Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Review: Director Gary Ross’ “Ocean’s 8”

    Review: Director Gary Ross’ “Ocean’s 8”

    By SHOOTWednesday, June 6, 2018Updated:Tuesday, May 14, 2024No Comments5660 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    This image released by Warner Bros. shows, from foreground left, Sandra Bullock Sarah Paulson, Rihanna, Cate Blanchett and Awkwafina in a scene from "Ocean's 8." (Barry Wetcher/Warner Bros. via AP)

    By Lindsey Bahr, AP Film Writer

    --

    Steven Soderbergh's "Ocean's Eleven" remake is hard movie to live up to. Its starry charm was backed by a breezy and deceptively dense script full of memorable characters, dizzyingly complex logistics and lively filmmaking that Soderbergh himself couldn't even recreate in the two sequels. But it is undeniable that even the near-perfect "Eleven" was missing something pretty major: Women. You know, besides Julia Roberts, that blackjack dealer and the one exotic dancer.

    So why not, 17 years later, fix that egregious oversight by gathering up a few Oscar and Emmy winners and nominees, a Grammy-winner and a buzzy comedienne to keep that Ocean's franchise going and acknowledge the other half of the human population? If only "Ocean's 8 " was as a fresh and smart as that first one. (Hint: It's not for lack of star charisma or talent.)

    Sandra Bullock anchors the cast as Debbie Ocean, the never-before-mentioned sister of George Clooney's Danny Ocean, who has taken up the family business to varying degrees of success (we meet her in a parole hearing) and prefers to work without "hims." ''Hers," she later explains, can go unnoticed.

    And indeed, Debbie uses what could be a handicap very much to her advantage in a rollicking shoplifting spree at Bergdorf's. It helps, of course, when you look like Sandra Bullock and you happen to have left jail in full hair, makeup and cocktail dress. But it's still quite a bit of fun seeing her act the part of a wealthy and entitled shopper who tries to demand a refund for the items she's literally just pinched from their shelves. 90 percent of her method is simply looking like she belongs and taking advantage of the privileges that affords her.

    Don't expect this level of class or gender commentary from the rest of the film, however. "Ocean's 8" suffers from a bit of tonal whiplash. Half the time it seems to be veering into grotesque "Sex and the City" worship of brands and celebrity.

    Debbie's plan is to steal a $150 million diamond necklace. In order to do so, she and her assembled team of savants have to first infiltrate the orbit of a vapid celeb, Daphne Kluger (Anne Hathaway), and convince her to wear said necklace to the Met Gala, where they'll steal it and divide the earnings accordingly (a cool $16.5 million each).

    The team includes Lou (Cate Blanchett), who dresses like a glam rocker and spends her time watering down well vodka for profit; Rose Weil (Helena Bonham Carter), a kooky past-her-prime fashion designer desperate for a comeback; a jeweler in a rut, Amita (Mindy Kaling); Nine Ball (Rihanna), a hacker in dreadlocks; Constance (Awkwafina), a pickpocket; and Tammy (Sarah Paulson), a suburban mom who can't quite quit her white collar crime ways.

    While Blanchett and Bullock are predictably solid in their roles and get at least a few memorable moments of worthy banter, it's Hathaway who really steals the film with a wickedly on-point satiric turn a spoiled star. It is Hathaway's Miranda Priestly moment, and could have only been made better had she gone full-meta and played a character named "Anne Hathaway."

    The celebrity skewering is first-rate, but, for the most part, if you've seen Soderbergh's "Ocean's Eleven," you've basically seen "Ocean's 8" too. Director and co-writer Gary Ross ("The Hunger Games") follows familiar story beats and attempts, unsuccessfully, to ape Soderbergh's filmmaking style. And his glimpse inside the Met Gala makes that famously glamorous event look awfully pedestrian.

    It also doesn't help that the stakes never seem all that real in "Ocean's 8,"and when they do finally get an adversary, in a detective played by James Corden, it's more for laughs.

    There was a danger to "Ocean's Eleven" and a thrill in seeing that team succeed. Here, none of the women seem to have any fallibility at all, and you never find yourself doubting whether or not they can pull it off. Perhaps there is something subversive to the idea that all Debbie has to do is social shame two security guys from entering a women's restroom, but we're there for a something more elaborate too.

    That's kind of the overall problem of "Ocean's 8." It's all predicated on the fact that women are often underestimated. But in making that point, it's also somehow underestimated the audience who still should be entitled to a smart, fun heist, no matter who is pulling it off.

    "Ocean's 8," a Warner Bros. release, is rated PG-13 by the Motion Picture Association of America for "language, drug use, and some suggestive content." Running time: 110 minutes. Two and a half stars out of four.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST for UNLIMITED ACCESS to all SHOOT pages using either your email or social login (LinkedIn, Facebook, Google or X)

    The limited access duration has come to an end. (Access was allowed until: 2018-06-08)
    Category:Features
    Tags:Anne HathawayCate BlanchettGary RossOcean's 8Sandra Bullock



    SHOOT’s 65th Anniversary Reflections: FKKS’ Managing Partner Jeffrey A. Greenbaum

    Thursday, July 17, 2025

    As SHOOT celebrates a milestone, its 65th year of publication, we continue a recently launched series of interviews and features that will run throughout the summer on SHOOTonline and in SHOOT‘s newsletters and special PDF Issue with digital distribution in which industry executives, creatives and artists reflect on the changes they’ve seen over the decades, as well as essential dynamics that have endured. These folks--from different sectors of the business--will also share their visions and aspirations for the future. Perhaps most importantly, this special SHOOT coverage enables us to look back on the industry’s history, learn from it, and plum relevant lessons that will help us now and beyond. Mark Twain once famously said, “History doesn’t repeat itself but it often rhymes.” Twain’s insight underscores the importance of the past and its role in helping us better shape today and tomorrow. Such perspectives are invaluable yet sadly often not properly considered as society’s tendency at times is to overlook history and its significance. Additionally, the new generation navigating our industry sometimes isn’t aware of the relevant history, having not experienced it firsthand. Hopefully helping to close those gaps will be SHOOT’s 65th Anniversary coverage which seeks to provide historical context and to benefit from its relevance to the present and what may lie ahead. This week we connect with preeminent advertising industry lawyer Jeffrey A. Greenbaum, managing partner at Frankfurt Kurnit Klein + Selz (FKKS), to gain context on where we’ve been, where we are, and where we’re going. SHOOT reaching out to Greenbaum for his legal expertise is nothing new. Greenbaum has been a regular panelist... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleMethod Studios expands L.A. design team with Georgiy Kuznetsov
    Next Article 3AM and Wild Card bring Tara DeVeaux aboard as CMO
    SHOOT

    Add A Comment
    What's Hot

    What to Stream: Dragons, Donkey Kong, Pac-Man, Myke Towers and ‘The Summer I Turned Pretty’

    Thursday, July 17, 2025

    SHOOT’s 65th Anniversary Reflections: FKKS’ Managing Partner Jeffrey A. Greenbaum

    Thursday, July 17, 2025

    Two Viewership Milestones Underscore The Changing Media Landscape

    Wednesday, July 16, 2025
    Shoot Screenwork

    Top Spot of the Week: BIEN’s Animated Prequel To The Documentary “Quad Life”

    Wednesday, July 16, 2025

    For Quad Life–a short live-action documentary it developed about sound designer David Jeffers’ life after…

    Monster Hunters Wanted! Director Zac Ella, Ad Agency CALLEN Team On High-Chaos Recruitment Campaign For Supercell’s mo.co Game

    Tuesday, July 15, 2025

    The Best Work You May Never See: Director Martin Werner and Courage Team On A Finger Lickin’ Good KFC Canada Spot–With An Apology To Table Manners

    Monday, July 14, 2025

    Daisy Ifama Directs Google Film On Emergency Obstetric Care In Nigeria

    Friday, July 11, 2025

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.