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    Home » SXSW indie feature “I’m Fine (Thank You For Asking)” finds Blackmagic

    SXSW indie feature “I’m Fine (Thank You For Asking)” finds Blackmagic

    By SHOOTTuesday, June 1, 2021Updated:Tuesday, May 14, 2024No Comments2015 Views
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    FREMONT, Calif. --

    Independent feature film I’m Fine (Thank You For Asking), which had its premiere at this year’s South By Southwest Film Festival, was shot on the Blackmagic Pocket Cinema Camera 6K in Blackmagic RAW, and graded in DaVinci Resolve Studio.

    Written by Kelley Kali, Angelique Molina and Roma Kong, and co-directed by Kali and Molina, the film follows a recently widowed mother who, after becoming homeless, convinces her 8 year old daughter that they are only camping for fun while she works to get them off of the streets. A micro budget feature not only about the trials of a mother during the pandemic, the film was actually shot in 2020, providing unique challenges for production while ensuring a safe set. “We had to shoot a lot in a little time,” said producer Capella Fahoome. “Our crew had to be nimble, which was what led us to our choice in cameras.”

    The filmmakers chose the Pocket Cinema Camera 6K not only for the quality of the image, but also because of its design. “One reason I picked the Pocket 6K was the physical size,” said cinematographer Becky Baihi Chen. “Since we were shooting exteriors a lot, we didn’t want to draw too much attention. My first AC (Junyi “James” Song) and I put the Pocket 6K on a Ronin S and added another handle to the rig for an easier grip.” With the lead character Danny, also played by Kali, roller skating throughout the film, Chen had to find creative ways to keep the imagery organic, yet simple and easily managed, considering the small crew.

    Once the film was edited by Katie McLellan and Angelica Lopez, the film was conformed in DaVinci Resolve by Lopez. Colorist Harry Locke IV graded the film in DaVinci Resolve Studio.

     

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    Tags:BlackmagicDaVinci Resolve StudioI'm Fine (Thank You For Asking)Pocket Cinema Camera 6KSXSW



    Dueling Documentaries Delve Into The Promise and Perils Of AI

    Thursday, March 5, 2026

    Artificial intelligence's dystopian specter has spawned a pair of documentaries dissecting a technology that's depicted in the films as a ravenous parasite devouring humanity's knowledge, creativity and empathy.

    The films, "Deepfaking Sam Altman" and "The AI Doc," examine the issue through different lenses while similarly illuminating why the technology evokes both existential fears and utopian visions about how it might change the world.

    Both documentaries coincide with an intensifying debate about whether AI will become a catalyst that helps enlighten and enrich people or a technological toxin that insidiously dulls human intelligence while wiping out millions of high-paying jobs that have traditionally required college educations.

    Dealing with AI dread
    The AI buildup during the past three years already that has resulted in a $12 trillion increase in the combined market values of Nvidia, Alphabet, Apple, Microsoft, Amazon, Meta Platforms and Tesla, the Big Tech companies that have been leading the charge since the November 2022 release of the ChatGPT chatbot. The massive runup is now stoking worries about the investment bubble bursting.

    "There is a lot of anxiety around AI, and the best way to get rid of that anxiety is to talk about it and confront it head-on," Adam Bhala Lough, the director of "Deepfaking Sam Altman," told The Associated Press.

    Lough's documentary, which has already been shown in a few theaters around the United States, probes AI by relying on a virtual doppelganger of OpenAI CEO Sam Altman, whose trailblazing role in the field has inspired comparisons to nuclear bomb inventor J. Robert Oppenheimer. It's Lough's first major project since his HBO documentary, "Telemarketers," garnered an... Read More

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