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    Home » Review: Director John Krasinski’s “A Quiet Place”

    Review: Director John Krasinski’s “A Quiet Place”

    By SHOOTMonday, April 2, 2018Updated:Tuesday, May 14, 2024No Comments4372 Views
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    This image released by Paramount Pictures shows actor-director John Krasinski on the set of "A Quiet Place," with his actress wife Emily Blunt. (Jonny Cournoyer/Paramount Pictures via AP)

    By Jocelyn Noveck, AP National Writer

    --

    Let's start with a popcorn warning. If you're bringing your usual tub of multiplex popcorn into "A Quiet Place," just be aware that you'll be hearing every single crunch.

    That's because much of John Krasinski's ingeniously creepy new film, in which he stars alongside his real-life better half, Emily Blunt, takes place in virtual silence. This is a movie about a world where noise gets you killed. In fact, if you ate popcorn IN the movie, you'd quickly be dead. Unless you were standing by a waterfall. More on that in a minute.

    Krasinski, in his third feature outing as director, has a lot going for him here: An inventive premise (was it dreamed up by some vengeful librarian?), a terrific cast featuring two extremely effective child actors, and the always superb Blunt, who can register fear, joy, love and anxiety in one scene without needing to utter a word. He takes all this and runs with it, producing a taut, goose-pimply thriller that earns its jump-out-of-your-seat moments and only occasionally strains its own logic — and then, who really cares? It's a monster flick!

    We begin on "Day 89." But what exactly happened 89 days ago? Our first clue is that there's nobody in the streets of the desolate town where the Abbott family — Lee, Evelyn and three young kids — makes a precarious shopping trip. The family has ventured on foot from their farmhouse to search an abandoned store for badly needed medicine. The next clue is all the "Missing" posters on the streets. What happened to all these folks? The most obvious clue is that the family cannot speak, or make a sound. They communicate in sign language, and walk barefoot on soft sand and dirt so even their feet won't give them away.

    An early, shocking tragedy makes it clear what they're up against: evil, hungry monsters who consume anyone who catches their attention with sound. Soon, that fateful Day 89 skips ahead to Day 472. The monsters still rule, and now Evelyn (Blunt) is pregnant. As the family goes about its soundless daily routines — cooking meals silently, eschewing the washer-dryer for hand washing, playing board games with soft pieces, dancing to music on headphones — one wonders how they'll possibly bring a baby into the world without making noise.

    Krasinski and fellow screenwriters Bryan Woods and Scott Beck are cleverly tapping into universal parental angst here. First, childbirth, already pretty darned painful and stressful, is made even more difficult — you can't even scream! And how on Earth can you keep a newborn from crying? More broadly, there's the constant fear for Lee and Evelyn that any daily task can lead to an errant noise, and quickly, death.  What's worse than feeling like you can't protect your child? "There's nothing to be scared of," Lee (Krasinski) tells young son Marcus reassuringly at one point, as they leave the house. "Of course there is," the boy replies, correctly.

    Basically the only place where one can talk freely, in this world, is next to the roaring waterfall where Lee takes Marcus (an appealingly sensitive Noah Jupe) one day. Because the waterfall is louder than they are, they can holler with abandon. They've left older sister Regan at home to help Mom. Despite her obvious smarts and instincts, Regan is technically at even greater risk from the evil creatures, because she is deaf and can't hear them even if they're right behind her. To survive, she will need to be more resourceful than anyone else in the family. (Regan is embodied with warmth and poignancy by young deaf actress Millicent Simmonds).

    Remember we said this movie earned its jump-out-of-your-seat moments? There's one in particular, involving Blunt, that is applause-worthy, and you'll know it when you see it. There's also a terrifying sequence in a grain silo, reminiscent of the movie "Witness," and an errant nail sticking out of a wooden plank is used quite (ouch) effectively.

    "A Quiet Place" may not have the weighty social meaning or piercing comedy of another recent high-profile horror thriller, "Get Out." But like that movie it is smart, it moves fast, it has a hugely satisfying ending — and it deserves to attract a much broader audience than the usual horror film devotees.

    But just watch out for that popcorn. Crunch too loud, and you're a goner.

    "A Quiet Place," a Paramount Pictures release, is rated PG-13 by the Motion Picture Association of America "for terror and some bloody images." Running time: 90 minutes. Three stars out of four.

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    Category:Features
    Tags:A Quiet PlaceEmily BluntJohn KrasinskiParamount Pictures



    “Spider-Man: Brand New Day” Maintains Record Box Office Pace; “The Odyssey” Sets New High For Nolan

    Sunday, August 9, 2026

    "Spider-Man: Brand New Day" continued its blistering pace in theaters, collecting $144.5 million domestically over its second weekend, according to studio estimates Sunday, while Christopher Nolan's "The Odyssey" set a new high for the director.

    The Sony-Marvel release has accrued $1.67 billion worldwide in just 10 days of release, putting it on a trajectory to be among the biggest blockbusters ever. Domestically, no movie has racked up a higher total faster. In U.S. and Canadian cinemas, "Brand New Day" has grossed $655.1 million thus far. Overseas, it's already surpassed $1 billion.

    It took only seven days for "Brand New Day" to become the highest grossing movie of the year, easily displacing "Toy Story 5" ($1.07 billion worldwide). No Sony film has ever cleared $100 million in its second weekend before. It came close to toppling the best sophomore frame on record: "The Force Awakens," with $149.2 million in 2015.

    Christopher Nolan's "The Odyssey" also crossed $1 billion. In its fourth weekend, the Universal Pictures release added $31.5 million domestically to bring its global total to $1.1 billion.

    Nolan's Homeric epic is the director's first movie to reach that threshold since 2012's "The Dark Knight Rises." It now ranks as Nolan's biggest box-office hit ever, not accounting for inflation, eclipsing both "The Dark Knight Rises" ($1.08 billion) and 2009's "The Dark Knight" ($1 billion). Nolan's "Oppenheimer" ($975 million) ended just shy of the milestone.

    A big part of that success, of course, has been on IMAX. With $147.3 million domestically on the company's large-format screens, "The Odyssey" now ranks as IMAX's highest grossing domestic release of all time.

    "The Odyssey" still has one major market left. It opens in... Read More

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