Telestream®, a provider of digital media tools and workflow solutions, announced that The Young Turks (TYT) is using Telestream’s Vantage Media Processing Platform to automate high-volume editing, transcoding and distribution of its programming, as well as publishing content to social media outlets.
Produced from its Los Angeles-based studio as a live, multi-camera HDTV show, online news and politics show TYT started in 2002 on Sirius satellite radio, then migrated to YouTube in 2006. Now, with more than 25 channels in its network, TYT can be seen on YouTube, Facebook, Twitter, Hulu, Pluto.TV, Roku, and many more platforms.
The flagship news show The Young Turks—co-hosted by The Young Turks founder and CEO Cenk Uygur and Ana Kasparian—consistently ranks No. 1 among comScore rankings. As a pioneer of subscription-based membership, TYT Network currently provides special, exclusive content on TYTNetwork.com to its vast membership.
“Our goal is to continue expanding the scope of our programming and distribution channels, as well as finding more effective ways to monetize it. To accomplish this, we needed to stop relying on a hodge-podge of generic automation software that posed multiple points of failure across our system. We switched to Vantage because it’s purpose-built to support the needs of a high throughput media processing operation like ours,” explained Jonny Greenwald, post-production technical director for TYT Network.
Since this high-volume content must be edited, branded, and transcoded into numerous iterations for multi-platform distribution, TYT Network decided to migrate its operations to an automated, file-based workflow based on the Vantage Media Processing Platform from Telestream.
As part of its intensive, round-the-clock media operation, The Young Turks’ live two-hour newscast must be subsequently chunked and repackaged into video segments of varying lengths for on-demand viewing. Ten clips can easily become 30 clips with all the formats, versions and derivatives needed by their distribution platforms, which today include YouTube, Facebook, Twitter, Vimeo, Roku, Pluto.tv, Hulu and Amazon. The same goes for the network’s numerous specialty channels, including sports, movies, technology, and pop culture, which must also be segmented into a variety of iterations and formats for on-demand viewing across the multiplatform ecosystem.
“Since this workflow largely involves repetitive tasks—such as editing, transcoding, branding, and conforming—it lends itself very easily to template-driven automation. Vantage puts all the tools and processes we need into one cohesive automated workflow that doesn’t require any manual oversight or intervention. Once we tell Vantage where a media file needs to go—whether it’s to YouTube, Facebook, Hulu or some other platform—it picks up the file, and conforms it to the specifications required for that destination, and sends it out with uncompromised quality,” said Greenwald.
Since the Vantage platform consists of a family of products and options, Greenwald has tailored the workflow using the following:
- Vantage Transcode Pro, which performs intelligent media processing and transcoding according to user-determined settings
- Lightspeed servers that provide hardware-based GPU acceleration to boost throughput
- Post Producer, which automates the editing, assembly, branding and captioning of video programs and segments
- Social Media Connector, which simultaneously publishes video and metadata to multiple social media channels.
- CaptionMaker and MacCaption desktop closed captioning software
“Vantage is at the center of our operation, virtually always processing media according to over a dozen different workflows we’ve set-up. It stands ready to pick up the next file and process it like clockwork. Without Vantage, we would not be able to manage the volume of media that’s required for the broad array of distribution outlets we serve,” added Greenwald.
Since uploading media to sites like YouTube, Facebook and Twitter is critical to the company’s business model, the Social Media Connector option was a key reason that TYT Network chose Vantage. Configured as an integrated component of the Vantage Media Processing Platform, the Social Media connector acts as a workflow portal, transcoding and uploading roughly 50 clips per day to each of the social media sites. While it currently uploads both media and metadata directly to YouTube, TYT Network is in the process of updating the system to allow it to handle direct uploads of video to Facebook, and videos over 30 seconds long to Twitter.
“The bottlenecks and system failures we used to have are now in the past. Our employees have less stress and don’t need to babysit the equipment. We spend less time fixing problems. There are fewer delays and missed deadlines. And we’ve been able to boost productivity without fear of losing quality or sanity. Vantage is a great solution for managing and expanding our media network operations in the most cost-effective way,” concluded Greenwald.
Full Lineup Set For AFI Fest; Official Selections Span 44 Countries, Include 9 Best International Feature Oscar Submissions
The American Film Institute (AFI) has unveiled the full lineup for this year’s AFI Fest, taking place in Los Angeles from October 23-27. Rounding out the slate of already announced titles are such highlights as September 5 directed by Tim Fehlbaum, All We Imagine As Light directed by Payal Kapadia, The Luckiest Man in America directed by Samir Oliveros (AFI Class of 2019), Zurawski v. Texas from executive producers Hillary Clinton, Chelsea Clinton and Jennifer Lawrence and directors Maisie Crow and Abbie Perrault, and Oh, Canada directed by Paul Schrader (AFI Class of 1969). A total of 158 films are set to screen at the 38th edition of AFI Fest.
Of the official selections, 48% are directed by women and non-binary filmmakers and 26% are directed by BIPOC filmmakers.
Additional festival highlights include documentaries Architecton directed by Victor Kossakovsky; Cheech & Chong’s Last Movie directed by David Bushell; Devo directed by Chris Smith about the legendary new wave provocateurs; Gaucho Gaucho directed by Michael Dweck and Gregory Kershaw; Group Therapy directed by Neil Berkeley with Emmy® winner Neil Patrick Harris and Tig Notaro; No Other Land directed by a Palestinian-Israeli team comprised of Basel Adra, Yuval Abraham, Rachel Szor and Hamdan Ballal; Pavements directed by Alex Ross Perry; and Separated directed by Errol Morris. Notable narrative titles include Black Dog (Gou Zen) directed by Guan Hu; Bonjour Tristesse directed by Durga Chew-Bose with Academy Award® nominee Chloë Sevigny; Caught By The Tides directed by Jia Zhangke; Hard Truths directed by Mike Leigh with... Read More