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    Home » SAG-AFTRA Members Approve 3-Year TV/Theatrical Contracts

    SAG-AFTRA Members Approve 3-Year TV/Theatrical Contracts

    By SHOOTSaturday, August 23, 2014Updated:Tuesday, May 14, 2024No Comments1819 Views
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    January 2011 file photo of SAG-AFTRA president Ken Howard (AP photo).
    LOS ANGELES --

    In national voting completed today, members of SAG-AFTRA voted overwhelmingly to approve the 2014 TV/Theatrical Contracts. Members approved new, three-year contracts covering theatrical, primetime, and basic cable television production under the 2014 SAG-AFTRA Codified Basic Agreement and the 2014 SAG-AFTRA Television Agreement by a vote of 92.12 percent to 7.88 percent. The new television contract establishes the first industrywide agreement covering performers in both primetime television and basic cable productions.

    SAG-AFTRA and the Alliance of Motion Picture and Television Producers reached a tentative agreement in July on the deal that provides:

    ·       Gains of $200 million in wages;

    ·       An 8.5-percent wage increase compounding to 8.7 percent; 2.5 percent in the first year, 3 percent in the second year and 3 percent in the third year;

    ·       Advances in Subscription Video on Demand (SVOD) coverage, including a brand-new residual for on-demand viewing;

    ·       Reduction of unpaid online streaming windows for most shows; and

    ·       An increased contribution rate percentage to our benefits plans and a mechanism to facilitate the merger of the health plans.

    The agreement covers film and digital television programs, motion pictures and new media productions.

    Informational voting cards were mailed to approximately 137,000 members of SAG-AFTRA, of which 16 percent voted. The final vote was certified by Integrity Voting Systems, an impartial election service based in Everett, Washington.

    SAG-AFTRA president Ken Howard said, “Once again, we have made history. With the approval of the first-ever SAG-AFTRA Television Agreement, we have reached yet another of the goals we set when we merged. I am thankful to all members who participated throughout this process and the dedicated staff of SAG-AFTRA who worked to insure our new contract would usher us into the next generation of entertainment and new media production.”

    SAG-AFTRA National executive director and chief negotiator David White said, “This is a terrific result for our first TV/Theatrical negotiation as a merged union. I want to thank the SAG-AFTRA members and staff who dedicated their time and tireless effort to these negotiations. We emerged with solid financial gains and with a structural foundation that supports the union’s strategic goals well into the future.”

    The agreement becomes effective retroactive to July 1, 2014 and will remain in force through June 30, 2017.

    SAG-AFTRA began talks with the AMPTP on May 5, 2014. Members voted on the tentative agreement that had been reached with the AMPTP on July 4 and overwhelmingly recommended by the SAG-AFTRA National Board in a meeting on July 12.

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    Category:News
    Tags:AMPTPSAG-AFTRA



    2025 Camp Kuleshov Winners Celebrated In Chicago, L.A. and NYC

    Monday, November 17, 2025

    The Camp Kuleshov trailer competition for emerging creative artists in postproduction--a.k.a. Camp K--recognized its winning and honorable mention entries at events in Los Angeles, Chicago and New York. Trophies were bestowed in recognition of outstanding achievement in the categories of Editing, Sound Design and Graphics, as well as the Music Score category. Designed to give emerging talent a chance to heighten their creative and craft problem-solving skills while also gaining access to invaluable mentorship opportunities, Camp K challenges entrants to take existing films and re-imagine trailers for them as something new and different. The Lev Award--the grand prize for each category--will be announced at the AICP Awards in Chicago on November 20. Lev winners are selected from among the first prize winners in each category from each region. It’s named for Lev Kuleshov, the noted Russian filmmaker and editor who developed the Kuleshov effect, and is considered a pioneer in the editing craft. Camp K Los Angeles The West/Southwest Camp Kuleshov awards presentation and party took place on Wednesday, October 29, at Uppercut+Racket Club. The Halloween-themed event (costumes were encouraged) was emceed by Jay Nelson, founding editor at Cut+Run Los Angeles. In Editing, first place went to Alexandra Jimenez of Cosmo Street Editorial for her trailer for “Tropic Thunder,” which re-imagined the main character as the Devil; second place went to Luke Strickler of Arcade Edit for his re-working of “Duck Soup” with the devil as the main character; and third place was awarded to Rich Gonzalez of Cosmo Street Editorial for his work mashing up “Multiplicity” and “Looper” into a piece about psychological terror. Owen Stinsmuelhlen of... Read More

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