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    Home » Street Talk for May 20, 2022

    Street Talk for May 20, 2022

    By SHOOTWednesday, May 18, 2022Updated:Tuesday, May 14, 2024No Comments2378 Views
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    Afterhrs. founders Thelonious Brooks (l) and Kai Regan
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    Thelonious Brooks and Kai Regan have launched Afterhrs., a content studio based in Los Angeles. Longtime friends, collaborators and now partners, Brooks and Regan–producer and director, respectively–came of age with the street scene in New York, the ingenuity and artfulness of which permeated and informed their work in various genres: branded content, music videos, films, and multimedia experiences. Among them, the award-winning features We Are Not Cats directed by Xander Robin, and director Jim Hosking’s The Greasy Strangler. Last year, Brooks and Regan’s pilot These Days, produced with Peter Saraf and Big Beach, was featured in the Indie series section of Sundance. Brooks also produced the pilot presentation for Starz’ widely celebrated Vida also for Big Beach. Regan was a founding partner of Alldayeveryday and has directed advertising projects for many brands and agencies; Brooks was sr. producer for Gloria Content and EP of my his service company, Behemoth Production. He has also been a line producer for such directors as Jeremy Saulnier, Diego Luna and Rodrigo Valdes. Over the years, Brooks and Regan found a calling in the curation of artist development; inclusive and diverse storytelling talent. Among the many artists with whom Afterhrs. is collaborating on a nonexclusive basis (affording the studio with the flexibility to match the right storyteller to select narrative projects) are Sunbeam (aka Dean Fleischer-Camp and Nick Paley, whose upcoming live action and animated film Marcel the Shell with Shoes On is being released through A24), writer/director Maegan Houang (Counterpart, Three Busy Debras), writer/director Harry Israelson, photographer, curator and filmmaker Manon Macasaet, Australian documentary and commercial director Selina Miles, visionary photographer Jason Al Taan, director Petra Collins, Hans Emanuel and Nick Cammilieri. The company launches with two national campaigns–Starbucks directed by Collins in collaboration with the Scholar animation team, and Icyhot directed by Emanuel and supported by UPP VFX. Brooks and Regan are in development on the feature debut of Cammilieri, whose docu series Lady and The Dale premiered on HBO Max and was recently nominated for Independent Spirit and GLAAD awards. The film will go into production at the end of this year. Afterhrs. Is represented by Devine Reps for advertising and branded content projects on both coasts….

    Tampa, Fla.-based ad agency PPK has hired creative director David Smail, who is joining its creative team of 19 and reporting to executive creative director Paul Prato. Smail will be leading creative work for Bridgestone Retail Operations at PPK, a legacy client who has been with the agency for 14 years. Having spent his entire career in the advertising industry, Smail brings with him a wealth of expertise from his time as a freelancer, the founder and owner of a BBDO office in Vietnam, an advertising professor at the University of Colorado at Boulder and more. He has worked on projects with a wide variety of brands throughout his career, including PepsiCo, Nike, Twitter, Dove, Harley Davidson, Jim Beam, Kodak and FedEx….

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    Category:Street Talk
    Tags:Afterhrs.David SmailKai ReganPPKThelonious Brooks



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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