SUPERLATIVE has signed director Melanie Chung for U.S. representation spanning commercials and branded content. The Canadian-born Chung is probably best known for her short films, Boy and Marie, as well as spot work for Macy’s, Coca-Cola, Discover Card, Bank of Montreal, Nike, and Canada’s Airports.
“From the moment we had our first conversation with Melanie (Chung) we realized she is not only a fastidious, virtuoso storyteller, but she also has a massive heart and smile that she shares with collaborators and injects into every frame,” said SUPERLATIVE creative manager Stefan Dezil. “When she is directing, the audience becomes a fly on the wall to the most tender, intimate moments. With every piece she directs, the scope and character-driven narratives continue to evolve.”
For her part, Chung has been fascinated about what goes on behind a camera since an early age. Her passion for photography and storytelling propelled her to excel at Ryerson University’s film program. In 2015 her short film titled Boy premiered at the Montreal Film Festival and made the Cannes Short Film Corner. The heart-wrenching film explores the thought process of a 13-year-old boy from a broken home trying to figure things out. “In the end, does the boy take the first steps to a life of crime, or does he follow the straight path”? asks Chung. “I directed the short to question one’s own path. Like each of us, the boy has more than one path to choose from. What path is the right path? How do we define what’s right?”
Chung’s second short, titled, Marie, features a surreal performance centered on a marionette puppet brought to life by a magic apple and one sweet little sheep. “The apple is a play on Snow White, how what seems innocent is not, just like the sheep,” added Chung. “Love can be one-sided, love has qualities that are both good and bad. But they are two sides of the same coin, one cannot exist without the other.”
Chung has spent the last decade directing spots in Canada, now branching out to the U.S. “I wanted to join a company that embraced a storytelling director that really wants to tap into the human condition,” said Chung. “Very authentic explorations of character. SUPERLATIVE is a minority owned company that thrives on diversity and inclusivity. SUPERLATIVE fit the bill.”
Recent work for Chung includes a heartfelt holiday spot for Macy’s, a charming campaign for Burt’s Bees, and a coming-of-age story for Canada’s Airports. Longer form work includes Chung directing the miniseries Hello (Again) airing on the CBC and executive produced by Simu Liu.
As for ad agencies and their respective brands, Chung understands their ambitious mission. “It’s a challenging time to be a brand,” she said. “Consumers want their products to take a social stand. Some have a lot to say but may be hesitant to say it. Right now, we’re all looking for balance.”
Heading up SUPERLATIVE are executive producer Pia Clemente, managing director David Kwan and creative manager Dezil.
Juliette Welfling Takes On A Musical, A Crime Thriller, Comedy and Drama In “Emelia Pรฉrez”
Editor Juliette Welfling has a track record of close-knit, heartfelt collaboration with writer-director Jacques Audiard, a four-time BAFTA Award nominee for Best Film not in the English Language--starting with The Beat That My Heart Skipped in 2006, then A Prophet in 2010, Rust and Bone in 2013, and Dheepan in 2017. He won for The Beat That My Heart Skipped and A Prophet.
Welfling cut three of those features: A Prophet, Rust and Bone, and Dheepan. And that shared filmography has since grown to most recently include Emelia Pรฉrez, the Oscar buzz-worthy film from Netflix. Welfling herself is not stranger to Academy Award banter. In fact, she earned a Best Achievement in Film Editing Oscar nomination in 2008 for director Julian Schnabelโs The Diving Bell and the Butterfly.
Emelia Pรฉrez is a hybrid musical/drama/thriller which introduces us to a talented but undervalued lawyer named Rita (portrayed by Zoe Saldana) who receives a lucrative offer out of the blue from a feared drug cartel boss whoโs looking to retire from his sordid business and disappear forever by becoming the woman heโs always dreamt of being (Karla Sofรญa Gascรณn in a dual role as Manitas Del Monte/Emilia Pรฉrez). Rita helps pull this off, orchestrating the faked death of Del Monte who leaves behind a widow (Jessi, played by Selena Gomez) and kids. While living comfortably and contently in her/their new identity, Pรฉrez misses the children. Pรฉrez once again enlists Rita--this time to return to family life, reuniting with the kids by pretending to be their aunt, the sister of Del Monte. Now as an aunt, Pรฉrez winds up adopting a more altruistic bent professionally,... Read More