Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Tony Shalhoub Discusses Return of “Monk” As Obsessive-Compulsive Sleuth Emerges From The Pandemic

    Tony Shalhoub Discusses Return of “Monk” As Obsessive-Compulsive Sleuth Emerges From The Pandemic

    By SHOOTFriday, December 8, 2023Updated:Tuesday, May 14, 2024No Comments1621 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    • Image 0
    • Image 1
    This image released by Peacock shows Tony Shalhoub as Adrian Monk in a scene from "Mr. Monk’s Last Case: A Monk Movie." (Peacock via AP)

    By Mark Kennedy, Entertainment Writer

    NEW YORK (AP) --

    Fourteen years ago, Tony Shalhoub said goodbye to one of his most beloved creations — the obsessive-compulsive private detective Adrian Monk. Monk's last TV appearance in 2009 was even called "Mr. Monk and the End."

    There was talk over the years of a potential reboot and some possible scripts were floated. But Shalhoub said there wasn't enough of a compelling reason to return to his phobia-obsessed character.

    Then the pandemic hit.

    Monk suddenly wasn't the only germaphobe wiping down their groceries, stocking up on antibacterial wipes and shuddering at the sight of crowded places.

    "Monk, in a way, was the canary in the coal mine," Shalhoub says. "He seemed so out of touch and so neurotic and so forth. The pandemic was the great equalizer. Everybody got to sort of see the world through Monk's eyes."

    Viewers have caught up with Monk and so fans get another goodbye with the 90-minute "Mr. Monk's Last Case: A Monk Movie" hitting Peacock on Friday.

    Shalhoub reunites on a new murder case with a millionaire as the prime suspect and original stars Ted Levine, Traylor Howard, Jason Gray-Stanford, Melora Hardin and Hector Elizondo.

    Shalhoub laughs that when the rock band Eagles got back together in 1994, founding member Glenn Frey said they'd never broke up, they just took a 14-year vacation. "That's how I felt at the first table read when we all got back together again. We just kind of folded right back into it."

    Monk helped the San Francisco Police Department solve crimes because his fixations enable him to observe things that others overlook. He walked away after solving his last case — the murder of his beloved wife.

    When we reconnect with Monk, it is present day and he's emerged from the pandemic, having spent most of it in a full protective suit and using in-home rapid tests every 20 minutes. Outside, hand sanitizer use is booming. "Everyone is you," he is told. "They're gonna hate it," he replies.

    Monk is in a moody place, no longer detecting and lonely. He wrote a memoir but burned through editors and ghost writers. His obsession with details — including nine pages about a suspect's vacuum cleaner — has prompted his publisher to scrap the book and ask for his advance back. So Monk is reevaluating his life and his career.

    "When we're young, everything's in front of us. And then when we're in our middle ages, we feel more settled in the present. But then as we move beyond that, we mostly are looking backwards. We're looking behind us and we're reassessing and reevaluating," Shalhoub says.

    "You know, 'What have I done? What has been my footprint and my impact?' And I think that's exactly where Monk is: 'What has all this meant? What have we really accomplished?' That further perpetuates these very dark thoughts that he's having."

    Shalhoub collected three Emmy Awards for his work as Monk over eight seasons. After the show ended in 2009, Shalhoub went on to earn three Tony Award nominations, winning in 2018 for "The Band's Visit" and starred in "The Marvelous Mrs. Maisel," winning another Emmy.

    He suspects Monk — an unlikely hero in these Marvel days — has been embraced by legions of fans because he has flaws and insecurities, but manages to push through them.

    "He uses them and turns them into an asset. Actually, for Monk, they become this superpower in a way," Shalhoub says. "He doesn't know where he fits into the general society. So he's kind of always sort of like walking alongside of humanity and society. Maybe that also makes him a bit relatable."

    He adds: "I always hear about adolescents and young teens relating to him, too, because that's such a time of life being feeling socially awkward and feeling you're not really a child, you're not really a grown up."

    Shalhoub also suspects there's a little OCD in all of us, whether it's being annoyed by the placement of something or an odd interaction on the street that sticks in your head.

    "Maybe it's a crooked picture frame on a wall. Not all of us may go over and straighten that frame, but good luck trying to keep your eyes off of it, you know?"

    The debut of "Mr. Monk's Last Case: A Monk Movie" begs the question — is this really a final goodbye to Monk? Shalhoub isn't sure.

    "I thought the door was closed. I really did for a lot of years. But now that we've cracked it open, I'm just going to leave that door open," he says. "I think the next one would have to be called 'Monk's Really, Really Final No Kidding Case – This Time We Mean It' or something like that."

     

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2023-12-10)
    Category:News
    Tags:Mr. Monk's Last Case: A Monk MoviePeacockTony Shalhoub



    Review: Akinola Davies Jr. Makes His Feature Directorial Debut With “My Father’s Shadow”

    Wednesday, February 11, 2026

    Two young boys spend a day with their oft absent father in Lagos amid political turbulence in "My Father's Shadow," an affecting debut feature from Akinola Davies Jr. The film, which premiered at last year's Cannes Film Festival, might have missed out on the Oscars (the U.K.'s selection didn't even make the shortlist ), but don't let that oversight dissuade you from seeking it out now that it's finally opening in North American theaters this weekend. "My Father's Shadow" is a gem, a deeply felt memory piece and vibrant portrait of Nigeria in 1993. The script was a collaboration between Davies Jr. and his brother, Wale Davies, who were born and raised in Nigeria and lost their father at a young age. They were 8 and 10 at the time of the 1993 election, the same age as the two main characters, but this story is only loosely autobiographical — inspired by that loss and those feelings. In "My Father's Shadow," the father, Folarin (a brilliant Sopé Dìrísù ) is very much alive, but there's dread in the air. Time seems to slow when they pass by a group of military men who all turn and stare, like Folarin has a target on him. More than a few characters seem downright startled to see him, too, as though he's already a ghost. It might sound a little silly or contrived, but it's done with such subtlety it's quite moving in execution. After all, Folarin is already kind of a fading memory for his sons, Aki (Godwin Egbo) and Remi (Chibuike Marvelous Egbo), as absent as he is in their lives. At the beginning of the film, the boys catch him stopping by their house in the village to change clothes quickly before departing again. At first, you're not sure what kind of man and father Folarin is — he seems distant and uninterested in the boys, who insist on coming with... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleEdit Room Conductor: Michelle Tesoro Takes On “Maestro”
    Next Article Oscar-Nominated Actor Ryan O’Neal Dies At 82
    SHOOT

    Add A Comment
    What's Hot

    Eleanor Brings Director Husein Alićajić Aboard Its Roster For U.S. Representation

    Wednesday, February 11, 2026

    Review: Akinola Davies Jr. Makes His Feature Directorial Debut With “My Father’s Shadow”

    Wednesday, February 11, 2026

    Oscar Hopefuls Including Jessie Buckley, Timothée Chalamet and Teyana Taylor Gather For Lunch and Class Photo

    Tuesday, February 10, 2026
    Shoot Screenwork

    Group Selfies Are A Custom Fit In Apple iPhone 17 Film Celebrating Real Communities

    Tuesday, February 10, 2026

    This film showcases how the first square sensor on Apple’s iPhone 17 Pro enables wider…

    DAVID New York Unveils Rom-Com Inspired Valentine’s Day Film for Clash of Clans

    Monday, February 9, 2026

    The Best Work You May Never See: Director Øyvind Holtmon’s FINN Jobb Spot Tackles Worker Anxiety Over AI

    Friday, February 6, 2026

    Father-Daughter Farming Duo’s Story Is At Center Of Lay’s Super Bowl Spot Directed By Taika Waititi

    Thursday, February 5, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.