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    Home » Sonja Sohn Reflects On Her Directorial Debut, “Baltimore Rising”

    Sonja Sohn Reflects On Her Directorial Debut, “Baltimore Rising”

    By SHOOTMonday, November 20, 2017Updated:Tuesday, May 14, 2024No Comments2752 Views
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    In this Nov. 14, 2017 photo, Sonja Sohn poses for a portrait in New York to promote her documentary, "Baltimore Rising." (Photo by Brian Ach/Invision/AP)

    By Mark Kennedy, Entertainment Writer

    NEW YORK (AP) --

    Sonja Sohn has gone from being in front of the camera to behind it. The actress, who played a Baltimore detective on "The Wire," has become a documentary filmmaker and her debut offering is a powerful look at her beloved adopted city.

    "Baltimore Rising," which was to debut Monday on HBO, examines a fearful community in the wake of riots after the death of Freddie Gray, who was fatally injured while in police custody in 2015. Sohn and her team accumulated some 600 hours of footage over a year to make the 90-minute film.

    Sohn leveraged the good will she created from "The Wire" as well as her own help in the community to gain amazing access to both police and social activists. Her cameras capture intimate moments around dinner tables, on football fields and electric moments before important decisions. The Associated Press asked her about her approach and what lessons there are from Baltimore.

    Q: Was it hard putting aside your personal beliefs to carefully listen to all sides?

    Sohn: Certainly I had opinions about the case, about the way it was handled, about police, law enforcement, even about the activists — the younger ones, the older ones, the conversations that were going on in the street. I had plenty of opinions. But, of course, the one thing that you know you have to at least strive for is too keep all those opinions contained in this little space and try to be as neutral as possible.

    Q: The film has no bad guys, just people out there trying to keep the city from violence.

    Sohn: No matter what you can say about our cast, somewhere inside every single cast member, they care about the city. You might not agree with their stances, their perspectives and how they show that care and that love, but they all care. And I think it's important, for one second, just remember that so that when we are in conflict, we can communicate with one another in a respectful manner. I think that's important in today's world.

    Q: The legal cases against the Freddie Gray officers might have led to violence. Why didn't it?

    Sohn: I knew what a juggernaut that incident was and the force and the energy that was released through the incident that then propelled everyone's work even further. It was like putting a rocket booster on folks' motivation. The city was activated. I could feel it. Most people were of one accord, which is, 'No matter what happens with these cases, we're not going to destroy our city.'

    Q: Are there lessons here for other cities, for Americans?

    Sohn: When it comes to lessons, I just feel like people want to package things sometimes. And maybe it's about just moving the needle. I love the 'rah-rah!' I love the idea of everybody getting excited about 'staying woke' and 'being woke.' But are you working? Because we can talk all day long. But the reality of it is that the change you want to see may not happen in your lifetime. Are you still willing to work for that change?

    Q: Can changes in police training have anything to do with a solution?

    Sohn: The government sees the police department as an extension of the military. We see the police department as an extension of the community. Therein lies the rub, the conflict, the problem right there. I think if we all get on the same page — and yes, we can have the rule of law — but all understand that the police are an extension of the community. They serve at the behest of the community. And, by the way, so does the military.

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    Category:Chat Room Interviews
    Tags:Baltimore RisingChat RoomSonja Sohn



    Mischief’s Greg Hahn to Lead The Inaugural One Show Indies Jury

    Monday, January 19, 2026
    Greg Hahn

    Greg Hahn, co-founder and chief creative officer at Mischief in Brooklyn, has been named jury president for the inaugural One Show Indies, the global competition dedicated to celebrating the work of independent agencies, design firms, freelancers, creators, and other creative companies around the world. Debuting this year within The One Show 2026, The One Show Indies is open exclusively to agencies with truly independent ownership: a minimum 51% owned by founders or staff, and no more than four physical offices. To encourage participation, the cost of entry is 20% lower compared to other One Show fees. Hahn will lead the jury made up exclusively of top creatives from leading global independent agencies, and have a vote on the work. Confirmed 2026 One Show Indies jury members include: Ajaz Ahmed, co-founder, Studio One, London Rolando Cordova, CCO, co-founder, L&C, New York Noel Cottrell, founder, CCO, Murder Hornet, Atlanta Jolene Delisle, founder, The Working Assembly, New York Ulrika Karlberg, CCO, YARD NYC, New York Hwee Peng Koh, creative partner, Blak Labs, Singapore Suzanne Powers, founder, Co-CEO, All&, New York Brian Murray, CCO, Zulu Alpha Kilo, Toronto Mohammed Sehly, CEO, BigTime Creative Shop, Riyadh Ariel Serkin, partner, ISLA, Buenos Aires Safaraaz Sindhi, founder, CCO, Bananas, Johannesburg Sam Stuchbury, ECD, Motion Sickness, Auckland Flavio Waiteman, CCO, Tech&Soul, São Paulo The new competition levels the playing field to recognize the extraordinary role and work of independent agencies, and makes the global spotlight of a One Show Pencil win even more accessible to a larger field of indie creative companies. “It’s true that indies are having a moment right now,” said Hahn, who also serves on The One... Read More

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