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    Home » SAG-AFTRA Members Approve TV Animation Agreements

    SAG-AFTRA Members Approve TV Animation Agreements

    By SHOOTTuesday, November 20, 2018Updated:Tuesday, May 14, 2024No Comments3548 Views
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    Gabrielle Carteris, president of SAG-AFTRA
    LOS ANGELES --

    In national voting completed on Monday (11/19), affected members of SAG-AFTRA voted overwhelmingly to approve the 2018 successor agreements to the 2014 Producer-SAG-AFTRA Television Animation Agreement and the 2014 Producer-SAG-AFTRA Basic Cable Agreement for Animated Motion Pictures by a vote of 95.18 percent to 4.82 percent.

    Gabrielle Carteris, president of SAG-AFTRA, said, “This was a very important negotiation for our members who work on television animation projects due to the expansive growth of streaming media. It was imperative that we ensure our members receive compensation that reflects an evolving business model. With approval of these agreements, members will continue to be fairly compensated for the work they do.”  

    SAG-AFTRA national executive director and chief negotiator David White said, “I commend members for voting to approve these agreements. These new contracts set important protections for members working in programs created for Netflix, Amazon Prime, Hulu and other streaming sites and ensures that our foothold in this area remains strong and significant.”
     
    Highlights of the TV Animation Agreements include:

    • Wage increases and benefit contribution rate improvements on par with the gains achieved in live action negotiations
    • A 2.5 percent increase to minimums and .5 percent increase in the contribution rate to the SAG-Producers Pension Plan and AFTRA Retirement Fund effective Sept. 16, 2018
    • A further 2.5 percent increase to minimums and .5 percent increase in the contribution rate to the SAG-Producers Pension Plan and AFTRA Retirement Fund effective Jan. 1, 2019
    • A further 3 percent increase to minimums effective July 1, 2019, with the option to redirect .5 percent of that increase to the contribution rate to the SAG-Producers Pension Plan and AFTRA Retirement Fund
    • The improved terms and conditions that were negotiated in 2017 for live action programs produced for subscription-based streaming platforms like Netflix, Amazon and Hulu will apply to animated programs produced for those platforms with some modifications
    • The TV Animation Agreements cover animated programs produced for television, including network television, basic cable and streaming platforms such as Hulu, Netflix and Amazon Prime. The new deal will continue through June 30, 2020. 

    Formal negotiations between the SAG-AFTRA Negotiating Committee and the Alliance of Motion Picture and Television Producers (AMPTP) began on October 30, 2017, in Los Angeles and concluded on September 19, 2018. The SAG-AFTRA National Board unanimously approved the tentative agreement at its October 20 meeting.

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    Category:News
    Tags:Gabrielle CarterisSAG-AFTRA



    George Clooney Doesn’t See Jay Kelly When He Looks In The Mirror–But The Role Sparks Some Reflections

    Thursday, December 4, 2025

    George Clooney is not Jay Kelly. That much he is sure of. But when a famous movie star of a certain age decides to take on a role as a famous movie star of a certain age, full of regrets and realizing that he's missed out on so much of his own life in pursuit of greatness and fame, it does invite some questions. Clooney, 64, wasn't thinking about all that when Noah Baumbach called him about the part. He was just thinking about how hard it is to get good roles the older he gets. "I was predisposed to want to do it before I even read it," Clooney said in a recent interview. He wasn't the only one. Adam Sandler, Laura Dern and Billy Crudup were just a few of the many stars of "Jay Kelly," streaming on Netflix on Friday, who pretty much signed on script unread. Baumbach's name, as the writer-director behind "Marriage Story" and "The Squid and the Whale," has that kind of effect on actors, from those he's worked with before, to those who've just admired him from afar. "Jay Kelly," which Baumbach wrote with Emily Mortimer, wasn't just a clever character study but a lovingly clear-eyed portrait of the strange business of Hollywood moviemaking and the personalities involved — the managers (Sandler), the publicists (Dern), the makeup artists (Mortimer), the best actor from acting class who didn't make it (Crudup), and, of course, the one who did (Clooney). "It's so lush in its appreciation for the sort of carnival life of actors and the proximity to some kind of gilded, glorious life that's always tantalizingly close," Crudup said. "We use movie stars as some kind of analogy about what it means to be successful and have a happy life, when in fact, that's smoke and mirrors. And if you're too busy looking out for that, you're gonna miss the life that you... Read More

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