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    “Suffragette” Opens, “Steve Jobs” To Close London Film Festival

    By SHOOTUpdated:No Comments2181 Views
    Director Sarah Gavron, from left, poses for photographers with actors Carey Mulligan and Meryl Streep during the London Film Festival opening photo call for the film, "Suffragette," in a central London hotel, Wednesday, Oct. 7, 2015.(Photo by Joel Ryan/Invision/AP)

    Fest puts focus on women, onscreen and off

    By Jill Lawless

    LONDON (AP) --

    The London Film Festival opens Wednesday with "Suffragette," the story of British women who fought for the right to vote — a milestone on a journey to equality that many believe is still unfinished.

    It's a fitting choice for a festival determined to champion women on both sides of the camera.

    Starring Carey Mulligan, Helena Bonham Carter and Meryl Streep, the gritty early 20th-century drama — think blood and sweat, not "Downton Abbey" — is directed by Sarah Gavron ("Brick Lane") and written by Abi Morgan ("The Iron Lady.")

    "'Suffragette' is a film directed by British women about British women who changed the course of history," said festival director Clare Stewart.

    Stewart said its selection as opener signals the festival's desire to ask "what can we be doing to break down the barriers for women directors and how can we be ensuring that the debate is front and center for the film industry?"

    While festivals including Cannes have been criticized for choosing few works by female filmmakers, 46 of the 238 features in the London lineup are by women, including Deepa Mehta's Indian-Canadian gangster movie "Beeba Boys" and Ondi Timoner's Russell Brand documentary "Brand: A Second Coming."

    Stewart said the figure "sounds fantastic when you say it like that, and then you realize it's still only 20 percent of the program."

    Festival organizers have also invited actress Geena Davis, founder of an institute on gender in media, to host a symposium during the event. And Cate Blanchett — star of two festival entries, lesbian romance "Carol" and journalism drama "Truth" — will receive the British Film Institute Fellowship, a career honor.

    Founded in 1957 to show the best of the year's world cinema to a British audience, the London festival has boosted its profile in recent years with bigger movies, more glittering stars and prizes positioned to boost emerging awards-season contenders.

    This year's lineup includes prize-winners from the Berlin, Cannes, Toronto and Venice festivals, as well as high-profile fall releases including gangster thriller "Black Mass," with Johnny Depp, and McCarthy-era drama "Trumbo," starring Bryan Cranston.

    Gala presentations include Nicholas Hytner's "The Lady in the Van," starring Maggie Smith as a redoubtable eccentric; John Crowley's Irish-American journey "Brooklyn"; Lenny Abrahamson's mother-son story "Room:" and Davis Guggenheim's documentary "He Named Me Malala."

    On Oct. 17 a jury led by Polish director Pawel Pawlikowski will award the prize for best film, from a list of nominees that includes Cary Fukunaga's child-soldier saga "Beasts of No Nation" and Laszlo Nemes' searing Holocaust drama "Son of Saul."

    The 59th London Film Festival wraps up Oct. 18 with Danny Boyle's "Steve Jobs," starring Michael Fassbender as the Apple founder.

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    A “Masters” Class In Branding and Fashion

    Saturday, April 11, 2026

    If the world of high fashion has Fashion Week in Milan, with sleek models dressed in avant-garde looks strutting down the runways, then the golf world has the Masters, where players bound down verdant green fairways in azalea-inspired polos, exotic bird prints, the yellows of jasmine and the pinks of the dogwoods.

    Over the last few years, golf apparel companies have begun treating the first full week of April as their moment to shine, unveiling lineups of Masters-inspired drops they hope can capture the attention of those focused on the season's first major.

    The surf-style company Johnnie-O, for example, dips into the Deep South with its classic, understated Azalea Collection. Rhobak likewise offers an Azalea Collection, though with bold flower patterns designed to invoke the feel of being on the grounds of Augusta National. Malbon Golf, meanwhile, offers a "Birds of Georgia" set featuring images of those typically found about the course.

    Yet none of them carry the iconic Masters logo. Or reference Amen Corner. Or use the words "Green Jacket."

    All of those are trademarked by the club — three of nearly 100 trademarks on file — and force outside apparel companies to creatively build their connections to both the tournament and Augusta National without infringing on their intellectual property.

    "Makers of products for mass market dream of becoming a supplier to Walmart. Likewise, high-end brands salivate at the idea of winning a mandate from the Masters," said John Sabino, author of "The Augusta Principles: Timeless Business Lessons from the World's Premier Golf Club." "Apparel companies want to tap into the Masters' high-quality association and leverage the club's exalted brand."

    Yet tapping into that association is... Read More

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