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    Home » “Ride Along” Cruises To 2nd Straight Box Office Win

    “Ride Along” Cruises To 2nd Straight Box Office Win

    By SHOOTMonday, January 27, 2014Updated:Tuesday, May 14, 2024No Comments2322 Views
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    This image released by Universal Pictures shows Ice Cube, left, and Kevin Hart in a scene from "Ride Along." (AP Photo/Universal Pictures, Quantrell D. Colbert, File)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    The Kevin Hart comedy "Ride Along" continued to speed through a typically quiet box-office frame, while the monster thriller "I, Frankenstein" couldn't be roused from the dead.

    Universal's buddy cop comedy "Ride Along," co-starring Ice Cube, cruised to the top of the box office again, taking in $21.2 million in its second weekend, according to studio estimates Sunday. The film last week set a January debut record, with $48.6 million over the three-day holiday weekend.

    For the second weekend in a row, Universal claimed No. 1 and No. 2 at the box office, with the Afghanistan war film "Lone Survivor" earning $12.6 million in its fifth week. With a cumulative total of $93.6 million, the relatively inexpensive "Lone Survivor," starring Mark Wahlberg, will soon cross the $100 million mark.

    "I, Frankenstein" had a sizable budget, estimated at $65 million, yet opened with just $8.3 million. Starring a beefed-up Aaron Eckhart as Mary Shelley's famous monster in a modern-day setting, the 3-D film wasn't screened for critics and came into the weekend with little buzz. Lakeshore Entertainment financed the film, which was distributed by Lionsgate.

    With $13 million in overseas box office, "I, Frankenstein" could scare up better business internationally.

    Two family films trailed "Ride Along" and "Lone Survivor." The animated squirrel comedy "The Nut Job" made $12.3 million in its second week for Open Road Films. Disney's juggernaut "Frozen" added $9 million for a 10-week domestic total of $347.8 million.

    Several Oscar candidates sought to capitalize on their recent best-picture nominations. Expanding by a few hundred theaters were "Dallas Buyers Club" ($2 million, $20.4 million total), "12 Years a Slave" ($2 million, $45.5 million total), "Gravity" ($2 million, $261.2 million total), "Philomena" ($1 million, $25.8 million total) and "Nebraska" ($1.4 million, $11.6 million total). Also adding theaters was "August: Osage County," which earned $5 million, bringing its cumulative haul to $26.5 million.

    Some of the biggest Oscar bounces were abroad, where several nominees still have countries to open in. Paramount's Oscar-nominated "The Wolf of Wall Street" led international business, with a robust $31 million. Fox Searchlight's "12 Years a Slave" has also proved unusually strong overseas for such an American story. It took in $8.3 million internationally over the weekend.

    Hollywood will largely cede next weekend to the Super Bowl, except for new releases "Labor Day," starring Kate Winslet and Josh Brolin, and "That Awkward Moment, with Zac Efron and Michael B. Jordan.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Where available, latest international numbers are also included. Final domestic figures will be released Monday.

    1. "Ride Along," $21.2 million ($750,000 international).

    2. "Lone Survivor," $12.6 million ($275,000 international).

    3. "The Nut Job," $12.3 million.

    4. "Frozen," $9 million ($20.2 million international).

    5. "Jack Ryan: Shadow Recruit," $8.8 million ($14.3 million international).

    6. "I, Frankenstein," $8.3 million ($13 million international).

    7. "American Hustle," $7.1 million ($5 million international).

    8. "August: Osage County," $5 million ($1.8 million international).

    9. "The Wolf of Wall Street," $5 million ($31 million international).

    10. "Devil's Due," $2.8 million ($2.2 million international).

    ___

    Estimated weekend ticket sales at international theaters (excluding the U.S. and Canada) for films distributed overseas by Hollywood studios, according to Rentrak:

    1. "The Wolf of Wall Street," $31 million.

    2. "Frozen," $20.2 million.

    3. "Jack Ryan: Shadow Recruit," $14.3 million.

    4. "I, Frankenstein," $13 million.

    5. "12 Years a Slave," $8.3 million.

    6. "Miss Granny," $6.8 million

    7. "The Hobbit: The Desolation of Smaug," $5.6 million.

    8. "American Hustle," $5 million.

    (tie) "Despicable Me," $5 million.

    (tie) "Hot Young Bloods," $5 million.

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    Tags:box officeRide Along



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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