Caprice Yu, Cristina Rodriguez Reina upped to global ECDs; Rodriguez Reina to serve as head of art for McCann North America
Shayne Millington and Pierre Lipton have been promoted to co-chief creative officers at McCann New York. They will lead McCann NY’s creative department, overseeing creative on all accounts, including Microsoft and Mastercard, respectively. Millington and Lipton assume the role after Sean Bryan and Tom Murphy were elevated to co-chief creative officers of McCann North America last November.
McCann also promoted Caprice Yu and Cristina Rodriguez Reina to global executive creative directors, leading the Mastercard and Microsoft accounts, respectively, out of New York. Cristina Rodriguez Reina will also serve as the head of art for McCann North America.
Millington previously was EVP, global executive creative director, McCann. In 2019, Millington became one of the most-awarded creative directors in the world, winning the Titanium Lion and Grand Prix honors at Cannes, and a Grand Clio for her work on Microsoft. Over the course of her career, she has won numerous accolades for her work on marquee brands. Microsoft, Macy’s, Verizon, Target, Nike, and Procter & Gamble have all benefited from Millington’s keen eye for detail and passion for craft.
Lipton previously served as EVP, global executive creative director, McCann. The creative lead behind Mastercard’s “True Name Card,” which received a Cannes Lions Grand Prix, Lipton joins the leadership ranks at McCann New York as one of the most lauded creative directors in the business. Among other recognition, Lipton also received a Grand Prix for Good for March for Our Lives’ “Generation Lockdown” and 15 Cannes Lions for Mastercard work across four regions. Before McCann, Lipton was chief creative officer at 360i, and spent time at M&C Saatchi, AKQA and BBDO.
Rodriguez Reina has been recognized by some of the industry’s most important advertising festivals, including Cannes, The One Show, D&AD, Clio Awards, London International Awards, Andy Awards, and ADC. During her career she has worked for brands such as Heineken, BBVA, Movistar, Volkswagen, Pure Leaf, State Farm, MillerCoors, Kroger, Play-Doh, Tribeca Film Festival, Skittles and most recently, Microsoft and Verizon. Before joining McCann, she spent 10 years at DDB in Spain and New York.
Yu served as the executive creative director of Sid Lee’s New York office before joining McCann New York. Yu has been Emmy-nominated and received national and international awards for her work on Google, adidas, Cole Haan, Microsoft, Ally Bank, The Guardian, Dr. Pepper Europe, Verizon, Johnnie Walker, Sony and Axe. She was recognized as one of Business Insider’s 33 most creative women in advertising, and her spot “Dear Sophie” for Google was Time Magazine’s #1 ad of the Year.
Review: Director James Watkins’ “Speak No Evil”
Quick. Has there ever been a horror film set in a country home with a decent cell signal?
Nope, and there's no signal at Paddy and Ciara's house, either, deep in the English countryside. Soon, that land line will be cut, too, but we're getting ahead of ourselves.
Paddy and Ciara are that fun-but-somewhat-odd British couple whom Louise and Ben, early in "Speak No Evil," meet on their idyllic Tuscan family holiday. Americans based in London, Louise and Ben are at loose ends, with both job and relationship issues. And so, when the new acquaintances write to invite them for a country weekend, they decide to go.
After all, how bad could it be?
Don't answer that. There are many such moments in the first two-thirds of "Speak No Evil," a Hollywood remake of the 2022 Danish film, here starring a deeply menacing James McAvoy. Moments where Louise and Ben, out of mere politeness and social convention, act against their instincts, which tell them something is wrong – very wrong.
Director James Watkins and especially his excellent troupe of actors, adult and children alike, do a nice job of building the tension, slowly but surely. Until all bloody hell breaks loose, of course. And then, in its third act, "Speak No Evil" becomes an entertaining but routine horror flick, with predictable results.
But for a while, it's a way more intelligent film. And the jumpy moments work — I'll confess to literally springing out of my seat when someone uneventfully turned on a power drill.
We begin in stunning Tuscany, where Louise (Mackenzie Davis, in the film's most accessible and empathetic performance) and Ben (Scoot McNairy, all nerves and insecurity) are vacationing with 11-year-old daughter Agnes (Alix West Lefler). At the pool, they... Read More