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    Home » “Scream VI” Makes Box Office Noise With Franchise-Best $44.5M

    “Scream VI” Makes Box Office Noise With Franchise-Best $44.5M

    By SHOOTSunday, March 12, 2023Updated:Tuesday, May 14, 2024No Comments1558 Views
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    This image released by Paramount Pictures shows, from left, Mason Gooding, Jenna Ortega, Jasmin Savoy Brown, Devyn Nekoda and Melissa Barrera in a scene from "Scream VI." (Philippe Bossé/Paramount Pictures via AP)

    By Jake Coyle, Film Writer

    LOS ANGELES (AP) --

    Oscar weekend belonged to "Scream VI" in theaters, as the horror sequel notched a franchise-best $44.5 million in domestic ticket sales, according to studio estimates Sunday.

    The Paramount Pictures and Spyglass Media Group co-production sailed past expectations, easily surpassing the previous series high of $32 million that "Scream 2" opened with in 1997. The film's robust debut atop the weekend box office, coming as Hollywood prepared to gather for the 95th Academy Awards, was yet another reminder of how horror has come to be one of the industry's few sure things at the box office.

    After lying dormant for more than a decade, the "Scream" franchise, previously directed by Wes Craven and released by Dimension Films, has found a ripe revival with a young cast led by "Wednesday" star Jenna Ortega and Melissa Barrera.

    Directors Matt Bettinelli-Olpin and Tyler Gillett have brought back the 27-year-old series' meta slasher storylines and serial killer Ghostface, and it's paying off. Last year's "Scream V" grossed $137 million worldwide on a production budget of $24 million. In the latest chapter, Courtney Cox returns as reporter Gale Weathers, as does Hayden Panettiere, a veteran of "Scream IV." But it's the first "Scream" movie without Neve Campbell.

    "Scream VI," quickly greenlit after the success of "V," has also fared fairly well with both critics and audiences. On Rotten Tomatoes, it has a 75% fresh rating. Moviegoers gave it a "B+" CinemaScore, a decent grade for a horror film. The sixth "Scream," which cost $33 million to make, added $22.6 million overseas.

    Last week's top film, "Creed III," slid to second after its above-expectations launch. Michael B. Jordan's MGM "Rocky" spinoff, starring him and Jonathan Majors, earned $27.1 million in its second weekend. It has rapidly passed $100 million in U.S. and Canadian theaters.

    Columbia Pictures' "65," a science-fiction thriller starring Adam Driver as a space explorer stranded on prehistoric Earth, opened in third place with an estimated $12.3 million from 3,405 locations, and an additional $7.2 million internationally. That might be better than expected, too, for a film that got terrible reviews from critics. (It scored just 35% fresh on Rotten Tomatoes.) But "65" reportedly carried a hefty production budget of about $90 million, though tax rebates roughly halved that cost to financiers including Sony, Bron Studios and TSG.

    Bobby Farrelly's "Champions," starring Woody Harrelson as a disgraced coach trying to lead a basketball team to the Special Olympics, opened with $5.2 million in 3,030 locations. Audiences (an "A" CinemaScore) have liked it more than reviewers (53% on Rotten Tomatoes).

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

    1. "Scream VI," $44.5 million.
    2. "Creed III," $27.1 million.
    3. "65," $12.3 million.
    4. "Ant-Man and the Wasp: Quantumania," $7 million.
    5. "Cocaine Bear," $6.2 million.
    6. "Jesus Revolution," $5.2 million.
    7. "Champions," $5.2 million.
    8. "Avatar: The Way of Water," $2.7 million.
    9. "Demon Slayer: Kimetsu no Yaiba: To the Swords," $1.9 million.
    10. "Puss in Boots: The Last Wish," $1.7 million.

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    Category:News
    Tags:box officeScream VI



    Thanks To Shows Like “Abbott Elementary” and “Hacks,” LGBTQ+ Representation On Primetime TV Grows

    Thursday, November 6, 2025

    TV shows like "Abbott Elementary," "Hacks," "Heartstopper," "The Last of Us" and "Yellowjackets" helped increase the ranks of LGBTQ+ characters on prime time by 4% over the previous season, according to a new study by the advocacy group GLAAD. This year's "Where We Are on TV" study, released Thursday, counted 489 LGBTQ characters across scripted prime-time broadcast, cable and streaming shows — up 21 additional characters. It marks a boost after two years of decline, but remains far below the 2021-2022 record high of 637 characters. Sarah Kate Ellis, president and CEO of the group, warned that those numbers could still decrease soon: More than 200 of the LGBTQ+ characters counted this year — in shows like "Heartstopper," "Harlem" and "Elite" — will not be returning due to a flurry of series cancellations, endings or because they were limited series. "Storytelling brings us together and this current cultural and political climate calls on creatives and executives to double down on fair and accurate stories of LGBTQ people," Ellis writes in the report. GLAAD added that the number of transgender characters on TV has slightly increased from last year to reach 33 — 24 trans women, seven trans men, and two nonbinary characters — but only four trans characters appear on series that have been officially renewed. The report is the 20th edition of the annual tracking by GLAAD and charts a remarkable leap from just 47 LGBTQ+ characters in the first study. It arrives as President Donald Trump has targeted transgender and nonbinary people with a series of executive orders — including one declaring the existence of two unchangeable sexes — stripping government websites of "gender ideology" an reinstituting a ban on transgender service members in the... Read More

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