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    Home » Susan Credle, Tyler Turnbull Promoted To Lead FCB Globally

    Susan Credle, Tyler Turnbull Promoted To Lead FCB Globally

    By SHOOTTuesday, February 15, 2022Updated:Tuesday, May 14, 2024No Comments2590 Views
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    Susan Credle
    NEW YORK --

    Susan Credle, who will continue as global chief creative officer of FCB, has expanded her remit to span leadership for all aspects of the agency, adding the title of global chair. Tyler Turnbull, currently CEO of FCB North America, will partner with Credle in the role of global CEO succeeding Carter Murray. The transition phase in leadership has been put into motion with Murray slated to pursue his next challenge outside of FCB parent Interpublic Group (NYSE: IPG) at the end of March. Both Credle and Turnbull will report directly into IPG CEO Philippe Krakowsky.

    “We are committed to keeping creativity at the heart of FCB and IPG, as evident in the new role that we are asking Susan to take on,” said Krakowsky. “We’re thrilled to have her expand her responsibilities as she continues to build powerful connections between brands and consumers.”

    Krakowsky added, “Tyler is a skilled executive who helped transform FCB North America into a growth driver for the network and successfully launched FCB/SIX, the agency’s award-winning creative data specialty practice. Together, Susan and Tyler can help FCB and its clients grow and thrive in a digital economy. We thank Carter for his leadership, passion and vision in shaping FCB into the dynamic offering that it is today, and building a leadership team that can seamlessly carry that culture and momentum forward.”

    Credle related, “When Carter called me in 2015 and asked me to join and play a part in the ambition to reclaim FCB’s creative reputation, my gut said it was a special and timely challenge. My belief is that we are not only in a service business, but that we also make a product. And that our product, and the ideas we create, must be an economic multiplier. Creativity that does not activate business short term and build brand value long term becomes an undervalued commodity–I never want to see creativity undervalued. While I will miss Carter’s partnership, I know that his advertising DNA will always be a part of FCB’s #NVRFNSHD story.”

    Murray joined FCB in 2013 to lead the agency following its merger with Draft. In 2016, he was joined by Credle, whose legacy included a 24-year run at BBDO, where she led creative for M&M’S and AT&T. Credle went on to help launch the “Mayhem” campaign for Allstate as chief creative officer of Leo Burnett. Together at FCB, Murray and Credle secured global assignments from Clorox, Kimberly-Clark and GSK, and assembled a roster of top new talent to revitalize FCB’s offices around the world in markets like India, New Zealand, the United States and Canada. The network earned #1 Global Creative Network at Cannes Lions in 2020/2021.

    Turnbull, recruited to lead FCB Canada in 2014, went on to lead that agency to five Agency of the Year awards. In 2019, he was promoted to lead all of the network’s North American operations, helping add new clients like Walmart and HOKA ONE ONE and earning significant honors, such as Cannes Lions #1 North American Creative Network three years in a row.

    “After seven years of working closely with Carter and Susan, I feel grateful and humbled by the opportunity to partner with Susan going forward to lead our next chapter,” said Turnbull. “Our mission will always be to put creativity at the core of what we do and prove that it is truly an economic multiplier for our clients and their businesses. I want to thank Carter for convincing me to join FCB, for all his support and leadership since that time and–most of all–for being a great person and friend.”

     

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    Category:News
    Tags:Carter MurrayFCBPhilippe KrakowskySusan CredleTyler Turnbull



    Review: Writer-Director Ian Tuason Makes Feature Debut With “Undertone”

    Friday, March 13, 2026
    This image released by A24 shows Nina Kiri in a scene from "Undertone." (Dustin Rabin/A24 via AP)

    Writer-director Ian Tuason's feature debut, the sonic-driven horror "Undertone," has, at least at the outset, an appealingly stripped-down quality. The 30-something Evy Babic (Nina Kiri) lives with her dying, comatose mother (Michèle Duquet). The movie never leaves their small, two-story home. Upstairs, Evy's mother lies wordlessly in a bed. Downstairs, Evy, at 3 a.m. puts on headphones, sits in front of a microphone and calls up her paranormal podcast co-host Justin (Adam DiMarco's voice) to talk "all things creepy." It's a testament to Tuason's evident filmmaking talent that, with these bare bones, "Undertone" swells into a gripping and unsettling experience. This is a movie that summons many of its scares with a sudden boost in audio levels, the thunderous tick of a clock or the scream of … a tea kettle. It's even rated "R" not for bloodcurdling violence or satanic ghouls but, simply, "language." It's these subtle qualities that make "Undertone" a spare but deftly dense film and Tuason a filmmaker to watch. It's the movie's disappointing second half, though, that breaks its quiet spell. After conjuring a tapestry of tension through narrative drips, as well as literal ones, Tuason throws in the whole kitchen sink, drowning out "Undertone" with a cacophony of genre cliches. Ancient Christian lore is invoked, as are children's lullabies, and the riveting nuance of "Undertone" slips away in all the feedback. "I want it to be over," Evy tells Justin. "Is that a bad thing to say?" Evy's mother hasn't eaten in two days, and her emotional exhaustion is clear when she first connects with her London-based co-host. You might here be wondering if the movie digs into this guilt, but "Undertone" is better at leaving carefully placed clues than following... Read More

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