Snell Advanced Media (SAM) announced that Timeline Television’s newest OB truck–the first IP 4K HDR truck in Europe–will be featured on its stand (#9A01) at IBC 2017. The truck, UHD2, seamlessly handles fully uncompressed 4K/UHD, IP and HDR.
A state-of-the-art, triple expanding OB truck, UHD2 is home to a range of SAM technology including two Kahuna IP production switchers, IP Multiviewers and with SAM’s IP infrastructure technology providing the backbone. Also in the truck for IBC, SAM’s LiveTouch 4K/UHD replay and highlights system will be used for demonstrations.
Timeline’s UHD2 is designed to support 32 Sony 4K cameras. Its two Kahunas enable SDR and HDR to be run simultaneously along with down converted HD outputs. The set-up allows production teams to work in VSF TR03 (SMPTE ST 2110 draft)–the first time this has been done in an OB truck–enabling Timeline to work with video and audio as separate essence flows within an IP workflow.
Daniel McDonnell, managing director at Timeline Television, said, “We worked closely with SAM to design a workflow based on the latest IP infrastructure and HDR technology available, providing customers with a highly scalable solution that can meet complex production requirements without the need to add additional OB support. Given the increased number of 4K cameras and replay positions that we wanted to support, IP made perfect sense and SAM’s technology even more so as it afforded us the maximum flexibility and scalability.”
Robert Szabó-Rowe, EVP and general manager, live Production and infrastructure, SAM, commented, “We’re really excited to have Timeline’s award winning UHD2 truck on our stand at IBC as it’s a tremendous showcase for our technology and testament to our close partnership with Timeline in delivering true market innovation. The truck offers a great opportunity for visitors to IBC to experience how IP is being used today in a real life scenario.”
Timeline Television’s McDonnell will be presenting a detailed case study on UHD2 within the IBC IP Showcase theatre (E106/107).
Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”
“Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More