Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Review: “Jackass: Best and Last,” A Showcase Of Greatest Hits–Literally

    Review: “Jackass: Best and Last,” A Showcase Of Greatest Hits–Literally

    By SHOOTThursday, June 25, 2026No Comments87 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    • Image

      This image released by Paramount Pictures shows, from left, Danger Ehren, Dave England, Johnny Knoxville, and Wee Man in a scene from "Jackass: Best and Last." (Sean Cliver/Paramount Pictures via AP)

    This image released by Paramount Pictures shows Chris Pontius, left, and Johnny Knoxville in a scene from "Jackass: Best and Last." (Sean Cliver/Paramount Pictures via AP)

    By Mark Kennedy, Entertainment Writer

    NEW YORK (AP) --

    Pour one out for the “Jackass” crew. They’re done. “Jackass: Best and Last” is a sad but fitting end to an extreme stunt franchise that was vanquished not by imagination but time.

    The fifth and final main installment has all that you’d expect from the Jackass Cinematic Universe — genitalia, electricity, gravity and port-a-potties, often combined. Only this time, the clips from past stunts swamp the new.

    It begins with a 1998 scene once too shocking to air — head nutcase Johnny Knoxville shooting himself in the chest with a 38-caliber Smith & Wesson handgun, protected only by a Kevlar vest and some girlie magazines for padding. (“Don’t be stupid,” he is told, advice he chooses to ignore for a quarter of a century). The movie ends about an hour and a half later with his merry band of idiots worried about their prostates.

    Knoxville, badly injured after being rammed by a bull in 2022’s “Jackass Forever” film, is in the new movie recast as a sort of deranged master of ceremonies, wearing a bow tie as he creates bedlam for others but doesn’t partake. He’s like a maniacal Peter Pan sitting out a fight in Neverland.

    “I’m sad,” he acknowledges, calling it “a natural place to stop.”

    In the void, the insane mainstay regulars — including Stephen “Steve-O” Glover, Jason “Wee Man” Acuña, Chris Pontius and Ehren “Danger” McGhehey — undergo what would send most humans into lifetime therapy, like a prostate exam conducted by a 4-foot humanoid robot using peanut butter as a lubricant — chunky style!

    There are reruns of really funny clips, like the time they used air horns to ruffle the feathers of elderly golfers in 2002, or when Knoxville, dressed in an orange jail jumpsuit and handcuffs, went into a hardware store looking for a hacksaw, creating a real police emergency in 2000.

    We also go back to 2022 for a re-airing of the bit when the “Jackass” crew are locked in a room without light and led to believe a diamondback rattlesnake is loose. We are reminded that early stunts were rudimentary, like the until-now-unaired clip of Knoxville climbing into a flimsy cardboard box with some pillows and rolled down a huge flight of cement stairs.

    Who can forget Steve-O thrown into the air in a very full port-a-potty and bouncing on bungee cords until he is completely drenched from 2010? Relive that in slo-mo. Or when the late Ryan Dunn put a toy car up his rectum and then consulted stunned X-ray technicians? Or when Brad Pitt staged his own kidnapping outside a fast-food joint?

    New stunts are less involved, like Sean “Poopies” McInerney having so much hyaluronic acid injected into his lips that he resembles a cracked Real Housewife. There’s also a funny sequence in which a feisty ram in a small room repeatedly butts Davon “Jasper” Wilson. There is a palpable brotherhood here among the group, forged by terror and humiliation.

    Regretfully, comedian Rachel Wolfson, the first woman to join the crew, is demoted to cheerleader in the final movie; one step forward in 2022 is one step back in 2026. And Pontius attempting a high-jump while naked — recreating the original Olympics — is, well, flaccid.

    If you think that perhaps the demise of “Jackass” has something to do with “wokeness” or the end of the era of guys-being-guys, may we remind you that folks were just doing dirt bike jumps on the South Lawn and there was a UFC cage-fighting show at the White House.

    One of the movie’s last stunts shows the gang’s age. In a nod to them mostly being in their 50s and now encountering colonoscopies, the human crash test dummies drink powerful laxatives, don plastic pants and then play Twister until they defecate. Then they vomit. (Classy, guys.)

    In a sad sort of coda, we return to the “Jackass Forever” sequence that signaled the end: Knoxville versus the bull. We learn that before he suffered serious brain injuries following a second face-off, there was a first that was deemed not violent enough. So we see the first and then the second. And then see him hauled away in an ambulance.

    Perhaps the “Jackass” franchise — born before social media — has a hard time competing with the flood of insanity online or with the threat of fakeness via artificial intelligence. But age takes its toll. We await the next generation willing to take a wooden mallet to the groin.

    “Jackass: Best and Last,” a Paramount Pictures release that hits theaters Friday, is rated R by the Motion Picture Association for “extremely dangerous stunts and crude material throughout, graphic nudity, pervasive language and sexual material.” Running time: 92 minutes. One star out of four.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2026-06-27)
    Category:Features
    Tags:JackassJackass: Best and Last



    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    The murder trial of Duane "Keffe D" Davis in the 1996 killing of Tupac Shakur is headed to closing arguments after the defense rested Thursday following testimony from three former Las Vegas police officers.

    Jurors are scheduled to return Monday for closing arguments before beginning deliberations in the only prosecution brought in the killing of the hip-hop icon. The presentation of evidence ended after nine days of testimony.

    Davis, 63, did not take the stand.

    Shakur was riding in a BMW on Sept. 7, 1996, when a white Cadillac pulled up next to it at a red light near the Las Vegas Strip and gunfire erupted. Shakur was shot multiple times and died six days later. The driver of the BMW, Marion "Suge" Knight, survived.

    Years later, Davis would say he procured the gun and his nephew, who has since died, fired the shots. Prosecutors say Davis orchestrated the killing, and he faces life in prison if convicted of murder with a deadly weapon with the intent to promote, further or assist a criminal gang. He has pleaded not guilty.

    Defense attorney Michael Sanft has argued that Davis fabricated or embellished his accounts of the killing for money and notoriety and that investigators failed to independently corroborate his claims.

    Retired Las Vegas homicide detective Dan Long, the defense's final witness, testified that he tried unsuccessfully to verify several details Davis provided during a 2009 police interview.

    Davis told Long that his nephew, Orlando "Baby Lane" Anderson, had gone to a Las Vegas hospital after being beaten by Shakur and others in a casino brawl hours before the rapper was fatally shot. Long said he was unable to find hospital records confirming Anderson was treated there.

    Long also tried... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleReview: Director Olivia Wilde’s “The Invite”
    Next Article Cannes Lions, Day 4: The First-Ever Grand Prix For Greece; Canada Wins Its 2nd Grand Prix Of The Week
    SHOOT

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.