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    Home » Ukraine’s First Oscar Hailed As Reminder of War’s Horrors As Country Remains Under Russian Siege

    Ukraine’s First Oscar Hailed As Reminder of War’s Horrors As Country Remains Under Russian Siege

    By SHOOTMonday, March 11, 2024Updated:Tuesday, May 14, 2024No Comments801 Views
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    Raney Aronson-Rath, from left, Mstyslav Chernov, and Michelle Mizner pose in the press room with the award for best documentary feature film for "20 Days in Mariupol" at the Oscars on Sunday, March 10, 2024, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

    By Hanna Arhirova & Susie Blann

    KYIV, Ukraine (AP) --

    Ukraine awoke Monday to another day of war — Russian drones blasted buildings in the Kharkiv and Odesa regions — but also the news it had won its first Oscar.

    The best documentary victory for Mstyslav Chernov's "20 Days in Mariupol," a harrowing first-person account by The Associated Press journalist of the early days of Russia's invasion in 2022, was bittersweet.

    "This is the first Oscar in Ukrainian history, and I'm honored," an emotional Chernov said Sunday at the Academy Awards. "Probably I will be the first director on this stage to say I wish I'd never made this film, I wish to be able to exchange this to Russia never attacking Ukraine."

    Back home in his native Ukraine, the award was applauded for exposing the brutal devastation of the war and the message Chernov had sent to the world from one of the biggest stages.

    Ukrainian President Volodymyr Zelenskyy hailed the award as "important for our entire country" and said he was grateful to the team and thanked journalists across the world still covering the war despite a decrease of attention as it has dragged into its third year and as much of the world's focus has turned to Israel's war against Hamas.

    "The horrors of Mariupol must never be forgotten," he said on social media. "The entire world must see and remember what the inhumane Russian invasion brought to our people. Cities and villages were destroyed, homes were burned, and entire families were killed by Russian shells and buried in their own backyards."

    The AP team of Chernov, photographer Evgeniy Maloletka and producer Vasilisa Stepanenko arrived an hour before Russia began bombing the port city. Two weeks later, they were the last journalists working for an international outlet in the city, sending crucial dispatches to the outside world showing civilian casualties of all ages, the digging of mass graves, the bombing of a maternity hospital and the sheer extent of the devastation.

    The documentary was a joint production of AP and PBS' "Frontline." Statuettes were awarded to Chernov, producer and editor Michelle Mizner and producer Raney Aronson-Rath. The Oscar — and nomination — was a first for both Chernov, an AP video journalist, and the 178-year-old news organization. It was the first win for "Frontline" after two previous nominations.

    Police officer Volodymyr Nikulin, who is featured prominently in the film as he helped the crew cover the story and ultimately escape Mariupol as Russian forces closed in, said he was happy the movie had won the prestigious award.

    Nikulin, who was later injured helping victims of a Russian attack on Pokrovsk in the Donetsk region, ferried the crew around Mariupol in a desperate attempt to help them find a place where they could transmit their footage because he said it was vital the world could see what was happening. He said the film served as an important reminder of "the most difficult time for our country."

    "Right now, we may be facing a similarly challenging moment," he told AP in Kyiv on Monday.

    "But this film has shown that we can defend our country, that we are united. And at this time, if the world sees that we are fighting, the crimes the aggressor is committing in our country, how it destroys our cities, I believe that the world will support our efforts in the fight, and this will be decisive at this time."

    Ukraine's human rights chief Dmytro Lubinets praised the documentary for showing "the truth to the whole world."

    "This awards ceremony is an opportunity to address millions of people. This is what the film director did by mentioning the occupation, prisoners of war, killing of Ukrainians by Russia, and illegal abduction of civilians," he wrote on Telegram.

    The award, one of many the documentary has garnered including the Pulitzer Prize, comes as Ukraine's forces and ammunition are depleted and Russian troops are trying to push deeper into the Ukraine-held western part of the Donetsk region and penetrate the Kharkiv region to the north.

    Drone attacks overnight damaged two multistory buildings, a hotel and a municipal building in the eastern city of Kharkiv, said regional Gov. Oleh Syniehubov. No casualties were reported.

    An infrastructure facility in the Odesa region was destroyed and windows were shattered, regional Gov. Oleh Kiper said.

    The award marks the second consecutive Oscar documentary awarded for a film that has shone a harsh light on Russia.

    Last year, "Navalny," about Russian opposition leader Alexei Navalny who died just last month in prison, won best documentary.

    Kremlin spokesman Dmitry Peskov on Monday refused to comment on "20 Days in Mariupol," saying it wasn't the Kremlin's prerogative.

    Yulia Navalnaya, the widow of Navalny, congratulated the Mariupol team on "their truly deserving and important Oscar victory."

    Belarusian opposition leader in exile Sviatlana Tsikhanouskaya sent "heartfelt congratulations" to Chernov, thanking him on X for "showing us that the truth is always stronger than lies."

    Associated Press writer Dasha Litvinova in Tallinn, Estonia contributed to this report.

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    Category:News
    Tags:20 Days in MariupolMstyslav Chernov



    Hélène Daubert Joins BETC & POP As VP Create

    Friday, June 13, 2025

    Hélène Daubert, an industry veteran known for her lengthy tenure at production company Division, has joined BETC & POP (Havas group) as VP Create. Her arrival marks a turning point as Daubert will head up an extremely broad production scope—from internal to external, print to postproduction, AI to “beyond advertising” projects. It’s a mission at the crossroads of strategy, execution, and innovation.

    In her new capacity, Daubert additionally joins the Executive Committee of BETC and POP France.

    With more than 20 years at Division, Daubert has contributed to the development and success of that shop (five consecutive Production Company of the Year honors at D&AD Awards, eight Black Pencils, more than 30 awards at Cannes Lions, two Ciclope Grand Prix, etc.), whether internationally, in talent scouting, or through her excellence in production even beyond advertising films.

    Daubert has honed a method that combines rigor, agility, and a passion for craft. Accustomed to working alongside international directors and major brands, she brings with her a genuine culture of curiosity, autonomy and excellence. Her ambition will be to strengthen the bridges between idea, execution, and innovation, so that each project exceeds its initial goal.

    POP CEO Xavier Blairon said, “POP must be much more than just a production structure. It is a playground that must become a catalyst for transformation and, above all, a collective driving force serving all the group’s creative entities. Here, we don’t just produce--we promote creativity, we stretch it, we increase it. I am very happy to see Hélène join us. Her vision, her high standards, and her experience will fuel POP’s transformation and enable us to offer even more accurate... Read More

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