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    Home Β» SIGGRAPH Unveils Immersive Pavilion, VR Theater Lineups

    SIGGRAPH Unveils Immersive Pavilion, VR Theater Lineups

    By SHOOTTuesday, June 25, 2019Updated:Tuesday, May 14, 2024No Comments3364 Views
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    "Dr Who: The Runaway," a coming attraction at SIGGRAPH's VR Theater
    CHICAGO --

    The SIGGRAPH 2019 Immersive Pavilion and VR Theater are set to roll into L.A. this summer with the conference’s largest selection of immersive programming to date, including four world-premiere experiences. Both spaces offer daily first-come, first-served content in addition to timed VR Theater screenings that are by ticket only. SIGGRAPH 2019 will take place July 28–August 1 at the Los Angeles Convention Center.

    The following world-premiere experiences are set to make their debut during the conference: “Undersea” from Magic Leap (Immersive Pavilion), “a kite’s tale” from Walt Disney Animation Studios (VR Theater), “Mary and the Monster: Chapter One” from Parallux and New York University’s Future Reality Lab (Immersive Pavilion), and “Il Divino: Michelangelo’s Sistine Ceiling in VR” from Epic Games. More information about each debut will be available in the coming weeks.

    “With this latest edition, the Immersive Pavilion cements its status as the perfect place to experience, play, and learn about technological advances across the constantly evolving mediums of augmented, virtual, and mixed reality,” shared SIGGRAPH 2019 Immersive Pavilion chair Victoria Rege. “In addition to fun, quirky projects aimed to entertain, the content our creators will share is often thought-provoking and informative. These platforms are well-positioned as a tool to teach us more about the human experience, and I am so excited to share that with attendees.”

    Chosen by an expert jury from more than 290 submissions, this year’s 33 Immersive Pavilion selections and 15 VR Theater selections are ready to wow participants this summer. A true mark of how technology thrives, immersive content at SIGGRAPH bridges technology from past conferences in a way that showcases how dreams really do become reality over time, a true mark of how technology continues to thrive.

    SIGGRAPH 2019 VR Theater sirector Maxwell Planck noted, “If what we’ve seen this year is where we’re at now, I can only imagine where we’ll be in 20 years. As we launch the third annual VR Theater at SIGGRAPH, it’s important to note not only impressive growth in the quantity of submissions, but in the quality as well. I look forward to celebrating the future of a medium that, much like the early days of the Electronic Theater, will only get bigger and better.”

    Immersive content at SIGGRAPH 2019 is available in five distinct venues across two programs. In the Immersive Pavilion, work can be experienced across three physical spaces–the Arcade, Museum, or Village–while the VR Theater offers both five-film, 1-hour screenings daily and individual viewing kiosks. Highlights for each area include:

    IMMERSIVE PAVILION
    Project Jua [Arcade]
    Contributors: Brian First, Raymond Ononiwu, Ayuba Audu, and Dunni Abiodun, Microsoft; and, Max Sacker and Ioulia Isserlis, Another World
    Project Jua is an interactive VR experience that raises awareness of the impact of not having easy access to electricity, taking the player to a rural farm in Kenya to experience firsthand the challenges of living off the grid to discover an African solar power solution that is improving lives.

    Heterotopias [Museum]
    Contributors: Szilvia Ruszev and Noa Kaplan, University of Southern California
    Heterotopias is an interactive VR experience based on Michel Foucault’s lecture, Des espaces autres. It leverages eye-tracking technology, transforming blinks into cinematic cuts. Suspended in a hanging chair, the user progresses through a series of virtual spaces resembling an abbreviated life cycle — a well, a garden, and a mausoleum.

    Being Henry [Village]
    Contributor: Sarah Berkovich, independent
    After experiencing a stroke that left him paralyzed, Henry Evans uses cutting-edge technology to keep him connected to the things he loves. In this first-person interactive documentary, see the world through Henry’s eyes — and the eyes of his robots.

    VR THEATER
    Doctor Who: The Runaway [Screenings]
    Creator: Mathias Chelebourg, BBC VR Hub, BBC Doctor Who, Passion Animation Studios
    Step inside the TARDIS with the Doctor in this beautiful, interactive story from the “Doctor Who” team. Armed with a sonic screwdriver, it is down to you to help the Doctor as she faces the forces of evil, and teenage angst, in this animated, 13-minute VR adventure from the team behind “Doctor Who” Series 11.

    MindPalace [Kiosks]
    Creators: Carl Krause and Dominik Stockhausen, Filmakademie Baden-WΓΌrttemberg
    In a last desperate attempt to communicate, a man decides to lock his boyfriend inside his mind. A raging stream of consciousness unfolds, shedding light on a flawed relationship.

    The Immersive Pavilion and VR Theater Kiosks are open to conference participants with an Experiences badge and above. VR Theater Screenings are open to those with Full Conference and Full Conference Platinum registration only. 

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    Category:News
    Tags:Immersive PavilionSIGGRAPHVR Theater



    Thanks To Shows Like “Abbott Elementary” and “Hacks,” LGBTQ+ Representation On Primetime TV Grows

    Thursday, November 6, 2025

    TV shows like "Abbott Elementary," "Hacks," "Heartstopper," "The Last of Us" and "Yellowjackets" helped increase the ranks of LGBTQ+ characters on prime time by 4% over the previous season, according to a new study by the advocacy group GLAAD. This year's "Where We Are on TV" study, released Thursday, counted 489 LGBTQ characters across scripted prime-time broadcast, cable and streaming shows β€” up 21 additional characters. It marks a boost after two years of decline, but remains far below the 2021-2022 record high of 637 characters. Sarah Kate Ellis, president and CEO of the group, warned that those numbers could still decrease soon: More than 200 of the LGBTQ+ characters counted this year β€” in shows like "Heartstopper," "Harlem" and "Elite" β€” will not be returning due to a flurry of series cancellations, endings or because they were limited series. "Storytelling brings us together and this current cultural and political climate calls on creatives and executives to double down on fair and accurate stories of LGBTQ people," Ellis writes in the report. GLAAD added that the number of transgender characters on TV has slightly increased from last year to reach 33 β€” 24 trans women, seven trans men, and two nonbinary characters β€” but only four trans characters appear on series that have been officially renewed. The report is the 20th edition of the annual tracking by GLAAD and charts a remarkable leap from just 47 LGBTQ+ characters in the first study. It arrives as President Donald Trump has targeted transgender and nonbinary people with a series of executive orders β€” including one declaring the existence of two unchangeable sexes β€” stripping government websites of "gender ideology" an reinstituting a ban on transgender service members in the... Read More

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