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    Home » Stink Films Expands Representation of Director Matilda Finn To Now Include U.S. Market

    Stink Films Expands Representation of Director Matilda Finn To Now Include U.S. Market

    By SHOOTTuesday, February 11, 2020Updated:Tuesday, May 14, 2024No Comments4208 Views
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    Matilda Finn
    CULVER CITY, Calif. --

    Stink Films has expanded its representation of director Matilda Finn to now include the U.S. for commercials and music videos. She continues to be handled by Stink in the U.K.

    Finn has received wide acclaim for her music videos, beginning with her win for Best New Director at the UK MVAs in 2017, leading to her nomination for best director in 2019.

    Finn’s video for Berlin producer Apparat’s “Heroist” distills the spectrum of human feeling, from fear to ecstasy, into a sci-fi dream sequence constructed from hundreds of photos (954, to be exact). Taking inspiration from a favorite George Orwell quote about “going to the dogs,” the film probes the ironic duality at the heart of enlightenment: the relief that can come from surviving hardship. 

    In addition to her music videos, Finn also brings her unique sensibility to a variety of ad and branded projects. Finn’s “Journey to Independence” for the U.K. disability charity Leonard Cheshire takes us to a job interview, hearkening back to the prospective employee’s arduous journey to recovery after surviving a life-changing accident. Finn directed the thought-provoking and empowering public service piece for London agency Don’t Panic. It earned inclusion into SHOOT’s The Best Work You May Never See gallery last year. 

    Most recently Finn brought her vision to We Don’t Care for Medicins du Monde, highlighting the humanity of people in need of care using stark, meticulously constructed black-and-white imagery. 

    Prior to extending her relationship with Stink to cover the American market, Finn had been repped in the U.S. by Pomp & Clout. 

    “Matilda’s imagination is undeniably electrifying,” said Daniel Bergmann, founder and president of Stink Films. “We’re thrilled to bring her unique talent into the U.S. market in this important next stage of her creative career.”

    Finn shared, “I’ve had a great year with Stink in the U.K. and now I’m really happy to branch out into working in the U.S. I’m looking forward to collaborating on film projects with agencies and brands as well as exploring the other content possibilities Stink offers, like photography and experiential. This is why I have loved working with Stink as they look after my capabilities and have a broad mind about creativity.”

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    Category:News
    Tags:Daniel BergmannMatilda FinnStink Films



    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    “Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More

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