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    Home » Review: Director George Tillman Jr.’s “The Hate U Give”

    Review: Director George Tillman Jr.’s “The Hate U Give”

    By SHOOTThursday, October 11, 2018Updated:Tuesday, May 14, 2024No Comments3732 Views
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    This image released by 20th Century Fox shows Amandla Stenberg in a scene from "The Hate U Give." (Erika Doss/20th Century Fox via AP)

    By Lindsey Bahr, AP Film Writer

    --

    "The Hate U Give " begins with a scene at the family dinner table where a father is giving his young kids "the talk" — the one in which he explains to his 9-year-old daughter, Starr, and toddler son exactly what to do when they're pulled over by a police officer. Hands on the dashboard. No sudden movement. Answer the questions directly. Don't elaborate.

    A teenage Starr (played by Amandla Stenberg, who gives an astonishing performance) is narrating this memory. She's as surprised as the audience is that this "talk" was given at such a young age. But it's one that will stay imprinted on her. For Starr and her family and friends, it's a matter of life or death. And it's a scenario that will come back in the most horrifying way imaginable.

    "The Hate U Give," a popular young adult novel by Angie Thomas, is adapted with deft skill by Audrey Wells, a prolific and deeply humane screenwriter and filmmaker who died last week from cancer, and lovingly directed by George Tillman Jr. It's love that permeates every corner of this very prescient and effective drama that should be seen by moviegoers of all ages.

    Starr Carter leads what she describes as a double life. Her home is in Garden Heights, a poor, predominantly black neighborhood that her father, Maverick (Russell Hornsby) loves and feels attached to. Her prep school, Williamson, is wealthy and predominantly white and something that her mother, Lisa (Regina Hall), deems necessary. And she navigates these two versions of herself with self-prescribed decorum for both.

    "Williamson Starr doesn't give anyone a reason to call her ghetto," she says. "And I hate myself for doing it."

    She keeps her white boyfriend Chris (K.J. Apa), and friends (Sabrina Carpenter and Megan Lawless) at a distance from her home life, which she manages pretty well until the night when she witnesses her childhood best friend, Khalil (Algee Smith), get shot by a white police officer at a traffic stop.

    It's a scene made only more devastating by how sweet everything is right before it happens. Starr and Khalil run into each other at a party that gets broken up and he offers to drive her home. He's a little changed, sporting some fancy new clothes and shoes, as he's started working for a local drug lord, King (Anthony Mackie), to help support his family and pricey medical bills. The two high schoolers talk about music, and flirt and Khalil leans in to kiss Starr. On its own, this sequence is straight out of the best high school rom-coms, before it turns into a horror film.

    Khalil's killing becomes a national story and Starr is torn about what to do. Testify? Go public? Put her name out there? Not only would she be exposing herself to her school pals, but back at home King and his cohorts have threatened her family, fearing that she would put their operation in jeopardy, too. This debate leads to some fascinating conversations — illuminating and disheartening — between various people, including her uncle Carlos (Common), who is also a police officer, and a fiery activist, April (Issa Rae). But the most moving talks are the ones with her family.

    For as naturalistic and real as "The Hate U Give" is, it goes off the rails just a little bit at the climax to make its grand point about the effect of this kind of climate on innocents, but there is too much heart here to really nitpick at a little hyperbole.

    If there is any justice in Hollywood, this is the type of film that should make Stenberg a movie star who has her pick of projects. She's the type of actress who can even make a role in a bad film sing. And in a very good one like "The Hate U Give"? She's just magic.

    "The Hate U Give," a 20th Century Fox release, is rated PG-13 by the Motion Picture Association of America for "mature thematic elements, some violent content, drug material and language." Running time: 132 minutes. Three and a half stars out of four.

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    Category:Features
    Tags:20th Century FoxAudrey WellsGeorge Tillman Jr.The Hate U Give



    Women Propel “Wuthering Heights” To Box Office-Topping Debut At $34.8 Million

    Sunday, February 15, 2026

    Emerald Fennell's bold reimagining of "Wuthering Heights" brought crowds of women to movie theaters this weekend. The Warner Bros. release topped the box office charts and nabbed the title for the year's biggest opening with $34.8 million in ticket sales in its first three days in North American theaters, according to studio estimates Sunday. According to PostTrak polling, an estimated 76% of those ticket buyers were women. By the end of Monday's Presidents Day holiday, the total could rise to $40 million from its 3,682 locations.

    The romantic drama starring Margot Robbie and Jacob Elordi as the star-crossed Catherine and Heathcliff, won out over the weekend's other newcomers, including the animated "GOAT" and the heist thriller "Crime 101." Its biggest day was Saturday's Valentine's Day holiday, where it earned $14 million. "Wuthering Heights" is also performing even better internationally, where it's expecting to rake in an additional $42 million from 76 territories.

    The Warner Bros./MRC production cost a reported $80 million to produce, not accounting for the millions spent on marketing and promotion. If the four-day totals match the estimates, that makes for a strong $82 million global debut. And the film still has several big openings on the horizon, in Japan and Vietnam on Feb. 27, and in China on March 13.

    The success comes while the future of Warner Bros. hangs in the balance, as Paramount continues to sweeten its hostile takeover bid in hopes of winning out over Netflix. "Wuthering Heights" is the studio's ninth No. 1 opening in a row.

    Fennell's version of "Wuthering Heights," which takes many liberties with Emily Brontë's novel, largely divided critics. It's currently sitting at a mixed 63% on Rotten Tomatoes. While that... Read More

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