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    Home » Rep Report for October 21, 2022

    Rep Report for October 21, 2022

    By SHOOTWednesday, October 19, 2022Updated:Tuesday, May 14, 2024No Comments1543 Views
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    Ashley Monaghan
    --

    Hornet has brought Ashley Monaghan on board as executive producer focusing on business development and sales. With over 15 years of experience on the production side of advertising, Monaghan brings to Hornet a background in live action production, editing, VFX, and CG design and animation. Monaghan has an affinity for fostering talent, building teams, and finding the best opportunities that fit their creative aspirations….

    Creative editorial and postproduction company Final Cut has named Ed Koenig to serve as head of business development in the U.S. Koenig will help with expanding client relationships and business development opportunities for the shop along with its partner companies, creative studio Significant Others and sound house Machine. Koenig started off at Ogilvy Los Angeles before becoming one of the founding employees of MPC LA, the company’s first location outside London. Starting as an assistant to sr. colorist Mark Gethin, he worked with directors including Adam Berg, Rupert Sanders, and John Hillcoat; and alongside Oscar- winning cinematographers such as Linus Sandgren and Greig Fraser. From there, Koenig became Gethin’s executive producer and they collaborated to expand the color department in both L.A. and New York. Additionally, they formed several remote partnerships for MPC throughout the Midwest. Eventually, Koenig transitioned his client expertise into an overarching U.S. business development role. Final Cut maintains offices in London, New York and Los Angeles….

    Level 77 Music, an independent provider of production music, has inked an agreement with Red Igloo Music, Johannesburg, to act as its sub-publisher in Africa. Red Igloo will represent Level 77 Music’s catalog for licensing and sync across television, film, advertising, games and digital media. It will also collect royalties and digital revenue from all sources. The alliance is part of Level 77 Music’s plan to secure distribution for its catalog worldwide. It currently has sub-publishing relationships encompassing Europe, the U.K. and Australia as well as portions of Asia, the Middle East, South America and Latin America. Red Igloo Music is exclusive distributer for more than 150 leading libraries, collectively representing more than a half million high quality music tracks. Spanning every format, genre and musical style, its inventory is searchable and instantly downloadable. Its clients include African-based broadcasters, advertising agencies, television production companies and film studios. Level 77 Music–under the aegis of founder and CEO Patrick Avard–has a network of global partners which also includes CTM Publishing BV (Europe), Boom Music (United Kingdom), Sakura Notes (Japan), Modoofind (South Korea), Miles of Music (Israel), Azul Music (Brazil), EMVN (Vietnam, Thailand), Ujoysound (China, Hong Kong, Taiwan) and Origin (Australia)….

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    Category:Rep Reports
    Tags:Ashley MonaghanEd KoenigFinal CutHornet



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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