Chadwick Boseman, Viola Davis win for "Ma Rainey's Black Bottom"; TV ensemble prizes go to "The Crown," "Schitt's Creek"
By Jake Coyle, Film Writer
NEW YORK (AP) --The starry cast of Aaron Sorkin’s 1960s courtroom drama “The Trial of the Chicago 7” took the top prize Sunday at a virtual, pre-taped Screen Actors Guild Awards that saw Netflix snag Hollywood actors’ highest honor for the first time.
The 27th SAG Awards, presented by the Hollywood actors’ guild SAG-Aftra, were a muted affair — and not just because the ceremony was virtual, without a red carpet and condensed to a pre-recorded, Zoom-heavy, one-hour broadcast on TBS and TNT. The perceived Academy Awards frontrunner — Chloé Zhao’s “Nomadland” — wasn’t nominated for best ensemble, making this year’s postponed SAG Awards less of an Oscar preview than it is most years.
Still, the win for “The Trial of the Chicago 7” marked the first time a film from any streaming service won the guild’s ensemble award. Written and directed by Sorkin, “The Trial of the Chicago 7” had been set for theatrical release by Paramount Pictures before the pandemic hit, leading to its sale to Netflix. The streamer is still after its first best-picture win at the Oscars.
Frank Langella, who plays the judge who presided over the 1969 prosecution of activists arrested during the 1968 Democratic National Convention, drew parallels between that era’s unrest and today’s while accepting the award on behalf of the cast.
“’God give us leaders,’ said the Rev. Martin Luther King before he was shot down in cold blood on this very date in 1968 — a profound injustice,” said Langella, citing events leading up to those dramatized in “The Trial of the Chicago 7. “The Rev. King was right. We need leaders to guide us toward hating each other less.”
The win came over two other Netflix releases — “Ma Rainey’s Black Bottom” and “Da 5 Bloods” — as well as Amazon’s “One Night in Miami” and A24’s “Minari.” Had Lee Isaac Chung’s Korean-American family drama “Minari” won, it would have been the second straight year a film largely not in English won SAG’s top award. Last year, the cast of “Parasite” triumphed, becoming the first cast from a non-English language film to do so.
The SAG Awards are a closely watched Oscar harbinger. Actors make up the largest branch of the Academy of Motion Pictures Arts and Sciences, and SAG winners often line up with Oscar ones. Last year, “Parasite” went on to win best picture at the Academy Awards, and all of the individual SAG winners — Renée Zellweger, Brad Pitt, Laura Dern, Joaquin Phoenix — won at the Oscars, too.
Those awards this year went to a group of entirely actors of color: Chadwick Boseman, best male actor for “Ma Rainey’s Black Bottom”; Viola Davis, best female actor for “Ma Rainey’s Black Bottom”; Yuh-Jung Youn, best female supporting actor for “Minari”; and Daniel Kaluuya, best male supporting actor for “Judas and the Black Messiah.”
Of those, Davis’ win was the most surprising in a category that has often belonged to Carey Mulligan (“Promising Young Woman”) or Frances McDormand (“Nomadland”). It’s Davis’ fifth individual SAG award.
“Thank you, August, for leaving a legacy for actors of color that we can relish the rest of our lives,” said Davis, referring to playwright August Wilson.
As it has throughout the awards season, best male actor again belonged to Boseman for his final performance. Boseman, who died last August at age 43, had already set a record for most SAG film nominations — four — in a single year. He was also posthumously nominated for his supporting role in “Da 5 Bloods” and shared in the ensemble nominations for both Spike Lee’s film and “Ma Rainey’s Black Bottom.”
It was the SAG Awards where Boseman gave one of his most memorable speeches. At the guild’s 2019 awards, Boseman spoke on behalf of the “Black Panther” cast when the film won the top award. “We all know what it’s like to be told that there is not a place for you to be featured,” Boseman said then. “Yet you are young, gifted and Black.”
The Academy Awards frontrunner, “Nomadland” missed out on a best-ensemble nomination possibly because its cast is composed of largely non-professional actors. Zhao’s film previously won at the highly predictive Producers Guild Awards, as well as at the Golden Globes. “The Trial of the Chicago 7,” up for best picture at the Oscars and four other awards, could pose a challenge to the frontrunner.
In an interview following the pre-taping of the award for “The Trial of the Chicago 7,” Langella called the virtual experience much more civilized. “I’m in my bedroom slippers,” he said from New York’s Hudson Valley. “I have no pants on,” added his co-star Michael Keaton.
Eddie Redmayne, who plays Tom Hayden in the film, credited Sorkin and casting director Francine Maisler for assembling such a disparate group of actors — including Sacha Baron Cohen, Mark Rylance, Yahya Abdul-Mateen II and Jeremy Strong — into an ensemble.
“It was like a clash of different types of music, whether it was jazz or rock or classical — but all of that coming together under Aaron. He was the conductor, almost,” said Redmayne. “It was a joy day and day out to watch these great and different and varied actors slugging it out.”
In television categories, the ensembles of “Schitt’s Creek” (for comedy series) and “The Crown” (for drama series) added to their string of awards. Other winners included Anya Taylor-Joy (“The Queen’s Gambit”), Gillian Anderson (“The Crown”), Jason Sudeikis (“Ted Lasso”), Jason Bateman (“Ozark”) and Mark Ruffalo (“I Know This Much Is True”).
The awards are typically the highest profile event for the Screen Actors Guild, though the union’s faceoff earlier this year with former President Donald Trump may have drawn more headlines. After the guild prepared to expel Trump (credits include “The Apprentice,” “Home Alone 2”) for his role in the Capitol riot, Trump resigned from SAG-AFTRA.
Here's a rundown of SAG Award winners:
Film
Outstanding Performance By a CAST IN A MOTION PICTURE
THE TRIAL OF THE CHICAGO 7
Outstanding Performance by a FEMALE ACTOR IN A LEADING ROLE
VIOLA DAVIS, Ma Rainey’s Black Bottom
Outstanding Performance by a MALE ACTOR IN A LEADING ROLE
CHADWICK BOSEMAN, Ma Rainey’s Black Bottom
Outstanding Performance by a FEMALE ACTOR IN A SUPPORTING ROLE
YUH-JUNG YOUN, Minari
Outstanding Performance by a MALE ACTOR IN A SUPPORTING ROLE
DANIEL KALUUYA, Judas and the Black Messiah
Outstanding Action Performance by a STUNT ENSEMBLE IN A MOTION PICTURE
WONDER WOMAN 1984
Television
Outstanding Performance by an ENSEMBLE IN A DRAMA SERIES
THE CROWN
Outstanding Performance by a FEMALE ACTOR IN A DRAMA SERIES
GILLIAN ANDERSON, The Crown
Outstanding Performance by a MALE ACTOR IN A DRAMA SERIES
JASON BATEMAN, Ozark
Outstanding Performance by an ENSEMBLE IN A COMEDY SERIES
SCHITT’S CREEK
Outstanding Performance by a FEMALE IN A COMEDY SERIES
CATHERINE O’HARA, Schitt’s Creek
Outstanding Performance by a MALE ACTOR IN A COMEDY SERIES
JASON SUDEIKIS, Ted Lasso
Outstanding Performance by a FEMALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES
ANYA TAYLOR-JOY, The Queen’s Gambit
Outstanding Performance by a MALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES
MARK RUFFALO, I Know This Much Is True
Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series
THE MANDALORIAN
Full Lineup Set For AFI Fest; Official Selections Span 44 Countries, Include 9 Best International Feature Oscar Submissions
The American Film Institute (AFI) has unveiled the full lineup for this year’s AFI Fest, taking place in Los Angeles from October 23-27. Rounding out the slate of already announced titles are such highlights as September 5 directed by Tim Fehlbaum, All We Imagine As Light directed by Payal Kapadia, The Luckiest Man in America directed by Samir Oliveros (AFI Class of 2019), Zurawski v. Texas from executive producers Hillary Clinton, Chelsea Clinton and Jennifer Lawrence and directors Maisie Crow and Abbie Perrault, and Oh, Canada directed by Paul Schrader (AFI Class of 1969). A total of 158 films are set to screen at the 38th edition of AFI Fest.
Of the official selections, 48% are directed by women and non-binary filmmakers and 26% are directed by BIPOC filmmakers.
Additional festival highlights include documentaries Architecton directed by Victor Kossakovsky; Cheech & Chong’s Last Movie directed by David Bushell; Devo directed by Chris Smith about the legendary new wave provocateurs; Gaucho Gaucho directed by Michael Dweck and Gregory Kershaw; Group Therapy directed by Neil Berkeley with Emmy® winner Neil Patrick Harris and Tig Notaro; No Other Land directed by a Palestinian-Israeli team comprised of Basel Adra, Yuval Abraham, Rachel Szor and Hamdan Ballal; Pavements directed by Alex Ross Perry; and Separated directed by Errol Morris. Notable narrative titles include Black Dog (Gou Zen) directed by Guan Hu; Bonjour Tristesse directed by Durga Chew-Bose with Academy Award® nominee Chloë Sevigny; Caught By The Tides directed by Jia Zhangke; Hard Truths directed by Mike Leigh with... Read More