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    Home » SHOOT’s Most Engaging Coverage Of 2018; A Rundown Of The Year’s 35 Most Clicked Stories

    SHOOT’s Most Engaging Coverage Of 2018; A Rundown Of The Year’s 35 Most Clicked Stories

    By SHOOTThursday, December 27, 2018Updated:Tuesday, May 14, 2024No Comments3982 Views
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    A documentary on the late ski filmmaker Warren Miller was the subject of SHOOT's most clicked story in 2018.

    Top Ten entries include a Road To Emmy installment, stories on the primetime commercial Emmy Award nominations as well as the winner, and the naming of KBS' director of interactive production

    By A SHOOT Staff Report

    LOS ANGELES & WESTPORT, CT --

    The SHOOT stories that generated the most engagement (clicks to view) in 2018 delved into subject matter such as a documentary featuring the last on-camera interview with the late ski filmmaker Warren Miller to an inside look at the Emmy-contending Starz series Outlander, the news that Procter & Gamble’s poignant “The Talk” had won the primetime commercial Emmy Award, backstory on a quarterly Top Ten Tracks Chart #1 entry, edit shop Uppercut entering into a partnership with VFX studio ZERO, and the naming of a director of interactive production at ad agency KBS.

    Topping the year’s click tally was news that the documentary on Miller–who passed away on January 24, 2018–was nearing completion. The film contains never-before-seen archival footage woven together with interviews from family, friends and colleagues who give audiences a rare look at the man behind the films that kicked off ski seasons across the country for over 60 years.  World-renowned skiers Scot Schmidt, Dan Egan, John Egan, Jonny Moseley, Kristen Ulmer and Colby James West also pay tribute to the man who reminded people that “The best place in the world to ski is where you’re skiing that day.”

    Next up in our rundown was a SHOOT Road To Emmy Series interview with Outlander executive producers/writers Matthew B. Roberts and Toni Graphia who shared insights into the Starz series.

    Third in our hit parade was news that TheBridge.Co, a bicoastal studio specializing in connecting artists with brands and agencies, had opened a London Office and named Derick Procope as editorial director and CEO, tasked with guiding the company’s efforts for advertisers, agencies, media companies and cultural institutions based in the U.K. The new entity works under TheBridge.London moniker.

    Finishing fourth was Procter & Gamble’s “The Talk” winning the coveted primetime commercial Emmy Award. Directed by Malik Vitthal of The Corner Shop for BBDO NY, “The Talk” added the Emmy to a slew of high-profile accolades, including a Cannes Lions Film Grand Prix, and an AICP Show honor for direction.

    Taking fifth place was the development which saw editorial shop Uppercut partner with VFX studio ZERO. The alliance allows the shops to offer comprehensive postproduction services across editorial, animation, CG, VFX and finishing and will encompass three markets, spanning offices in New York City, Los Angeles and Boston. Leading the studios are Uppercut owner/editor Micah Scarpelli and executive producer Kathrin Lausch and ZERO founder Brian Drewes and sr. producer Meg Bailey.

    Settling into the sixth slot among most clicked stories was coverage of Mercedes-Benz’s “Stronger Than Time,” which topped the Top Ten Tracks Chart for the first quarter of 2018. Directed by Ole Peters of Hamburg-based Sehsucht for Berlin-based agency antoni, “Stronger Than Time” featured music and sound design from Yessian Music in Hamburg.

    Seventh in the year’s countdown was coverage of the primetime commercial Emmy nominations, including two for BBDO NY: P&G’s “The Talk”; and Monica Lewinsky’s anti-bullying “In Real Life” PSA. Also nominated were: Tide detergent’s “It’s A Tide” ad from Saatchi & Saatchi NY; Amazon’s “Alexa Loses Her Voice” out of agency Lucky Generals; and Apple iPhone’s “Earth: Shot on iPhone” from TBWAMedia Arts Lab.

    Earning eighth place was coverage of Amber Wimmer being hired as director of interactive production at KBS. Wimmer came over from Google Creative Labs. Prior to that, she was executive producer at The Barbarian Group, Droga5, TBWAChiatDay, and Crispin Porter + Bogusky.

    Occupying the ninth slot was the unveiling of The Rain, Netflix’s first original foreign language young adult series.

    And rounding out our Top Ten clickable stories was an announcement of the timeline for recent college graduates to apply for the American Cinema Editors (ACE) Fall internship program for aspiring film editors. The program is designed to offer motivated individuals interested in editing a unique opportunity to be mentored by industry professionals. Since its inception in 1992, over 50 interns have graduated from the program, many of whom have gone on to make their mark in the editing field including Joi McMillon, ACE who earned the distinction of becoming the first African-American woman to be Oscar® nominated in the film editing category in 2017 for her work co-editing the Best Picture Oscar® winner Moonlight. 

    Here’s a rundown of SHOOT’s most engaging stories of 2018 (click headline to view):

    1. Documentary on ski filmmaker Warren Miller to include his last on-camera interview

    2. EPs Roberts, Graphia Take Us Inside Outlander

    3. TheBridge.Co Now Spans London; Derick Procope Named CEO

    4. P&G’s “The Talk” Wins Primetime Commercial Emmy Award

    5. Edit Shop Uppercut Partners With VFX Studio ZERO

    6. Mercedes-Benz’s “Stronger Than Time” Drives To Top of Music Chart

    7. BBDO NY Nabs 2 Primetime Commercial Emmy Nominations

    8. Amber Wimmer Named Director of Interactive Production At KBS

    9. The Rain Marks Netflix’s 1st Original Foreign Language Young Adult Series

    10. American Cinema Editors sets timeline for applications to its fall internship program

     

    11. Directing VR in a War Zone—”The Sun Ladies”

    12. Ewan McGregor Joins RSA’s Directorial Roster For Spots

    13. ARwall showcases augmented reality technology; will also be at Slamdance, SXSW

    14. Barry Ackroyd, BSC Reunites With Director Kathryn Bigelow On Detroit

    15. Industry Mourns Passing of Claymation Innovator Will Vinton

    16. R/GA’s Chloe Gottlieb Named Ambassador of Cannes Lions See It Be It Program

    17. Cannes Lions, ANA Launch CMO Growth Council Chaired By P&G’s Marc Pritchard

    18. Spring 2018 Director’s Profile: Rudy Valdez

    19. Wendy Hallam Martin Embraces A Different Editing Approach For The Handmaid’s Tale

    20. Procter & Gamble “The Talk” Of Cannes Lions With 2 Film Grand Prix Honors

    21. Insights Into Penning and Editing I, Tonya

    22. Cannes Lineup Includes 13 Films Shot On Kodak Stock

    23. Comedy Director Josh Ruben Signs With Honor Society

    24. Scott Weintrob Rides Fastest Car For Netflix, Joins a WHITELABEL product For Spots

    25. Butter creative director Jakob Rabitsch scores a Grammy nomination

    26. Click 3X Launches Food & Tabletop Division

    27. Reflections on “Water,” “Dunkirk,” “Get Out,” “Lady Bird,” “Call Me by Your Name,” “Beauty and the Beast,” “Darkest Hour”

    28. Actors With Disabilities Snubbed In Hollywood’s Push For Diversity

    29. The Martin Agency Hires Tasha Dean As Head of Integrated Content

    30. Sidney Wolinsky Reflects On Shaping “Water” With Director Guillermo del Toro

    31. CAA Alum John Kaplan Named Partner & President of Alldayeveryday

    32. Short Takes for February 2018

    33. Jacqueline Durran Adds 2 Nominations To Her Oscar Wardrobe

    34. Venables Bell & Partners Forms Strategic Partnership With RALLY

    35. Chat Room: Pam Fujimoto, ECD of WONGDOODY, June Cleaver Is Dead

     

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    Category:News
    Tags:BBDO New Yorkmost viewed stories of 2018SHOOT Most ViewedThe TalkWarren Miller



    Thanks To Shows Like “Abbott Elementary” and “Hacks,” LGBTQ+ Representation On Primetime TV Grows

    Thursday, November 6, 2025

    TV shows like "Abbott Elementary," "Hacks," "Heartstopper," "The Last of Us" and "Yellowjackets" helped increase the ranks of LGBTQ+ characters on prime time by 4% over the previous season, according to a new study by the advocacy group GLAAD. This year's "Where We Are on TV" study, released Thursday, counted 489 LGBTQ characters across scripted prime-time broadcast, cable and streaming shows — up 21 additional characters. It marks a boost after two years of decline, but remains far below the 2021-2022 record high of 637 characters. Sarah Kate Ellis, president and CEO of the group, warned that those numbers could still decrease soon: More than 200 of the LGBTQ+ characters counted this year — in shows like "Heartstopper," "Harlem" and "Elite" — will not be returning due to a flurry of series cancellations, endings or because they were limited series. "Storytelling brings us together and this current cultural and political climate calls on creatives and executives to double down on fair and accurate stories of LGBTQ people," Ellis writes in the report. GLAAD added that the number of transgender characters on TV has slightly increased from last year to reach 33 — 24 trans women, seven trans men, and two nonbinary characters — but only four trans characters appear on series that have been officially renewed. The report is the 20th edition of the annual tracking by GLAAD and charts a remarkable leap from just 47 LGBTQ+ characters in the first study. It arrives as President Donald Trump has targeted transgender and nonbinary people with a series of executive orders — including one declaring the existence of two unchangeable sexes — stripping government websites of "gender ideology" an reinstituting a ban on transgender service members in the... Read More

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