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    Home » Showtime Waits To See If “Loudest Voice” Will Be Heard; Nielsen Week In Review

    Showtime Waits To See If “Loudest Voice” Will Be Heard; Nielsen Week In Review

    By SHOOTWednesday, July 3, 2019Updated:Tuesday, May 14, 2024No Comments3828 Views
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    This image released by Showtime shows Russell Crowe as Roger Ailes in a scene from the limited series, “The Loudest Voice,” which premiered on Sunday, June 30. The Nielsen company said 299,000 watched Sunday’s 10 p.m. debut of the miniseries. When you add replays and streams, Sunday’s audience swelled to 651,000, Nielsen said. (JoJo Whilden/Showtime via AP)

    By David Bauder, Media Writer

    NEW YORK (AP) --

    Intensely loyal viewers routinely make Fox News Channel the most-watched cable network each week. So how many people want to watch a miniseries about Roger Ailes, the man who developed and ran the place for its first two decades?

    The safest answer for Showtime’s “The Loudest Voice” is it’s early.

    The Nielsen company said 299,000 watched Sunday’s 10 p.m. debut of the miniseries starring Russell Crowe, or roughly one-tenth of the audience Sean Hannity pulls in each night.  But for a premium cable network, that’s only part of the story. When you add replays and streams, Sunday’s audience swelled to 651,000, Nielsen said.

    Often, as much as 80% of an audience for a Showtime series watches on a delayed basis, network spokeswoman Johanna Fuentes said.

    “Since we’re not ad-supported, that’s just fine by us,” Fuentes said via Twitter. “Show will be at a million (viewers) by week’s end.”

    Another Showtime miniseries, “Escape from Dannemora,” reached 397,000 viewers at the first episode’s premiere in November. By the end of last month, that episode had been seen by just under 6 million viewers.

    The Showtime miniseries, “Patrick Melrose,” had 219,000 viewers at its debut last year. Showtime’s “Homeland” (1.24 million), “Billions” (771,000) and “The Affair” (521,000) had larger audience for the debuts of their most recent seasons — but as returning season premieres for existing popular series, they would be expected to have a larger audience.

    Elsewhere, NBC’s two-night coverage of the first Democratic primary debate of the 2020 political season dominated the television landscape. Wednesday night’s debate reached 15.3 million people across the broadcast network, as well as MSNBC and Telemundo. The audience for Thursday was 18.1 million, the largest ever for a Democratic primary debate.

    Boosted by the political nights, NBC won the week in primetime, averaging 4.9 million viewers. CBS had 3.6 million, ABC had 3.3 million, Fox had 1.9 million, ION Television had 1.5 million, Univision had 1.4 million, Telemundo had 1.1 million and the CW had 680,000.

    Fox News Channel was the week’s most popular cable network, averaging 2.37 million viewers. MSNBC had 2.3 million, ESPN had 1.28 million, HGTV had 1.23 million and USA had 1.04 million.

    ABC’s “World News Tonight” topped the evening newscasts with an average of 7.8 million viewers. NBC’s “Nightly News” was second with 6.8 million and the “CBS Evening News” had 5 million viewers.

    Below are primetime viewership numbers compiled by Nielsen for June 24-30. Listings include the week’s ranking and viewership.

    1. “Democratic Debate” (Thursday), NBC, MSNBC, Telemundo, 18.1 million.
    2. “Democratic Debate” (Wednesday), NBC, MSNBC, Telemundo, 15.3 million.
    3. “America’s Got Talent,” NBC, 10.14 million.
    4. “60 Minutes,” CBS, 7 million.
    5. “The Bachelorette,” ABC, 5.74 million.
    6. “Big Brother” (Tuesday), CBS, 4.94 million.
    7. “Celebrity Family Feud,” ABC, 4.87 million.
    8. “American Ninja Warrior,” NBC, 4.67 million.
    9. “The $100,000 Pyramid,” ABC, 4.59 million.
    10. “Big Brother” (Wednesday), CBS, 4.53 million.
    11. “Young Sheldon” (Thursday, 8 p.m.), CBS, 4.44 million.
    12. “Big Brother” (Sunday), CBS, 4.32 million.
    13. “Holey Moley,” ABC, 4.31 million.
    14. “Blue Bloods,” CBS, 4.309 million.
    15. “Young Sheldon” (Thursday, 8:30 p.m.), CBS, 4.274 million.
    16. “Songland,” NBC, 4.272 million.
    17. “Press Your Luck,” ABC, 4.19 million.
    18. “To Tell The Truth,” ABC, 4.03 million.
    19. “America’s Funniest Home Videos,” ABC, 3.93 million.
    20. “Amazing Race,” CBS, 3.82 million.

    ABC is owned by The Walt Disney Co.; CBS is a division of CBS Corp.; Fox is owned by 21st Century Fox; NBC is owned by NBC Universal.

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    Category:News
    Tags:NielsenShowtimeThe Loudest Voice



    “The Chronology of Water” Brought Imogen Poots A Great Role, and A Best Friend In Kristen Stewart

    Wednesday, December 10, 2025

    Imogen Poots has been thinking about a Sam Shepard quote: "People here have become the people they're pretending to be." Those 10 words, from a poem in his "Motel Chronicles" collection, are kind of about her character in "Hedda," the quietly courageous Thea. But they're also kind of about everything. After 20 years of acting in movies, television and on the stage, Poots is having a clarifying moment. And Shepard's words somehow get to the heart of it all: the disorienting paradox of attempting to work as an artist in a big industry like Hollywood and preserving your soul in the process. "I was always clear about what I wanted to do professionally, if only I could get there, in independent cinema and theater," Poots told The Associated Press in a recent interview. "But only in the last two years, something's clicked." The 36-year-old English actor has always managed to elegantly navigate her way through the distracting noise of franchises and fame and find the types of interesting filmmakers, stories and projects she'd always dreamed of, working with the likes of Peter Bogdanovich, Terrence Malick, Philip Seymour Hoffman and Imelda Staunton along the way. But this year has been particularly special with three films that she's enormously proud to be part of: sharing the screen with the great Nina Hoss in Nia DaCosta's fiery"Hedda" (streaming on Prime Video), delving into the throes of an affair, with Brett Goldstein, in the romantic drama "All of You" (streaming on Apple TV) and giving herself over to what may just be remembered as a defining performance in Kristen Stewart's directorial debut, "The Chronology of Water" (in theaters in Los Angeles and New York, nationwide on Jan. 9). "You can make these films that simply don't find their home, or don't... Read More

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