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    Home » Stink Extends Its Relationship With Douglas Bernardt To U.S. Market

    Stink Extends Its Relationship With Douglas Bernardt To U.S. Market

    By SHOOTMonday, August 12, 2019Updated:Tuesday, May 14, 2024No Comments4863 Views
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    Douglas Bernardt
    CULVER CITY, Calif. --

    Stink Films, which continues to handle director Douglas Bernardt internationally, has now expanded that relationship to cover the U.S. for commercials and music videos. This marks Bernardt’s first representation in the American ad market as Stink becomes his exclusive production roost worldwide.

    Among Bernardt’s highlights this year was the short film Bluesman for Baco Exu do Blues’ eponymous album. The film explores racism, diversity, and violence in a unique and illuminating portrait of Rio life through the eyes of a gregarious young man. Although it involved an inherently Brazilian topic and artist, the piece attained global acclaim as reflected in such honors as the Grand Prix in Entertainment for Music at the Cannes Lions, 2019 D&AD Awards, and the Grand Prix at Ciclope Latino 2019.

    Daniel Bergmann, Stink Films’ founder, said, “Having started his career as a cinematographer in Brazil, Douglas has gone on to create a name for himself internationally. It’s a journey that we are incredibly proud of and wish to continue with this U.S. signing. Douglas represents the growth capacity of Stink across the world.”

    Bernardt shared, “Stink has been my home for years. Since the very beginning of my career as a filmmaker, they have given me the necessary support to develop my ideas and projects. I’m very grateful for this and happy to now explore new possibilities in the U.S with my film family.”

    Bernardt’s commercial work includes projects for Fiat, Corona, and Samsung.

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    Category:News
    Tags:Daniel BergmannDouglas BernardtStink Films



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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