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    Home » Sir Peter Jackson To Receive VES Life Achievement Award

    Sir Peter Jackson To Receive VES Life Achievement Award

    By SHOOTMonday, March 22, 2021Updated:Tuesday, May 14, 2024No Comments3629 Views
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    Sir Peter Jackson
    LOS ANGELES --

    The Visual Effects Society (VES) has named Sir Peter Jackson, Academy Award, DGA, PGA and VES Award-winning director-producer-screenwriter, as the forthcoming recipient of the VES Lifetime Achievement Award in recognition of his valuable contributions to filmed entertainment. The award will be presented at the 19th Annual VES Awards, streaming worldwide on April 6/7 (depending on time zone) and hosted by comedian Patton Oswalt.

    The VES Lifetime Achievement Award, bestowed by the VES Board of Directors, recognizes an outstanding body of work that has significantly contributed to the art and/or science of the visual effects industry. VES will honor Jackson for his consummate artistry, expansive storytelling and profound gift for blending iconic imagery and unforgettable narrative on an epic scale. Jackson’s ability to harness craft to bring his unique visions to life has resulted in cinematic experiences that have transported and transfixed audiences worldwide.  And his state-of-the-art work to restore archival footage has made him a lauded champion of film history and restoration. 

    “Sir Peter Jackson is one of the most innovative filmmakers of our generation,” said Lisa Cooke, VES Board chair. “Peter pushes the known boundaries of filmmaking and his vision and contributions to the art are legendary.  He has redefined the relationship between the viewer and the story–you can easily see this from the epic cult followings of his highly engaging work, a testament to his expert blending of visual effects, evocative characters and a remarkable imagination.  For this and more, we are honored to award Peter with the prestigious Lifetime Achievement Award.” 

    “I’m thrilled and gratified to receive the VES Lifetime Achievement Award,” said Jackson.  “If I was ever going to be honored for my lifetime of work, I would have chosen the VES award, because I started my career as a seven-year-old making models and shooting them with a Super 8 camera. The dream of making visual effects was the seed of my whole world as a filmmaker.  But just because it’s called Lifetime, don’t think I’ve peaked; there’s a lot more to come!”  

    Jackson made history with The Lord of the Rings trilogy, becoming the first person to direct three major feature films simultaneously.  The Fellowship of the Ring, The Two Towers and The Return of the King were nominated for and collected a slew of awards from around the globe–including a total of 12 VES Awards across the trilogy–with The Return of the King receiving his most impressive collection of awards.  This included three Academy Awards® (Best Adapted Screenplay, Best Director and Best Picture), two Golden Globes (Best Director and Best Motion Picture-Drama), three BAFTAs (Best Adapted Screenplay, Best Film and Viewers), and awards from the Directors Guild and Producers Guild.  As a follow up to The Lord of the Rings trilogy, Jackson directed, wrote, and produced King Kong, which grossed over $500 million and won three Oscars®.

    Jackson previously received widespread acclaim for Heavenly Creatures, which received an Academy Award® nomination for Best Screenplay. Jackson directed the Academy Award®-nominated The Lovely Bones and produced the worldwide sci-fi hit District 9.  He was a producer on Steven Spielberg’s The Adventures of Tin Tin: The Secret of the Unicorn and also directed, produced and co-wrote the three-film adaptation of Tolkien’s "The Hobbit." Other film credits include Braindead, which won 16 international science fiction awards, including the Saturn. Jackson also co-directed the television documentary Forgotten Silver.

    Jackson’s recent films include Mortal Engines, based on a post-apocalyptic world where cities ride on wheels and consume each other to survive. He directed and produced They Shall Not Grow Old, a visually staggering documentary on World War I, with digitally restored never-before-seen footage. BAFTA-nominated for Best Documentary, it won Critics Choice Awards for Best Director and Most Innovative Documentary. Jackson is currently directing and producing The Beatles: Get Back documentary, slated for release in August 2021.

    Previous winners of the VES Lifetime Achievement Award have included Martin Scorsese, George Lucas, Robert Zemeckis, Dennis Muren, VES, Steven Spielberg, Kathleen Kennedy & Frank Marshall, James Cameron, Ray Harryhausen, Stan Lee, Richard Edlund, VES, John Dykstra, Sir Ridley Scott, Ken Ralston, VES, Jon Favreau and Chris Meledandri.

    As previously announced, award-winning visual effects supervisor, second unit director and director of photography Robert Legato, ASC, is the forthcoming recipient of the VES Award for Creative Excellence. 

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    Category:News
    Tags:Sir Peter JacksonVESVisual Effects Society



    Review: “Lee Cronin’s The Mummy”

    Friday, April 17, 2026
    This image released by Warner Bros. Pictures shows Natalie Grace in a scene from "Lee Cronin's The Mummy." (Warner Bros. Pictures via AP)

    The tagline for "Lee Cronin's The Mummy" is "Some things are meant to stay buried." That also applies to the misguided "Lee Cronin's The Mummy," which should definitely stay deep underground for eternity. Let's face it, Mummy has always been the lamest of the classic, old-school monsters, a grunting, slow-moving and poorly bandaged zombie. Dracula has a bite, after all, and Frankenstein's monster has superhuman strength. What's Mummy going to do? Lumber us to death? Cronin evidently believes there's still life in this old Egyptian cursed dude, despite being portrayed as the dim-witted straight guy in old Abbott and Costello movies or appearing as high priest Imhotep in the Brendan Fraser franchise. So Cronin has resurrected The Mummy but grafted it onto the body of a demon possession movie. His Mummy is actually not a man at all, but a teenage girl who is controlled by an ancient demon and grunts a lot. "Lee Cronin's The Mummy" — the title alone is a flex, like he gets his name on this thing like Guillermo del Toro, John Carpenter or Tyler Perry? — is overly long, constantly ping-pongs between Cairo and Albuquerque, New Mexico, and after a sedate first half, plows into a gross-out bloodfest at the end that doesn't match the rest of the film. Cronin, behind the surprise 2023 horror hit "Evil Dead Rise," is weirdly obsessed by toes and teeth, and while he gets kudos for having an Arabic-speaking main actor (a superb May Calamawy) and portraying real-feeling Middle Eastern characters, there's a feeling that no one wanted to edit his weirder impulses, like some light, inter-family cannibalism. It starts with the abduction of a Cairo-based family's young daughter, who resurfaces eight years later in a 3,000-year-old sarcophagus, catatonic and showing... Read More

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