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    Home » Timber adds art director Lorenz, digital effects supervisor Willette

    Timber adds art director Lorenz, digital effects supervisor Willette

    By SHOOTTuesday, March 21, 2017Updated:Tuesday, May 14, 2024No Comments1276 Views
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    SANTA MONICA, Calif. --

    Art director Jon Lorenz and digital effects supervisor Jeff Willette have joined Timber, the VFX house headed by creative directors/co-founders Jonah Hall and Kevin Lau.

    Lorenz is no stranger to Timber, having freelanced on projects with the company for the past year. Over the years he has also worked with such shops as Buck, Royal, Modus Operandi, Big Block, Troika, Mocean, and Oishii Creative. Lorenz has been on staff at Shilo as a designer/compositor, and as art director at King and Country (including a leadership role in the Motel 6 “Metamorphosis”campaign). He has also collaborated directly with clients on projects for H2/History Channel for “Rise Against the Machines/Hangar 1” and Vivint; and on projects for Lime TV via agency Just Knight and with T3 via agency Dark Horse.

    Willette joins Timber also having experience at notable studios including Mirada, Method, Asylum, Sony Pictures Imageworks and a52, having started his career at Traveling Pictures Animation in Grand Rapids, Michigan. Notable projects for Willette include: “Fallout 4” opening cinematic for Mirada, the Jameson “Fire” commercial for Method Studios, Terminator Salvation and The Curious Case of Benjamin Button feature films, both for Asylum. Willette’s work has garnered a series of awards and nominations including VES, HPA, Addy and Clio awards. He collaborated on HBO’s Carnivale, which garnered an Emmy Award for Outstanding Main Title Design.

    Timber has just completed a film project for The Google.org Impact Challenge, and is in the midst of commercial campaigns for Southwest Airlines, Chipotle and T-Mobile.

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    Tags:Jeff WilletteJon LorenzTimber



    Searching for pennies: With the cut in federal funding public broadcasters are looking to cope

    Friday, July 18, 2025

    Lauren Adams, general manager for KUCB public radio in Unalaska, Alaska, didn't have much time to reflect on Congress, 4,000 miles away, stripping federal funding for public media this week. She's been too busy working.

    Sirens blared in the Aleutian Islands community Wednesday warning of a potential tsunami, with a voice over public loudspeakers urging the community's 4,100 residents to seek higher ground immediately and tune into the radio — to Adams' station.

    At the same time in Washington, the Senate was voting on a measure that would eliminate nearly $1.1 billion that had already been appropriated for NPR and PBS — a process that didn't end until early Thursday morning. The House completed the process in time for President Donald Trump to sign it before a Friday deadline.

    Trump had called for the cuts, saying public media's news programming was biased against him and fellow Republicans, and threatened GOP members of Congress with primary challenges if they didn't fall in line.

    Adams, her news director, a reporter and an intern kept broadcasting and updating KUCB's social media feed until the danger passed. Then she made time for one more task — texting U.S. Sen. Lisa Murkowski and urging her to vote against the bill. Murkowski was one of two Republican senators, along with Susan Collins of Maine, to publicly dissent.

    “I thought that it was such a telling story of why her constituents have a different relationship to public radio than maybe some other regions of the United States,” Adams said.

    Hard decisions ahead for stations across the country
    The federal money is appropriated to the Corporation for Public Broadcasting, which distributes it to NPR and PBS. Roughly 70% of the money... Read More

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