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    Home » Station Film Signs Director Declan Whitebloom For Spots In U.S.

    Station Film Signs Director Declan Whitebloom For Spots In U.S.

    By SHOOTMonday, November 18, 2019Updated:Tuesday, May 14, 2024No Comments6500 Views
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    Director Declan Whitebloom (r) with recording artist Jess Glynne
    LOS ANGELES --

    Bicoastal Station Film has signed director Declan Whitebloom for commercials in the U.S. His work spans noted spots and music videos. On the former score he has directed for brands such as Pinterest, Target, Fiat and Lipton. His music video fare has featured such artists as Taylor Swift, Demi Lovato and Rita Ora. 

    Among Whitebloom’s most recent work are commercials for Google and Pinterest, and the music video “No One” for Jess Glynne, his seventh promo for the singer/songwriter who’s set records for most U.K. number one hits of any female artist ever. (Whitebloom’s music video representation is handled by Hound in the U.S. and Black Dog, RSA’s music video division, in the U.K.)

    “What attracted us to Declan, besides his enthusiasm and vivaciousness, is the bright and upbeat look of his film,” said Caroline Gibney, partner/executive producer, Station Film.  “His storytelling feels effortless, with an energy, charm and topical style that reflects his unique love and expertise of the filmmaking craft.”

    Whitebloom related, “After reaching out and chatting with Caroline and Steve [Orent, Station’s managing partner], I realized they’re both excited and passionate about the business and that’s how I feel, too. There’s no denying advertising is changing, but there is plenty of opportunity all around. Companies need to be nimble and progressive which is exactly what Station is.”

    “Caroline and I were excited when Declan reached out,” commented Orent. “We’re big fans of his work and his style; it’s a style we’ve been looking for at Station. His energy and passion fit right in with our culture. We’re ready to create some great work together.”

    A London native and now longtime Angeleno, Whitebloom grew up on the sets of his brother’s shoots (Monty of Big TV!).  After art school he moved to Los Angeles and worked as a PA and in the art department before moving into postproduction. He was an editor on hundreds of award-winning music videos before stepping behind the camera to direct his own videos. He’s won CMA Awards for his videos for The Band Perry and Taylor Swift, along with multiple nominations for both CMAs and MTV VMAs.

    Prior to joining Station, Whitebloom was repped in the U.S. ad market by Concrete + Clay, and prior to that RSA. He continues to be repped by RSA in the U.K. for commercials.

    Whitebloom, who prides himself on being a collaborator, noted that his "editing background enables me to make decisions quickly which is an asset on set." He added, “Directing music videos teaches you about nuance, visual storytelling and how to be concise and economical. It also gives you the freedom to think outside the box and that’s invaluable with commercials.”

    Whitebloom has applied those learnings to a career of directing content that leaves a lasting impression, whether heartfelt or upbeat. While his music videos for Glynne document emotional journeys, his commercials for brands such as Target, Fiat, Lipton and Pinterest celebrate through song and dance, or playful performances and dialogue.

    “There are so many creative inspirations in film and television, and commercials, too,” Whitebloom said. “Social media is exposing us to people and art from all over the world at an astonishing rate. It’s hard not to see inspiration all around.” 

    Whitebloom has been part of that inspiration as well, not only through his own work, but by playing a role in the work of provocative artist Banksy’s 2015 Art Exhibition “Dismaland”–a pop-up art exhibition in the form of an apocalyptic UK theme park. Whitebloom was used as a decoy movie director who was featured in the media as the project’s architect during the five weeks Banksy’s team spent building the dystopian theme park exhibition.

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    Category:News
    Tags:Declan WhitebloomStation Film



    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    The murder trial of Duane "Keffe D" Davis in the 1996 killing of Tupac Shakur is headed to closing arguments after the defense rested Thursday following testimony from three former Las Vegas police officers.

    Jurors are scheduled to return Monday for closing arguments before beginning deliberations in the only prosecution brought in the killing of the hip-hop icon. The presentation of evidence ended after nine days of testimony.

    Davis, 63, did not take the stand.

    Shakur was riding in a BMW on Sept. 7, 1996, when a white Cadillac pulled up next to it at a red light near the Las Vegas Strip and gunfire erupted. Shakur was shot multiple times and died six days later. The driver of the BMW, Marion "Suge" Knight, survived.

    Years later, Davis would say he procured the gun and his nephew, who has since died, fired the shots. Prosecutors say Davis orchestrated the killing, and he faces life in prison if convicted of murder with a deadly weapon with the intent to promote, further or assist a criminal gang. He has pleaded not guilty.

    Defense attorney Michael Sanft has argued that Davis fabricated or embellished his accounts of the killing for money and notoriety and that investigators failed to independently corroborate his claims.

    Retired Las Vegas homicide detective Dan Long, the defense's final witness, testified that he tried unsuccessfully to verify several details Davis provided during a 2009 police interview.

    Davis told Long that his nephew, Orlando "Baby Lane" Anderson, had gone to a Las Vegas hospital after being beaten by Shakur and others in a casino brawl hours before the rapper was fatally shot. Long said he was unable to find hospital records confirming Anderson was treated there.

    Long also tried... Read More

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