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    Home » Short Film Lineup Is Set For Tribeca Festival 2025

    Short Film Lineup Is Set For Tribeca Festival 2025

    By SHOOTTuesday, April 22, 2025No Comments552 Views
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    A scene from "How I Learned to Die," directed by Manya Glassman and executive produced by Spike Lee
    NEW YORK --

    The 2025 Tribeca Festival has unveiled its short film lineup, featuring selections across narrative, documentary, animated works, and music videos. Taking place June 4–15 in New York City, the program is curated to inspire, challenge and captivate audiences.

    Year over year, the Tribeca Shorts program continues to break records for submissions, and 2025 is no exception. With expanded eligibility—including projects previously screened in New York or online for out-of-competition consideration—Tribeca is premiering 93 short films this year, marking a new high among major film festivals. Reflecting this growth and demand, Tribeca is deepening its investment in shorts by introducing the inaugural Shorts Cinema at Spring Studios. Situated within the Festival hub, this designated screening theater will allow more filmmakers and fans to discover the next generation of independent film.

    “This year we received a staggering number of short submissions, and while it certainly made our job as programmers more challenging, we are confident our programs will reflect the quality, variety and imagination of the films we received from around the world,” said Ben Thompson, VP of shorts programming at the Tribeca Festival. “I am proud that we have expanded our programming, selecting the highest number of short films of any of the major film festivals. Our aim is to make shorts and music videos a major focus at Tribeca, with storytelling that dazzles and delights our audiences here in New York!”

    For 24 years, Tribeca’s acclaimed Shorts program has spotlighted bold new voices, including Emmy® nominee David Gelb (TF ‘06, ‘11, ‘15, ‘21), Oscar nominee Ryan Coogler (TF ‘09), and Oscar winner Domee Shi (TF ‘18). With 25 Oscar nominations and 12 wins—most recently for last year’s In the Shadow of the Cypress—the program continues to shape the future of film.

    The 2025 shorts lineup will feature 93 selections from 105 filmmakers, including 82 films in competition and 10 music videos. This year’s program spans over 30 countries, including first-ever selections from Ecuador, Zimbabwe, and Curaçao. Among the selections are 49 world premieres, five international premieres, eight North American premieres, and 19 New York premieres. The lineup also welcomes back five directors returning to Tribeca with their latest projects.

    The program’s four categories—narrative shorts, documentary shorts, animated shorts, and music videos—explore bold stories of passion, joy, friendship and trauma. These stories unfold across a diverse array of thematic programs, ranging from New York stories and bloody midnight fun to family comedy and personal triumph.

    World premieres include How I Learned to Die, directed by Manya Glassman and executive produced by Oscar winner Spike Lee, an inspiring story of a 16-year-old girl confronting a life-threatening operation; Jean Jacket, directed by Maxim Nebeker and Lucy Nebeker, produced by and starring AnnaSophia Robb, a heartfelt and hopeful tale of a woman chasing one last shot at her dreams through a high-stakes lottery ticket; and Kiss My Grass, directed by Mary Pryor and Mara Whitehead and executive produced by Rosario Dawson, former NFL football quarterback Colin Kaepernick, Nancy Whiteman and Hilary Yu, a story that uncovers the relentless struggles of Black women in the cannabis business.

    Whoopi Goldberg’s curated animated shorts program now features the largest number of animated short films ever in competition at Tribeca, highlighting powerful stories like the yearning for friendship in Snow Bear directed by Aaron Blaise, a lifelong bond that resonates far beyond their final note in the The Piano directed by Avery Kroll, and the haunting, hallucinatory solitude of The Quinta’s Ghost directed by James A. Castillo.

    The vibrant music video lineup, curated by music video programmer Sharon Badal, spans the world premiere of Kid Cudi’s new short film “Neverland,” directed by Ti West and produced by Monkeypaw Productions; the nostalgic, high-energy throwback “Rock the Bells” from LL Cool J; Jack White’s raw, bluesy anthem “That’s How I’m Feeling”; and “Madame President” by Grace Bowers, a gritty, guitar-driven powerhouse.

    The full short film lineup for the 2025 Tribeca Festival is detailed below.

    The Tribeca Festival was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in 2001 to spur the economic and cultural revitalization of lower Manhattan following the attacks on the World Trade Center. The annual Tribeca Festival will celebrate its 24th year next month.

    In 2019, James Murdoch’s Lupa Systems bought a majority stake in Tribeca Enterprises, bringing together Rosenthal, De Niro, and Murdoch to grow the enterprise.

    2025 TRIBECA FESTIVAL SHORTS SELECTION

     

    NARRATIVE SHORTS

    ​/HAAW/ (United States) – New York Premiere. Directed by Joey Scoma.

    A Brighter Summer Day For The Lady Avengers (Taiwan, United States) – New York Premiere. Directed by Birdy Wei-Ting Hung.

    A West Side Story Story (United States) – World Premiere. Directed by Aditya Joshi.

    African Family Dinner (Norway, Sudan, Somalia) – North American Premiere. Directed by Ibrahim Mursal.

    Aimee Comes First (United States) – New York Premiere. Directed by Aimee Garcia.

    Al Fresco (Spain) – New York Premiere. Directed by Ignacio Rodó.

    Almost Graduated (Chile) – New York Premiere. Directed by Samantha Copano, Florencia Peña.

    Apocalypse Besties (United States) – World Premiere. Directed by Kristen Buckels Cantrell.

    ATTAGIRL! (United States) – World Premiere. Directed by Klimovski.

    ayi (United States, China) – World Premiere. Directed by Jiayi Li.

    Baby Blues (Norway) – World Premiere. Directed by Helen Komini Knudsen.

    Baby Tooth (United States) – Directed by Olivia Accardo.

    Beyond Silence (Netherlands) – International Premiere. Directed by Marnie Blok.

    Chasing the Party (United States) – World Premiere. Directed by Jessie Komitor.

    Cherry-Colored Funk (United States) – New York Premiere. Directed by Chelsie Pennello.

    Cocoon (United States) – World Premiere. Directed by Sujin Jung.

    Fame and Other Four Letter Words (United States) – World Premiere. Directed by Miranda Kahn.

    Fire At Will (United States) – World Premiere. Directed by Morgan Gruer.

    Gloria (United States) – World Premiere. Directed by Kim Blanck.

    God’s Lonely Magician (United States) – World Premiere. Directed by Walker Higgins.

    How I Learned to Die (United States) – World Premiere. Directed by Manya Glassman.

    I Want To Feel Fun (United States) – World Premiere. Directed by Jessica Sanders.

    In Jeff We Trust (United States) – World Premiere. Directed by Blake Jarvis.

    Jean Jacket (United States) – World Premiere. Directed by Maxim Nebeker, Lucy Nebeker.

    Kisses and Bullets (United States, Iran) – New York Premiere. Directed by Faranak Sahafian.

    Little Monsters (France) – New York Premiere. Directed by Pablo Léridon.

    LOUD (Canada) – World Premiere. Directed by Adam Azimov.

    My Dad, the Rockstar (Canada) – World Premiere. Directed by Kevin Jin Kwan Kim.

    New York Day Women (United States) – World Premiere. Directed by Fredgy Noël.

    Pirateland (Greece, Norway, France) – North American Premiere. Directed by Stavros Petropoulos.

    Poreless (United States) – New York Premiere. Directed by Harris Doran.

    Red Egg & Ginger (UK) – World Premiere. Directed by Olivia Owyeung.

    Rise (Zimbabwe) – World Premiere. Directed by Jessica J. Rowlands.

    Sister! (United States) – World Premiere. Directed by John Onieal.

    Sorry I’m late (but I brought a choir) (Norway) – North American Premiere. Directed by Håkon Anton Olavsen.

    Sunny (Curaçao) – International Premiere. Directed by German Gruber Jr.

    Terror Keeps You Slender (United States) – World Premiere. Directed by Daniel Serafini-Sauli.

    Terror Night (Sweden) – International Premiere. Directed by Jakob Arevärn.

    The Hicks Happy Hour (United States) – World Premiere. Directed by Kate McCarthy.

    The Lord of All Future Space & Time (United States) – World Premiere. Directed by Chris Paul Russell.

    The Rebirth (United States) – World Premiere. Directed by Connie Shi.

    The Singers (United States) – New York Premiere. Directed by Sam Davis.

    The Wrath of Othell-Yo! (United States) – World Premiere. Directed by Kwesi Jones.

    Truckload (UK) – World Premiere. Directed by Aella Jordan-Edge.

    Wannabe (Ecuador) – World Premiere. Directed by Kat Cattani.

    We are Kings (United States) – New York Premiere. Directed by Frank Sun.

    Womb (New Zealand) – World Premiere. Directed by Ira Hetaraka.

    Zodiac (Belgium) – North American Premiere. Directed by Hans Buyse.

     

     

    DOCUMENTARY SHORTS

    A Drastic Tale (United States) – World Premiere. Directed by Chantel Simpson.

    Ask Me Anything (Netherlands) – International Premiere. Directed by Wyneke van Nieuwenhuyzen.

    Black Tide (France) – New York Premiere. Directed by Kim Yip Tong.

    Doc Albany (United States) – World Premiere. Directed by Ben Proudfoot.

    Expiration Date (United States) – New York Premiere. Directed by Giles Perkins.

    Freeman Vines (United States) – New York Premiere. Directed by Tim Kirkman, André Robert Lee.

    I hope this email finds you well. (Palestine) – World Premiere. Directed by Asia Zughaiar.

    If I Can Dream (UK, Wales) – International Premiere. Directed by Luis Cross.

    Kiss My Grass (United States) – World Premiere. Directed by Mary Pryor, Mara Whitehead.

    Monster Slayer (United States) – World Premiere. Directed by Catie Skipp.

    Natasha (Italy, Russia) – World Premiere. Directed by Mark Franchetti, Andrew Meier.

    Neith Armstrong and the Lanholmites (UK) – World Premiere. Directed by Duncan Cowles.

    Oh Yeah! (United States) – World Premiere. Directed by Nick Canfield.

    Pavilhão (Brazil) – World Premiere. Directed by Victoria Fiore.

    Songs of Black Folk (United States) – World Premiere. Directed by Haley Watson, Justin Emeka.

    The Ban (Ireland, Northern Ireland, UK) – New York Premiere. Directed by Roisin Agnew.

    The New Indigo Wave (Puerto Rico) – North American Premiere. Directed by Karla Claudio.

    The Patel Motel Story (United States) – World Premiere. Directed by Rahul Rohatgi, Amar Shah.

    This Land (United States) – New York Premiere. Directed by Mike Bradley.

    Watch Over Us (United States) – World Premiere. Directed by Carlos Garcia de Dios.

     

    ANIMATED SHORTS

    A Night at the Rest Area (Japan) – Directed by Saki Muramoto.

    Awaiting the Lightning Bolt (Italy, UK) – Directed by Marco Russo.

    Captain Zero: Into the Abyss Part II (United States) – World Premiere. Directed by Z Cher-Aimé.

    How A River is Born (Brazil) – North American Premiere. Directed by Luma Flôres.

    Lily (United States) – World Premiere. Directed by Kate Siegel.

    Linie 12 (Germany) – World Premiere. Directed by Sarah Schulz.

    Ostrich (Switzerland) – World Premiere. Directed by Marie Kenov.

    Ovary-Acting (Norway, Sweden, UK) – World Premiere. Directed by Ida Melum.

    Petra and the Sun (Chile) – North American Premiere. Directed by Malu Furche, Stefania Malacchini

    Playing God (Italy, France) – New York Premiere. Directed by Matteo Burani.

    Snow Bear (United States) – New York Premiere. Directed by Aaron Blaise.

    Still Moving (Canada) – North American Premiere. Directed by Rui Ting Ji.

    The Piano (United States) – World Premiere. Directed by Avery Kroll.

    The Quinta’s Ghost (Spain) – World Premiere. Directed by James A. Castillo.

    Tigre (Mexico) – World Premiere. Directed by Maria Victoria Sanchez.

     

    MUSIC VIDEOS

    “Call Me a Liar” (United States) – Performed by Dola. Directed by Jivensley Alexis, Reece Daniels.

    “Carpinteria” (United States) – Performed by Rae Khalil ft. Freddie Gibbs. Directed by Anderson .Paak.

    “Even Better” (Australia) – Performed by GRASS. Directed by Kieren Barber Wilson, Walter Mather.

    “Fast Edee” (United States) – Performed by ZEBEDEE. Directed by Zebedee Row.

    “Forever 21” (United States) – Performed by Bonnie McKee. Directed by Bonnie McKee, David Richardson.

    “Madame President” (United States) – Performed by Grace Bowers. Directed by Athena Kulb.

    “Neverland” (United States) – Performed by Kid Cudi. Directed by Ti West.

    “Qué Más Quieres” (Mexico) – Performed by The Warning. Directed by Paulina Villarreal, Iban Chabes.

    “Rock the Bells” (United States) – Performed by LL Cool J. Directed by Gregory Brunkalla.

    “That’s How I’m Feeling” (United States) – Performed by Jack White. Directed by Jack White.

     

    TRIBECA MEMBER EXCLUSIVE

    A curated selection of unique premiere events available only to the Tribeca Member community.

    Money Talks (United States) – World Premiere. Directed by Tony Mucci.

     

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    George Clooney Doesn’t See Jay Kelly When He Looks In The Mirror–But The Role Sparks Some Reflections

    Thursday, December 4, 2025

    George Clooney is not Jay Kelly. That much he is sure of. But when a famous movie star of a certain age decides to take on a role as a famous movie star of a certain age, full of regrets and realizing that he's missed out on so much of his own life in pursuit of greatness and fame, it does invite some questions. Clooney, 64, wasn't thinking about all that when Noah Baumbach called him about the part. He was just thinking about how hard it is to get good roles the older he gets. "I was predisposed to want to do it before I even read it," Clooney said in a recent interview. He wasn't the only one. Adam Sandler, Laura Dern and Billy Crudup were just a few of the many stars of "Jay Kelly," streaming on Netflix on Friday, who pretty much signed on script unread. Baumbach's name, as the writer-director behind "Marriage Story" and "The Squid and the Whale," has that kind of effect on actors, from those he's worked with before, to those who've just admired him from afar. "Jay Kelly," which Baumbach wrote with Emily Mortimer, wasn't just a clever character study but a lovingly clear-eyed portrait of the strange business of Hollywood moviemaking and the personalities involved — the managers (Sandler), the publicists (Dern), the makeup artists (Mortimer), the best actor from acting class who didn't make it (Crudup), and, of course, the one who did (Clooney). "It's so lush in its appreciation for the sort of carnival life of actors and the proximity to some kind of gilded, glorious life that's always tantalizingly close," Crudup said. "We use movie stars as some kind of analogy about what it means to be successful and have a happy life, when in fact, that's smoke and mirrors. And if you're too busy looking out for that, you're gonna miss the life that you... Read More

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