Director connects with Anonymous Content for film & TV literary management
Filmmaker Daniel Askill has joined production company Serial Pictures for North American representation in commercials, branded entertainment, and music videos, and partner company Anonymous Content for film and television literary management.
Askill has helmed advertising campaigns for Audi, Dior, Smirnoff, XBOX and Sony. Prior to Serial, he was handled by RadicalMedia. Askill’s music videos include Sia’s instantly-iconic duo “Elastic Heart” and “Chandelier” starring Maddie Ziegler—the latter of which, with just under two billion views, is one of the most-watched YouTube videos of all time. Askill’s work has received numerous nominations and awards including The Grammys, MTV VMAs, Lumiere Awards, Clio, D&AD and Cannes Lions.
“We are thrilled to have Daniel bring his imaginative eye to Serial Pictures,” said the company’s founding partner Violaine Etienne. “And, we’re excited that through our partnership with Anonymous Content, we’ll be able to support and expand Daniel’s vision across all mediums.”
Askill, who was born in Australia, now splits his time between Los Angeles and New York, where the creative collective Collider Studio, which he co-founded, is based. As part of Askill’s signing, Serial Pictures will collaborate with the incubator for upcoming and established talent to craft creative visual experiences outside of the commercial space.
“I’m incredibly excited to be joining Serial Pictures and the extended Anonymous Content family,” says Askill. “I love the combination of a place that feels boutique and curated at heart and has an incredible reach across a broad spectrum of mediums. It is also an exciting opportunity for our collective Collider Studio.”
Before beginning his career in London, where he engaged in visual design work for top creatives including Alexander McQueen, Askill studied visual communication at the University of Technology Sydney, then moved the U.K., where he continued his studies at the Central Saint Martins College of Art. In addition to his background in film and video, Askill also has a background in music composition and performance. He also recorded an album with shakuhachi player Riley Lee when he was 19.
In 2003, Askill wrote and directed the critically acclaimed, surreal short film We Have Decided Not To Die. Exhibited in various international film festivals, the film won prizes at France’s Clermont-Ferrand festival, Melbourne International, Brooklyn International and SXSW. The work is notable for its portrayal of the human body, ritual and use of visceral special effects.
In 2009, Askill collaborated with the Sydney Dance Company in its creative work “We Unfold”. Askill was commissioned to provide video art to screen alongside the work, which was exhibited at the Venice Biennale in 2010. Askill’s most recent, solo exhibitions Modern Worship (2011) and Three Rituals (2011) have been exhibited in Los Angeles and Sydney. The works are described as “a meditation on the notion of ritual and how it can be viewed through the eyes of modern culture.”
Music Biopics Get Creative At Toronto Film Festival
Many of the expected conventions of music biopics are present in "Piece by Piece," about the producer-turned-pop star Pharrell Williams, and "Better Man," about the British singer Robbie Williams. There's the young artist's urge to break through, fallow creative periods and regrettable chapters of fame-addled excess. But there are a few, little differences. In "Piece by Piece," Pharrell is a Lego. And in "Better Man," Williams is played by a CGI monkey. If the music biopic can sometimes feel a little stale in format, these two movies, both premiering this week at the Toronto International Film Festival, attempt novel remixes. In each film, each Williams recounts his life story as a narrator. But their on-screen selves aren't movie stars who studied to get a part just right, but computer-generated animations living out real superstar fantasies. While neither Williams has much in common as a musician, neither has had a very traditional career. Their films became reflections of their individuality, and, maybe, a way to distinguish themselves in the crowded field of music biopics like "Bohemian Rhapsody" and "Rocketman." "This is about being who you are, even if it's not something that can be put in a box," Pharrell said in an interview Tuesday alongside director Morgan Neville. Also next to Pharrell: A two-foot-tall Lego sculpture of himself, which was later in the day brought to the film's premiere and given its own seat in the crowd. The experience watching the crowd-pleasing "Piece by Piece," which Focus Features will release Oct. 11, can be pleasantly discombobulating. A wide spectrum of things you never expected to see in Lego form are animated. Virginia Beach (where Pharrell grew up). An album of Stevie Wonder's "Songs in the Key of Life."... Read More