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    Home » Rep Report for February 10, 2017

    Rep Report for February 10, 2017

    By SHOOTThursday, February 9, 2017Updated:Tuesday, May 14, 2024No Comments3584 Views
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    Cinematographer Tami Reiker
    --

    ICM Partners is now representing cinematographer Ulrik Boel Bentzen and production designer Clement Price-Thomas for commercials and feature films exclusively…..

    Dattner Dispoto and Associates (DDA) has added cinematographers Miguel Bunster and Adam McDaid to its roster for representation in features, TV and commercials. Coming aboard DDA for commercials and features is cinematographer Barry Peterson. Production designer Francis Whitebloom has signed with DDA for commercials….

    DDA clients also had 10 films screened at the recently wrapped Sundance Film Festival. In the fest’s U.S. Dramatic Competition, DDA cinematographer Rob Givens, production designer Eric Archer and costume designer Alana Morshead worked on The Hero, while Brian David Cange was a line producer on Roxanne, Roxanne. Sundance’s NEXT lineup included Deidra and Laney Rob a Train shot by DDA DP Quyen Tran. In Sundance’s Premieres section, cinematographer Rachel Morrison of DDA lensed Mudbound, Cange line produced Marjorie Prime, DDA costume designer Alana Morshead worked on Newness, and Christina Blackaller handled costume design for Beatriz At Dinner. Sundance’s Midnight Films included The Little Hours shot by Tran. And DDA DP Sing Howe Yam shot I Know You From Somewhere which made the U.S. Narrative Short Films cut at Sundance. Finally DDA DPs Tami Reiker and Rodney Taylor lensed Shots Fired, an upcoming FOX TV series which was screened at a Sundance special event….On a separate front, cinematographer Bojan Bazelli shot the soon-to-be released A Cure for Wellness (Twentieth Century Fox), directed by Gore Verbinski. Bazelli and Verbinski previously collaborated on The Ring. Bazelli’s other credits include Pete’s Dragon, Hairspray and Mr. and Mrs. Smith…..

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    Category:Street Talk
    Tags:Dattner Dispoto and AssociatesICM Partners



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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