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    Home » Son Lux, Diane Warren, Michael Abels among winners at Society of Composers & Lyricists Awards

    Son Lux, Diane Warren, Michael Abels among winners at Society of Composers & Lyricists Awards

    By SHOOTThursday, February 16, 2023Updated:Tuesday, May 14, 2024No Comments831 Views
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    LOS ANGELES --

    The Society of Composers & Lyricists (SCL) presented the winners of the 4th Annual SCL Awards for score and songs in visual media on Wednesday evening (2/15) at the Skirball Cultural Center. 
     
    Currently an Oscar nominee for both Best Original Song and Best Original Score, Ryan Lott of Son Lux accepted the SCL Award for Outstanding Score for an Independent Film for Everything, Everywhere All at Once. Additionally, Michael Abels received the award for Outstanding Original Score for a Feature Film for Nope as well as the Jury Award for the opera he co-composed with Rhiannon Giddens, Omar. A second Jury Award was presented to Women Warriors: The Voices of Change.

    In the song categories, Diane Warren, who became the first songwriter to receive an Honorary Oscar in December of 2022, accepted her award for Outstanding Original Song for a Drama or Documentary for “Applause” from Tell It Like a Woman, which is also nominated for Best Original Song at the upcoming Oscars. Additionally, filmmaker/lyricist Guillermo del Toro and lyricist Roeban Katz accepted their award for Outstanding Original Song for a Musical or Comedy for “Ciao Papa” from Guillermo del Toro’s Pinocchio, written by Katz, del Toro, and Alexandre Desplat.

    Nami Melumad, who co-composed Thor: Love and Thunder with Michael Giacchino and became Star Trek’s first female composer with Star Trek: Prodigy, won the David Raksin Award for Emerging Talent for Star Trek: Strange New Worlds. Stephanie Economou, who received the first ever David Raksin Award at last year’s ceremony, won Best Original Score for Interactive Media for Assassin’s Creed Valhalla: Dawn of Ragnarök. Also a back-to-back winner, Emmy-winning composer Cristobal Tapia de Veer won Outstanding Original Score for a Television Production for The White Lotus for the second year in a row.

    The Spirit of Collaboration Award was presented to Oscar-winning composer Justin Hurwitz and Oscar-winning filmmaker Damien Chazelle. The composer and filmmaker have collaborated on five films: Babylon, La La Land, Whiplash, First Man, and Guy and Madeline on a Park Bench. The presentation of the award was accompanied by a musical performance including “Audition (The Fools Who Dream)” from La La Land, the First Man theme for harp and theremin, and a Babylon Medley, including “Voodoo Mama” and “Herman’s Hustle.”

    The evening was hosted by Darren Criss, who also gave the audience a musical performance. Awards were presented across seven categories for music in visual media in addition to the Spirit of Collaboration Award and the two Jury Awards.

    Past SCL Awards winners who went on to win Oscars include Trent Reznor, Atticus Ross and Jon Batiste for Soul, Hildur Guđnadóttir for Joker, Hans Zimmer for Dune, and Billie Eilish and FINNEAS for No Time To Die.

    Here’s a rundown of the evening’s SCL Award winners:
     

    4th SCL AWARDS 2023 

     

    OUTSTANDING SCORE FOR A STUDIO FILM
    Michael Abels – Nope

     

    OUTSTANDING SCORE FOR AN INDEPENDENT FILM
    Son Lux – Everything Everywhere All At Once 

     

    OUTSTANDING SONG FOR A MUSICAL/COMEDY
    Alexandre Desplat, Roeban Katz, Guillermo del Toro – “Ciao Papa” from Guillermo del Toro’s Pinocchio

     

    OUTSTANDING SONG FOR A DRAMA/DOCUMENTARY
    Diane Warren – “Applause” from Tell It Like a Woman 

     

    OUTSTANDING SCORE FOR TELEVISION
    Cristobal Tapia de Veer – The White Lotus

     

    OUTSTANDING SCORE FOR INTERACTIVE MEDIA
    Stephanie Economou – Assassin’s Creed Valhalla: Dawn of Ragnarök

     

    DAVID RASKIN AWARDS FOR EMERGING TALENT
    Nami Melumad – Star Trek: Strange New Worlds

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    Tags:Everything Everywhere all at OnceGuillermo del Toro's PinocchioNopeSCL AwardsSociety of Composers & Lyricists



    Maryland Court Voids Digital Ad Tax, Orders Refunds To Apple, Google and Peacock TV

    Saturday, August 15, 2026

    A Maryland state tax court has struck down the state's first-in-the-nation tax on digital advertising and ordered state officials to repay the tax money already collected from big tech firms. The Maryland Tax Court said the tax violates the federal Internet Tax Freedom Act as well as the First Amendment and the commerce and due process clauses of the U.S. Constitution. The legal fight has been watched by other states that are considering taxes for online ads. Maryland estimated the tax, approved in 2021, could raise about $250 million a year to help pay for a sweeping K-12 education measure. In Friday's decision, the tax court ordered the state to repay the tax money already collected by Apple, Google and Peacock TV. The law taxed revenue that large companies make on digital advertisements shown in Maryland. Companies making more than $100 million in global annual gross revenues were taxed at a 2.5% rate. The rate increased for companies with larger revenues, topping out at a 10% rate for companies making $15 billion or more in global gross annual revenues. Supporters of the law contended that Maryland needed to overhaul its tax methods in response to significant changes in how businesses advertise. But attorneys representing Big Tech companies including Meta and Amazon challenged the law in multiple legal venues, arguing in part that they were unfairly targeted. Last year, 4th U.S. Circuit Court of Appeals ruled part of the law violated the Constitution because it blocked Big Tech companies from telling customers about the tax. That, Judge Julius Richardson said, violated the right to free speech. Maryland Senate President Bill Ferguson and House Speaker Joseline Pena-Melnyk, both Democrats, issued a statement saying they "respectfully disagree"... Read More

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