time, cleanest shadows, and highest frame rates of any camera in RED’s lineup. It is designed to provide unmatched performance for a variety of shooting scenarios.

    Priced at $24,500, a white ST version of the camera is available for purchase while supplies last. The black version will be available in larger quantities before the end of 2021. RED also announced a forthcoming XL camera body will be released in the first half of 2022. The XL will be ideally suited for studio configurations and high-end productions, based on feedback to the RED RANGER body style.

    V-RAPTOR features a multi-format 8K sensor (40.96mm x 21.60mm) with the ability to shoot 8K large format or 6K Super 35. Joining its predecessor, the MONSTRO 8K VV sensor, this unique in-camera option for impactful visual storytelling allows shooters to leverage any of their large format or S35 lenses with the push of a button and always deliver at over 4K resolution.  

    The V-RAPTOR far exceeds previous sensor capabilities, presenting users with the option to capture 8K full sensor at up to 120 frames per second (150fps at 2.4:1), 6K up to 160 fps (200fps at 2.4:1), and 2K (2.4:1) at 600 frames per second, while still capturing over 17 stops of dynamic range. 

    “V-RAPTOR is more than just its specs. It is a reflection of the ferocity of our team, who have spent the last two years forced apart. Through everything, we found a way to work together closer and better than ever before, fueled by the incredible passion and support of our community of filmmakers. V-RAPTOR takes an impressive array of silicon, seemingly from the future, and mashes it together with pieces of the heart and soul of every RED camera that has come before it,” said Jarred Land, president, RED Digital Cinema 

    V-RAPTOR, as with the other cameras in RED’s ecosystem, harnesses RED’s proprietary REDCODE RAW codec, allowing users to capture 16-bit RAW and leveraging RED’s latest IPP2 workflow and color management tools.  

    This highly anticipated DSMC3 camera is built on a newly integrated and modernized form factor while featuring a robust professional I/O array that includes two 4K 12G-SDI outputs, XLR audio with phantom power capability via adapter, and built-in USB-C interface allowing for remote control, ethernet offload, and more. All features are packaged in a compact, rugged, water, and dust resistant design that measures 6 x 4.25 inches and just over 4 pounds. Other highlights include an RF lens mount with locking mechanism; wireless control and preview via Wi-Fi; phase detection autofocus; and a newly designed and easy-to-navigate integrated display, located on the side of the camera, which allows for comprehensive controls, including in-camera format selection, customized buttons, status updates, and more. 

    As with RED’s most recent camera, the RED KOMODO 6K, V-RAPTOR utilizes the updated and streamlined REDCODE® RAW settings (HQ, MQ, and LQ) to enhance the user experience with simplified format choices optimized for various shooting scenarios and needs.

    Additional features include data rates up to 800 MB/s using RED branded or other qualified CFexpress media cards; integrated micro v-mount battery plate; a 60mm fan for quieter and more stable heat management; and wireless connectivity via the free RED Control app, which is available now for iOS and Android devices.

    “We at RED are truly thrilled to finally show off V-RAPTOR to the filmmaking community around the globe. The fact that we are introducing yet another groundbreaking camera into the market is a testament to the hard work and dedication of all the employees across the board at RED. It is simply a part of our DNA to continue the brand’s legacy of disrupting the industry and providing filmmakers with the most advanced tools possible to unleash their wildest creative ideas without ever compromising,” stated RED founder Jamin Jannard  

    Also announced from RED is a comprehensive array of first-party and co-designed accessories. The engineering team at RED worked closely with industry-leading partners such as SmallHD, Angelbird, Core SWX, and Creative Solutions to create and produce purpose-built products specifically to work with V-RAPTOR.

    Available accessories include:

    • DSMC3 RED® Touch 7” LCD monitor
    • V-RAPTOR™ Wing Grip
    • RED® PRO CFexpress 660GB and 1.3 TB (available soon) media cards
    • RED® CFexpress Card Reader
    • REDVOLT® MICRO-V Battery Pack
    • RED® Compact Dual V-Lock Charger

     
    RED is additionally launching a pre-bundled V-RAPTOR Starter Pack option that comes with:

    • DSMC3 RED® Touch 7” LCD
    • RED® PRO CFexpress 660GB Card
    • RED® CFexpress Card Reader
    • 2x REDVOLT® MICRO-V Battery Pack
    • RED® Compact Dual V-Lock Charger
    • 2x V-RAPTOR™ Wing Grips
    • EXT to T/C Cable

     
    Later in 2021, along with the launch of the black V-RAPTOR, an additional pre-bundled Production Pack option will be available. It will come with a robust accessory package that includes the DSMC3 RED Touch 7” LCD monitor, 2x RED Pro CFexpress 660GB Cards, RED CFexpress USB-C Card Reader, 4x RED Mini V-Lock 98Wh Batteries, RED V-Lock Charger, V-RAPTOR Tactical Top Plate with Battery Adapter; V-RAPTOR Expander Module; V-RAPTOR Top Handle; V-RAPTOR Quick Release Platform Pack; RED Production Grips; V-RAPTOR Side Ribs; and a DSMC3 RED® 5-Pin to Dual XLR Adaptor. 

    Furthermore, a RED® RF-PL Adapter with an electronic ND filter will soon be available.

    “We are excited to partner with our amazing Premium Dealers to bring this groundbreaking camera technology to market. V-RAPTOR joins KOMODO, RANGER and DSMC2 to create what we feel is the best and most versatile lineup of cinema cameras in the industry. We will continue to work with our Premium Dealers and all of our partners to provide the highest level of service to the global community of RED users,” stated Tommy Rios, executive VP, RED Digital Cinema

    More information on the availability of the black version of V-RAPTOR and the accompanying V-RAPTOR Starter and Production Packs, as well as the V-RAPTOR XL, will be available soon.  

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    Tags:RED Digital Cinema



    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    The murder trial of Duane "Keffe D" Davis in the 1996 killing of Tupac Shakur is headed to closing arguments after the defense rested Thursday following testimony from three former Las Vegas police officers.

    Jurors are scheduled to return Monday for closing arguments before beginning deliberations in the only prosecution brought in the killing of the hip-hop icon. The presentation of evidence ended after nine days of testimony.

    Davis, 63, did not take the stand.

    Shakur was riding in a BMW on Sept. 7, 1996, when a white Cadillac pulled up next to it at a red light near the Las Vegas Strip and gunfire erupted. Shakur was shot multiple times and died six days later. The driver of the BMW, Marion "Suge" Knight, survived.

    Years later, Davis would say he procured the gun and his nephew, who has since died, fired the shots. Prosecutors say Davis orchestrated the killing, and he faces life in prison if convicted of murder with a deadly weapon with the intent to promote, further or assist a criminal gang. He has pleaded not guilty.

    Defense attorney Michael Sanft has argued that Davis fabricated or embellished his accounts of the killing for money and notoriety and that investigators failed to independently corroborate his claims.

    Retired Las Vegas homicide detective Dan Long, the defense's final witness, testified that he tried unsuccessfully to verify several details Davis provided during a 2009 police interview.

    Davis told Long that his nephew, Orlando "Baby Lane" Anderson, had gone to a Las Vegas hospital after being beaten by Shakur and others in a casino brawl hours before the rapper was fatally shot. Long said he was unable to find hospital records confirming Anderson was treated there.

    Long also tried... Read More

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