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    Home » Rep Report for June 2, 2023

    Rep Report for June 2, 2023

    By SHOOTThursday, June 1, 2023Updated:Tuesday, May 14, 2024No Comments1629 Views
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    Fran Montoya
    --

    Republic, a Dallas-based production, editorial and design collective, has secured industry veteran Fran Montoya as its director of sales. Montoya brings almost 30 years of experience to the role and will be charged with leading Republic’s internal sales and marketing teams and coordinating their efforts with outside representation. Montoya’s experience as both an independent and in-house rep–with a historical roster of companies ranging from VFX to production to music to traditional postproduction–has allowed her to build strong relationships with agency creatives, producers, industry creatives and talent. A critical player in Reel FX’s commercial division’s success in the mid 2000’s, she was most recently head of sales at charlieuniformtango. Proficient in Spanish, with strong relationships in both the general and Hispanic markets, Montoya was born in El Paso and destined for a career at the intersection of sales and creativity. Raised by parents who owned competing advertising agencies, her father, Rudy Montoya, was a famous Southwest artist who owned a local print advertising agency, while her mother wrote, produced and directed for her own company. While in high-school, a young Montoya answered phones for her father before running her mother’s casting agency at the age of 18. Montoya moved to Dallas at age 21 and started a small repping firm working with such companies as DNA Productions and Concrete Productions, and as an independent rep. She went in-house at Reel FX in 2007, where she expanded its commercial roster and client base and gained a deep understanding of the animation and visual effects arena….
     

    Global design firm Forever–launched back in January via a deal between London-based FutureDeluxe and Canada’s Tendril–has hired Joel Dennis as global head of growth. Dennis takes on responsibility for growing the Forever business and expanding the global group’s footprint both internally and externally. Reporting into Forever’s U.K.-based CEO James Callahan, Dennis hails from Sid Lee where his role  was director for growth & innovation. Having worked across automotive, ecommerce, and tech, Dennis brings with him a wealth of sales and business development experience, alongside expertise in sales process improvement…..

    Riedel Communications–which designs, manufactures, and distributes real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications–has expanded its sales team in France with the appointment of Philippe Delépine as regional sales manager and François Sarbinowski as sales specialist, live production. Delépine joins Riedel with decades of experience proposing and implementing audio and video solutions for major players across the broadcast and professional AV industries. He was a sales engineer and project manager at Audiopole, where he contributed to numerous successes with notable French media organizations, and more recently served as a commercial engineer with CVS Engineering, a system integrator covering all areas of broadcast TV sets, control rooms, as well as institutional clients. Sarbinowski began his career in the industry as a video assistant and today has three decades of experience using state-of-the-art, live slow-motion replay technology for some of the world’s most notable live sports events. Spending many years with EVS Broadcast Equipment in France, he served as a training manager and then as presales/operation manager, introducing the company’s products to customers across Europe. More recently, Sarbinowski was a video technology coordinator for the International Cycling Union and a technical consultant for different jobs, including remote production with the Simplylive Production Suite for a major tennis tournament in Paris….

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    Category:Rep Reports
    Tags:ForeverFran MontoyaFutureDeluxeRepublicRiedel Communications



    Review: Writer-Director James L. Brooks’ “Ella McCay”

    Wednesday, December 10, 2025

    "I can't trust my brain right now," says our hero, Ella, deep into James L. Brooks' bafflingly disjointed, uneven, unfunny and illogical "Ella McCay." And finally, nearly two hours into a perplexing muddle of a storyline, we have some clarity of thought. No, dear, we want to tell Ella, played by the lovely Emma Mackey, who is truly the only reason to watch any of this. No, your brain is fine (and by the way, what a depressing line to put in the mouth of your most intelligent character — a hard-working woman in politics). It's your script you can't trust, Ella! Run away from it. Now. It's hard to understand how "Ella McCay," the first original feature from writer-director Brooks in 15 years, goes so utterly haywire. Is this really the same mind that wrote the memorable "Broadcast News"? "Terms of Endearment"? "As Good As It Gets"? We get a bit of a hint in the studio's press notes, which mention that Brooks began his script "without a specific storyline in mind." Hmm. Perhaps that (unintentionally) explains this tangle of half-baked characters and subplots — each more head-scratching than the next, but also boring — and an ending that's unbelievable, by which we mean not believable. What's even less believable is that smart supporting actors like Jamie Lee Curtis, Ayo Edebiri, Woody Harrelson and Rebecca Hall didn't walk out in protest of a lack of coherence. (Well, actually, Hall is gone in a matter of minutes.) The main action takes place over three days in 2008, in an unnamed state. An aggressively folksy Julie Kavner as narrator tells us Ella is a great person, and super-bright, and at 34, one of the youngest people to serve as lieutenant governor. She's also a moral compass — both in the dog-eat-dog world of politics, where she just wants... Read More

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