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    Home » “Thor” Continues Atop Box Office, Followed By “Daddy’s Home 2,” “Orient Express”

    “Thor” Continues Atop Box Office, Followed By “Daddy’s Home 2,” “Orient Express”

    By SHOOTMonday, November 13, 2017Updated:Tuesday, May 14, 2024No Comments2168 Views
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    This image released by Marvel Studios shows the Hulk, from left, Chris Hemsworth as Thor, Tessa Thompson as Valkyrie and Tom Hiddleston as Loki in a scene from, "Thor: Ragnarok." (Marvel Studios via AP)

    By Lindsey Bahr, AP Film Writer

    LOS ANGELES (AP) --

    The God of Thunder isn't ready to relinquish his box office throne yet.

    Studios estimated Sunday that "Thor: Ragnarok" added $56.6 million from North American theaters in its second weekend, bringing its domestic total to $211.6 million.

    The film, from Disney and Marvel and directed by Taika Waititi, out-grossed each of its two predecessors domestically in just two weeks, not accounting for inflation.

    It easily beat out the comedy sequel "Daddy's Home 2" and the lavish Agatha Christie adaptation "Murder on the Orient Express," even as both posted solid openings.

    Paramount scored again with "Daddy's Home 2," which adds John Lithgow and Mel Gibson to the Will Ferrell and Mark Wahlberg formula. The film, which cost a reported $69 million to produce, took second place at the box office with $30 million. The first film from 2015 grossed $242.8 million worldwide on a similar budget.

    Critics were not won over by the comedy, but audiences seemed pleased, giving the film an A- on CinemaScore.

    The star-studded "Murder on the Orient Express," meanwhile, screeched into third place with an estimated $28.2 million against a $55 million budget. Kenneth Branagh directs himself in the film, which also stars Michelle Pfeiffer, Johnny Depp, Daisy Ridley and Judi Dench.

    Audiences were mostly female (56 percent), and Caucasian (65 percent), but somewhat evenly split in terms of age (51 percent were over 35).

    "It gives me an incredible injection of optimism for the future of our business. This is sumptuous, throwback Hollywood filmmaking, and audiences responded to it," said Chris Aronson, president of domestic distribution for Twentieth Century Fox.

    The studio expects the film to play well through the Thanksgiving holiday, appealing to audiences who are not rushing out to see the latest comic book adventure. Next week, DC and Warner Bros.' superhero ensemble pic "Justice League" opens.

    "I don't think our audiences will overlap a lot," Aronson added.

    "A Bad Moms Christmas" took fourth with $11.5 million in its second weekend, and "Jigsaw" rounded out the top five with $3.4 million.

    In smaller releases, Greta Gerwig's buzzy coming-of-age film "Lady Bird," from distributor A24, also broke into the top 10 in its expansion to 37 theaters, earning $1.2 million. Another awards contender, "Three Billboards Outside Ebbing, Missouri," starring Frances McDormand, opened to a strong limited release with $320,000 from just four theaters.

    Still, the overall box office continues to lag, down 5 percent for the year.

    "We're still down from the same weekend a year ago about 7 percent. Despite 'Thor' and these newcomers, a lot of these films aren't creating a lot of excitement," said comScore senior media analyst Paul Dergarabedian. "It's going to take this combination of 'Justice League' and 'The

    Last Jedi' and everything in between to try to dig us out of this deficit."

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

    1."Thor: Ragnarok," $56.6 million ($75.9 million international).
    2."Daddy's Home 2," $30 million ($429,000 international).
    3."Murder on the Orient Express," $28.2 million ($45.8 million international).
    4."A Bad Moms Christmas," $11.5 million ($8.5 million international).
    5."Jigsaw," $3.4 million ($8.6 million international).
    6."Tyler Perry's Boo 2! A Madea Halloween," $2.1 million ($45,000 international).
    7."Geostorm," $1.5 million ($5.4 million international).
    8."Blade Runner 2049," $1.4 million.
    9."Happy Death Day," $1.3 million ($6.8 million international).
    10."Lady Bird," $1.2 million.

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:

    1. "Thor: Ragnarok," $75.9 million.
    2. "Murder on the Orient Express," $45.8 million.
    3. "Paddington 2," $11.5 million.
    4. "Jigsaw," $8.6 million.
    5. "A Bad Moms Christmas," $8.5 million.
    6. "Coco," $8.4 million.
    7. "Suck Me Shakespeer 3," $7.1 million.
    8. "Happy Death Day," $6.8 million.
    9. "The Brink," $6.4 million.
    10. "Geostorm," $5.4 million.

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    Tags:box officeDaddy's Home 2Murder on the Orient ExpressThor: Ragnarok



    Gifted Youth Signs Comedy Director Carlyn Hudson For U.S. Commercial Representation

    Tuesday, May 19, 2026

    Comedy director Carlyn Hudson has joined Gifted Youth for commercial representation in the U.S.

    Hudson’s branded collaborations include campaigns for Tinder, JIF, e.l.f., Cheerios, Nike, Google, Jack in the Box, Amazon, OGX, and the New York Festival of Advertising. Her unapologetic spot for Annovera, starring Whitney Cummings, earned a Cannes Lion. Three of her short films have premiered at SXSW, including horror-comedy Waffle which was nominated for the SXSW Grand Jury Award and went on to appear at 50 additional festivals. Hudson is a member of the WGA and has developed features for Netflix, Hulu, and others.

    Originally from Texas, Hudson got her creative start in dance and theater, and later attended the Stella Adler School of Acting program at NYU, before transferring to the University of Texas at Austin for film school. After graduation, Hudson began working in Austin’s independent film community with Richard Linklater and Andrew Bujalski. She later moved to Los Angeles to work with Funny or Die and CollegeHumor, where she cut her teeth directing dozens of sketches and branded pieces, and honed her distinct comedic dialogue and world-building style. Hudson approaches comedy with total cinematic conviction. Her films and campaigns find the absurd buried inside the ordinary, creating a disquietingly funny vision that’s entirely her own.

    “Carlyn’s work is both hilarious and human,” said Josh Morse, executive producer, Gifted Youth. “She’s able to establish realness and relatability, instantly drawing you in. We’re immensely happy to welcome her to our roster.”

    “I’m very excited to be in the company of my fellow Gifted Youth directors, and to work with Josh and the rest of the production team,” said... Read More

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