By Lynn Elber, Television Writer
LOS ANGELES (AP) --The coronavirus outbreak that delayed the taping of "Shameless" is woven into the 11th and final season of the Gallagher saga. It seems inevitable, given the outsized share of hardships the family has met and, sometimes, overcome.
It also reflects executive producer John Wells' intention that the series give full weight to the toll that poverty takes in ways big and small — and to keep it darkly funny, even when a pandemic barges in.
Showtime's "Shameless" is lead by William H. Macy as a shambling mess of a dad whose offspring reflect their scattershot upbringing on Chicago's South Side, but with bravado and loyalty in their favor. The season debut is 9 p.m. EST Sunday.
Days away from taping when COVID-19 slammed the door on most movie and TV production in the spring, the series reworked already completed scripts to include the coronavirus' fallout on the Gallaghers and their circle.
Wells, a veteran writer-producer whose credits include "ER" and "The West Wing," spoke recently about what else the Gallaghers face this season, how their story will end and whether former cast member Emmy Rossum will pop back in. The interview was edited for clarity and length.
Q: 'Shameless' focus is on people struggling economically, something scripted TV rarely depicts. Is that as important now as it was when the show started?
Wells: We have a group of people who are living close to the poverty line. And while we've all been impacted by the pandemic, this is a huge portion of our society that's been impacted much more significantly than most, although everyone's had the same anxieties. We've got a lot of people out of work and a lot of people who've had to actually bear the brunt of going to work as essential workers, to do the kind of jobs we don't think of as being professional jobs. And that's really been kind of the joy of doing the show from the beginning, and why I've always said I'd love to write this show forever, because we're talking about people and a family that's trying to survive and in the way that we don't get to see very often in our popular entertainment.
Q: No spoilers, but can you give us a sense of what the final season will include?
Wells: We're going to keep telling the stories that we wanted to tell always, which is how what's going on in the world and around us is affecting the Gallaghers and their extended family. We're playing a lot with Mickey and Ian now being married and realizing that's hard. Carl's becoming a police officer, and we're trying to do it comedically and dealing with issues of policing, and particularly urban policing. And we're dealing with the fact that Frank's alcoholism is finally really catching up to him, and what that means for the rest of the family. Who is ultimately responsible for Frank, when he has never seemed to care that much for them?
Q: After this long journey with Frank, how do you see him?
Wells: He's a tragic character. He's all about lost potential, whether it be lost potential to be the father that he should be, or to just be the human being that he should be. He's incredibly narcissistic. He makes me laugh, but I've always felt a tremendous amount of sadness for him.
Q: Will Emmy Rossum, who left after season nine, pay a return visit as Fiona Gallagher?
Wells: I can tell you that I'd love to have Emmy come back and she has expressed interest in coming back. But she's the midst of doing a series ('Angelyne,' for the Peacock streaming service) so it will really just depend on whether she's available. She's a friend, and she's more than welcome.
Q: At this moment, the finale has yet to be written. Do you foresee ending the series in a way that you could chose to revisit this family?
Wells: With this show, like we did on 'ER,' I want to feel like we just kind of walk away from the block. And if we ever turned down that street again, we'd run into these characters that we love, and catch up to see what they're doing. But there aren't any plans to do more. But there's not going to be a house fire that takes most of the family or anything.
Lawsuit Alleges That TikTok Was Aware Of Risks Its Platform Posed To Kids and Teens
TikTok was aware that its design features are detrimental to its young users and that publicly touted tools aimed at limiting kids' time on the site were largely ineffective, according to internal documents and communications exposed in a lawsuit filed by the state of Kentucky.
The details are among redacted portions of Kentucky's lawsuit that contains the internal communications and documents unearthed during a more than two year investigation into the company by various states across the country.
Kentucky's lawsuit was filed this week, alongside separate complaints brought forth by attorneys general in a dozen states as well as the District of Columbia. TikTok is also facing another lawsuit from the Department of Justice and is itself suing the Justice Department over a federal law that could ban it in the U.S. by mid-January.
The redacted information โ which was inadvertently revealed by Kentucky's attorney general's office and first reported by Kentucky Public Radio โ touches on a range of topics, most importantly the extent to which TikTok knew how much time young users were spending on the platform and how sincere it was when rolling out tools aimed at curbing excessive use.
Beyond TikTok use among minors, the complaint alleges the short-form video sharing app has prioritized "beautiful people" on its platform and has noted internally that some of the content-moderation metrics it has publicized are "largely misleading."
The unredacted complaint, which was seen by The Associated Press, was sealed by a Kentucky state judge on Wednesday after state officials filed an emergency motion to seal it.
When reached for comment, TikTok spokesperson Alex Haurek said: "It is highly irresponsible of the Associated Press to... Read More