By Mark Kennedy
David Letterman joins Bono and The Edge in a new streaming documentary about U2 and one obvious question soon jumps out: What exactly is David Letterman doing here?
The droll, bushy-bearded American comedian is an odd choice to be master of ceremonies for this Disney+ project, unbalancing everything, even the title, "Bono & The Edge: A Sort of Homecoming, with Dave Letterman."
Director Morgan Neville does a fabulous job using new interviews — including brilliant insights by musician Glen Hansard and producer Jimmy Iovine — and melding them with old performances as he explores the band's origins, song creations, highs and lows. But he's torn about whether this is a travel show or a music documentary and neither work well.
The film's spine is a concert by Bono and The Edge at the Ambassador Theatre in Dublin, Ireland, where they unveil some of the ways they've stripped down and reworked their catalogue for the new acoustic-led album "Songs of Surrender," including such songs as "Vertigo" "Bad" and "One."
But Letterman not only distracts, he gets in the way. We watch him wander around Dublin shopping with his clueless, oddball sense of humor, as if the show was about him. "I'm interested in a wheel of cheese. I've never purchased a wheel of cheese," he says.
There's even a weird sequence in which Bono is reduced to drawing a map of Ireland for his guest and unpacking the complex history of Irish-English animus. "Who do I dislike in this?" asks Letterman. The answer is Letterman.
The documentary does a masterful job of giving context to U2's rise, the social, religious and cultural changes taking place in the late 1970s and '80s in Dublin, or as Bono says "as Ireland moves from black and white into color."
There are insights — some small, like that drummer Larry Mullen Jr.'s nickname growing up was "The Jam Jar," and some big, as when Bono reveals tensions within the band regarding his activism — and moments to celebrate, like the band's important Super Bowl halftime show after 9/11.
But then there's Letterman popping up again — visiting polar swimmers or stopping by the recording studio, offering no real insight. Bono and The Edge even write him a goodbye song. Letterman is empty-handed.
Watching the documentary you start to realize how crucial The Edge is, and even get to listen to him sing a few songs and tell the story of how he came up with "Sunday Bloody Sunday" while delivering the riff on a guitar. Bono brings up how key his bandmate is, in a sweet way, live in concert.
"The thing I don't like about Edge is that he doesn't need me. He could be doing all of this — writing, singing, performing, playing, producing — on his own. But he doesn't," Bono says.
"Because it's not as much fun," The Edge replies.
The only thing that ruins this special chemistry is the film's third wheel — the American with the wheel of cheese.
"Bono & The Edge: A Sort of Homecoming, with Dave Letterman," a Disney+ release streaming Friday, is rated TV-14. Running time: 124 minutes. Two and a half stars out of four.
Mark Kennedy is an AP entertainment writer
Full Lineup Set For AFI Fest; Official Selections Span 44 Countries, Include 9 Best International Feature Oscar Submissions
The American Film Institute (AFI) has unveiled the full lineup for this year’s AFI Fest, taking place in Los Angeles from October 23-27. Rounding out the slate of already announced titles are such highlights as September 5 directed by Tim Fehlbaum, All We Imagine As Light directed by Payal Kapadia, The Luckiest Man in America directed by Samir Oliveros (AFI Class of 2019), Zurawski v. Texas from executive producers Hillary Clinton, Chelsea Clinton and Jennifer Lawrence and directors Maisie Crow and Abbie Perrault, and Oh, Canada directed by Paul Schrader (AFI Class of 1969). A total of 158 films are set to screen at the 38th edition of AFI Fest.
Of the official selections, 48% are directed by women and non-binary filmmakers and 26% are directed by BIPOC filmmakers.
Additional festival highlights include documentaries Architecton directed by Victor Kossakovsky; Cheech & Chong’s Last Movie directed by David Bushell; Devo directed by Chris Smith about the legendary new wave provocateurs; Gaucho Gaucho directed by Michael Dweck and Gregory Kershaw; Group Therapy directed by Neil Berkeley with Emmy® winner Neil Patrick Harris and Tig Notaro; No Other Land directed by a Palestinian-Israeli team comprised of Basel Adra, Yuval Abraham, Rachel Szor and Hamdan Ballal; Pavements directed by Alex Ross Perry; and Separated directed by Errol Morris. Notable narrative titles include Black Dog (Gou Zen) directed by Guan Hu; Bonjour Tristesse directed by Durga Chew-Bose with Academy Award® nominee Chloë Sevigny; Caught By The Tides directed by Jia Zhangke; Hard Truths directed by Mike Leigh with... Read More