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    Home » “Suicide Squad” Tops Box Office For 3rd Week, Rolls Over “Ben Hur” 

    “Suicide Squad” Tops Box Office For 3rd Week, Rolls Over “Ben Hur” 

    By SHOOTSunday, August 21, 2016Updated:Tuesday, May 14, 2024No Comments3172 Views
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    This image released by Paramount Pictures shows Rodrigo Santoro portraying Jesus in a scene from "Ben-Hur." The big-budget remake of ‘Ben-Hur’ was trampled under a herd of holdovers and new releases at the box office. According to studio estimates Sunday, Aug. 21, 2016, the Paramount Pictures release, which cost about $100 million to make, debuted with just $11.4 million. (Philippe Antonello/Paramount Pictures via AP, File)

    By Jake Coyle, Film Writer

    LOS ANGELES (AP) --

    A big-budget remake of "Ben-Hur" was trampled under a herd of holdovers and new releases at the box office, the latest casualty in a bruising summer for Hollywood.

    The Paramount Pictures release, which cost about $100 million to make, debuted with just $11.4 million, according to studio estimates Sunday. That makes it one of the season's more pricy flops, albeit one that never had anything like the ambition of 1959's Charlton Heston epic.

    Instead, Warner Bros.'s much-maligned DC Comics supervillain team-up film "Suicide Squad" held the top spot for the third straight week with an estimated $20.7 million over its third weekend. It has now made $262.3 million domestically (fourth best for the summer) despite steep declines and poor reaction from critics and fans alike.

    Seth Rogen's foul-mouthed food animated comedy "Sausage Party" continued to do well for Sony Pictures. In its second weekend, it took in $15.3 million, good enough for second place, and bringing its two-week total to $65.3 million.

    Two offbeat debuts slid in behind "Suicide Squad" and "Sausage Party": the Iraq War comedy "War Dogs," with Miles Teller and Jonah Hill; and the stop-motion animated "Kubo and the Two Strings" from Focus Features and Laika Entertainment.

    "War Dogs," the first movie after "The Hangover" trilogy for director Todd Phillips, was lambasted by critics, but it sold a decent $14.3 million in ticket sales.

    "Kubo and the Two Strings," an acclaimed fantasy about a boy in ancient Japan, debuted with $12.6 million, the weakest opening of any film from Laika, the Oregon-based animation studio behind "Coraline," ParaNorman" and "The Boxtrolls." ''Kubo and the Two Strings" was fashioned as Laika's most ambitious film yet, with the company's chief executive, Phil Knight, making his directorial debut.

    But after the fifth place opening of "Ben-Hur," the second coming of the sword-and-sandal movie appears to be attracting dwindling flocks of moviegoers.

    A coproduction between MGM and Paramount, "Ben-Hur" is the third adaption of Lee Wallace's novel, "Ben-Hur: A Tale of the Christ." With producers Mark Burnett and Roma Downey ("The Bible" miniseries), the film courted Christian moviegoers. But it was unable to turn them out as successfully as Paramount did for "Noah" (which debuted with $43.7 million in 2014) or even Fox's less popular "Exodus: Gods and Kings" (a $24.1 million opening in 2014).

    Still, fueled by "Suicide Squad" and "Sausage Party," the box office was up more than 22 percent over the same weekend last year, according to comScore. Despite the ups and downs of individual films, the box office overall is enjoying a potentially record August – usually a sleepy month of summer stragglers.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final three-day domestic figures will be released Monday.

    1. "Suicide Squad," $20.7 million ($38 million international).

    2. "Sausage Party," $15.3 million ($2.1 million international).

    3. "War Dogs," $14.3 million ($6.5 million international).

    4. "Kubo and the Two Strings," $12.6 million ($900,000 international).

    5. "Ben-Hur," $11.4 million ($10.7 million international).

    6. "Pete's Dragon," $11.3 million ($5.7 million international).

    7. "Bad Moms," $8.1 million ($3.9 million international).

    8. "Jason Bourne," $8 million ($10.7 million international).

    9. "The Secret Life of Pets," $5.8 million ($45 million international).

    10. "Florence Foster Jenkins," $4.3 million.

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:

    1. "The Secret Life of Pets," $45 million.

    2. "Suicide Squad," $38 million.

    3. "Line Walker," $16.5 million.

    4. "Jason Bourne," $11.3 million.

    5. "Star Trek Beyond," $11.3 million.

    6. "Ben-Hur," $10.7 million.

    7. "Tunnel," $9.6 million.

    8. "Ghostbusters," $7.9 million.

    9. "Big Head Son and Small Head Dad 2," $7.5 million.

    10. "Lights Out," $7.3 million.

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    Category:News
    Tags:Ben Hurbox officeSuicide SquadWar Dogs



    Director Dylan Bradshaw Joins PARAGON For Commercials and Branded Content

    Monday, November 17, 2025

    Production studio PARAGON has added director Dylan Bradshaw to its roster for advertising and branded content collaborations. Bradshaw is a next-gen director blending cinematic storytelling with viral internet culture. He broke out after teaming with co-director Nate Norell to win the 2025 Doritos Crash The Super Bowl contest with “Abduction.” The self-funded spot made its mark, reaching a mega Super Bowl audience and gaining industry recognition. “Dylan represents the new wave of filmmaking we’re most excited about, where cinema and internet culture blur together with precision and next-gen creativity,” commented PARAGON founder/executive producer Jack Linderman. “He’s fearless, curious, and constantly pushing what storytelling can be. Partnering with directors like Dylan keeps us sharp and inspired, and we’re looking forward to what we’ll create together.” Born and raised in Columbus, Ohio, Bradshaw grew up with a passion for storytelling inspired by filmmakers like Steven Spielberg and George Lucas. Encouraged to pursue storytelling with unrestricted imagination, Bradshaw directed projects from a young age, finding joy in bringing people together in the creative process. Witnessing the emergence of YouTube creators--“overly caffeinated people like me who love creating films with their friends”--he was inspired to follow suit in his own way. Moving to Los Angeles, Bradshaw became a director at King Studio, home of TikTok’s most-viewed video. He went on to direct global campaigns for brands like CeraVe, the NFL, and PepsiCo, with work featuring Tom Brady, MrBeast, and Charli D’Amelio. Bradshaw then harnessed this experience as an independent director and was thrust into the creative spotlight with the Doritos Crash The Super Bowl... Read More

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