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    Home » Slash Dynamic Founder Tanya Cohen Launches Automotive Content Studio

    Slash Dynamic Founder Tanya Cohen Launches Automotive Content Studio

    By SHOOTTuesday, March 29, 2022Updated:Tuesday, May 14, 2024No Comments3978 Views
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    Slash Dynamic Automotive's (l-r) Steve Rice, Tanya Cohen and Dave Hedeman
    LOS ANGELES --

    Tanya Cohen–who founded Slash Dynamic, a WBENC certified, 100% female-owned production company, in 2018–has now launched a unit dedicated to automotive marketing. The new creative content studio is Slash Dynamic Automotive. To a roster that already included automotive film directors such as Konrad Begg (Top Gear) and Deluxe, Cohen has added auto creative directors Dave Hedeman and Steve Rice, a pair who formerly led brand and retail creative together on Nissan USA for 15 years, at both TBWAChiatDay NY and Zimmerman.

    Cohen felt the time was right for a studio that’s hyper-focused on automotive. “With there being more media channels than ever and more content being produced, I knew we had a unique opportunity as experts in the category,” she said. “It’s such a specialty and you really have to know the business and the vehicles inside and out to create meaningful content. You can’t just point a camera at a car and drive.” 

    Cohen further noted, “Creating a studio where creative directors work together with film directors and producers from the starting line gives us a powerful advantage. We all know, live and love automotive. Our team thinks like automotive CMOs, internal marketing and PR teams and agency teams, so they can integrate seamlessly into any project and work alongside them,” she said. It creates a much shorter learning curve, higher efficiency and brand-level creative output. 

    Slash Dynamic Automotive has the capability to go from ideation through production and postproduction under one roof. The company will create branded, marketing and PR content. “We can also scale from bare bones to multi-day, multi-unit productions across the globe, while maintaining the highest levels of production value,” Cohen contended. “It’s that kind of flexibility that we know is vitally important to global auto brands with budgets and locations that vary widely from project-to-project.”  

    In addition to being able to satisfy the immediate needs of automakers and auto-related brands, the Slash team is heavily focused on creating storytelling and experiences that speak to the future landscape of the auto industry on the whole.  

    It’s a future, Cohen said, of “EV’s, self-driving vehicles, drones, electric bikes, scooters and other vehicles that will be capturing data and this data will be used to tell stories. In-cabin entertainment will be important, and creating immersive experiences for consumers to engage with their vehicles.”  

    Slash Dynamic Automotive and Cohen dovetail with the growing number of women making an impact in the vehicular marketing space. “It’s exciting to be following in the footsteps of some very talented female automotive CMOs and marketing directors whom I respect and admire,” Cohen said. “They’re helping re-shape the industry and have paved the way for us to create a space where we can do amazing work for auto brands of every size.” 

     

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    Category:News
    Tags:Dave HedemanSlash Dynamic AutomotiveSteve RiceTanya Cohen



    Ewan McGregor and Danny Boyle Reflect On The Life-Changing Film “Trainspotting”

    Saturday, June 6, 2026
    This image released by Sony Pictures Classics shows Ewan McGregor in a scene from "Trainspotting." (Liam Longman/Sony Pictures Classics via AP)

    Ewan McGregor, for a fleeting moment after "Trainspotting" came out, felt like a rock star. It wasn't his first significant project; it wasn't even his first film with director Danny Boyle. And he was, in his words, fairly arrogant and cocksure at the time. But that kinetic film about four heroin addicts in late-1980s Scotland was and, 30 years later, remains defining — in his career, in the culture and in his understanding of what true artistic satisfaction can feel like. "It's very much in that early part of my career, and of course, even today, probably the most important piece of work that I was involved in, just because it had such a massive effect on my life. Not only because of what it did, but because of how it felt to make," McGregor told The Associated Press in a recent interview. "It set the bar unknowingly high because it's been quite hard to match ever since." Both McGregor and Boyle are a little wistful about the time, and what they made, as the film marks its 30th anniversary re-release. A 4K digital restoration started in theaters nationwide on Friday (6/5). Though "Trainspotting" was very much of its moment with its Britpop soundtrack, its Thatcher-era grit, its darkly comedic tone and shrewd blend of giddy highs and tragic lows, it's also one that has stood the unforgiving test of time. "You get kids coming up to you who are 17 who said they'd just seen it," Boyle said. "I could be their grandfather … yet it still spoke to them." Putting Hollywood on hold Boyle was a hot commodity after "Shallow Grave," a 1994 black comedy about flatmates in Edinburgh starring McGregor, and Hollywood was calling. Literally. A peak-famous Sharon Stone cold-called him and asked if he'd want to come make a film with her. But he had... Read More

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