After winning several of the highest honors in the historic ADC 100th Annual Awards last week, DDB Group Germany Berlin is the top-ranked agency in the world, according to the ADC 100th Annual Awards Global Creative Rankings released today (6/15) by The One Club for Creativity.
DDB Group Germany was awarded the highly coveted ADC Black Cube for Best of Show for “The Uncensored Library,” working with MediaMonks Hilversum and Blockworks London on behalf of Reporters Without Borders. The work also received five Gold Cubes, one Bronze, a Best of Discipline win in Experiential Design and the ADC Designism Cube for the entry that best encourages positive societal and political change.
The ADC 100th Annual Awards Global Creative Rankings are determined by the cumulative point totals of eligible Cubes and Merits won.
"The Uncensored Library"–a virtual library containing censored news articles from around the world, written by journalists who have been killed, jailed or exiled by governments–can be found in Minecraft, a popular video game where users can build virtual worlds out of blocks and create their own storylines. Freedom of the press can thus be served within the confines of a video game, providing access to players in countries where such journalists’ work is otherwise unavailable.
The complete ADC Global Creative Rankings can be viewed here. Highlights include:
ADC 100th Annual Awards Global Creative Ranking, Agency
- 1. DDB Group Germany Berlin
- 2. The New York Times Magazine New York
- 3. BBDO Group Germany Düsseldorf
- 4. The Bloc New York
- 5. McCann New York
- 6. Jones Knowles Ritchie New York
- 7. BBDO New York
- 8. Bruketa&Zinic&Grey Zagreb (tie)
- 8. DADADA Studio/Rosencrantz & Guildenstern Vilnius (Lithuania) (tie)
- 8. Goodby Silverstein & Partners San Francisco (tie)
(Note: The New York Times Magazine is entered as a design firm, rankings consolidate agencies and design firms under one “agency” listi
ADC 100th Annual Awards Global Creative Ranking, Highest Ranked Work
- 1. “The Uncensored Library” by DDB Group Germany Berlin with MediaMonks Hilversum and Blockworks London for Reporters Without Borders
- 2. “Alone with Me” by Spotify In-House New York for Spotify
- 3. “Moldy Whopper” by INGO Stockholm, DAVID Miami and Publicis Bucharest for Burger King
- 4. “True Name” by McCann New York with Hungry Man Productions Los Angeles and JSM Music New York for Mastercard
- Nine winners tied for fifth place
ADC 100th Annual Awards Global Creative Ranking, Network
- 1. DDB Worldwide
- 2. BBDO Worldwide
- 3. FCB
- 4. Ogilvy Group
- 5. Dentsu
ADC 100th Annual Awards Global Creative Ranking, Client/Brand
- 1. The New York Times
- 2. Reporters Without Borders
- 3. Burger King
- 4. Spotify
- 5. The New Yorker
ADC 100th Annual Awards Global Creative Ranking, Internal/In-House Agency
- 1. Spotify In-House New York
- 2. Squarespace New York
- 3. Verizon Creative Marketing New York
- 4. Tencent Shenzhen
- 5. Google Brand Studio San Francisco
ADC 100th Annual Awards Global Creative Ranking, Production Company
- 1. MediaMonks Hilversum
- 2. Blockworks London
- 3. Hungry Man Productions Los Angeles
- 4. BWGTBLD Berlin
- 5. LDE Belzner Holmes Stuttgart
ADC 100th Annual Awards Global Creative Ranking, Music & Sound Company
- 1. JSM Music New York
- 2. Machine London
- 3. Loft Studios Berlin
- 4. Barking Owl Los Angeles
- 5. One Thousand Birds New York
The ADC 100th Annual Awards Global Creative Ranking by title are as follows (companies listed reflect where the creatives were when the work was created) :
ADC 100th Annual Awards Global Creative Ranking, CCO
- 1. Dennis May, DDB Group Germany Berlin
- 2. Eduardo Marques, Publicis Amsterdam (tie)
- 2. Jorg Riommi, Publicis Bucharest (tie)
- 4. Till Diestel, BBDO Group Germany Düsseldorf
- 5. Kristoffer Heilemann, BBDO Group Germany Düsseldorf
ADC 100th Annual Awards Global Creative Ranking, ECD
- 1. Kristine Holzhausen, DDB Group Germany Berlin
- 2. Pablo Dachefsky, Publicis Madrid (tie)
- 2. Bjorn Stahl, INGO Stockholm (tie)
- 4. John Bleeden, FCB Chicago
- 5. Michael Plueckhahn, BBDO Group Germany Düsseldorf
ADC 100th Annual Awards Global Creative Ranking, Art Director
- 1. Sirena Grace Martinelli, DDB Group Germany Berlin
- 2. Ben Grandgenett, The New York Times Magazine New York
- 3. Camilo Jiménez, DAVID Madrid (tie)
- 3. Ivan Montebello, Publicis Milan (tie)
- 3. Max Hultberg, INGO Stockholm (tie)
- 3. Sergio Takahata, DAVID Miami (tie)
ADC 100th Annual Awards Global Creative Ranking, Writer
- 1. Christian Korntheuer, BBDO Group Germany Düsseldorf
- 2. Matthaeus Kania, BBDO Group Germany Düsseldorf (tie)
- 2. Rytis Juodeika, DADADA Studio/Rosencrantz & Guildenstern Vilnius (Lithuania) (tie)
- 4. Marco Alves, BBDO Group Germany Düsseldorf
- 5. Kevin Batory, CENTER Brooklyn
ADC 100th Annual Awards Global Creative Ranking, Designer
- 1. Jackie Rodriguez, Jones Knowles Ritchie New York
- 2. Caleb Bennett, New York
- 3. Oleksandr Rogovets, DADADA Studio/Rosencrantz & Guildenstern Vilnius (Lithuania) (tie)
- 3. Milda Šiulyte, DADADA Studio/Rosencrantz & Guildenstern Vilnius (Lithuania) (tie)
- 5. Jack Fleming, FCB Chicago
ADC 100th Annual Awards Global Creative Ranking, Director
- 1. Jared Knecht, Prettybird Los Angeles
- 2. Niklas Lemburg, CraftWork Düsseldorf
- 3. Diego Llorente Aguilera, Veni.tv Madrid (tie)
- 3. Oscar Hudson, Pulse Films (tie)
- 5. Alberto Mielgo, Pinkman.tv Paris (tie)
- 5. Guto Terni, Roof Studio Santa Monica (tie)
ADC 100th Annual Awards Global Creative Ranking, Freelancer
- 1. Kadir Nelson Los Angeles
- 2. Yuzhao Huang London (tie)
- 2. Ben Johnston Toronto (tie)
- 2. Amy Sherald Baltimore (tie)
- 5. Benoit Berger, Paris
ADC 100th Annual Awards Global Creative Ranking, Country
- 1. United States
- 2. Germany
- 3. United Kingdom
- 4. China
- 5. Canada
ADC 100th Annual Awards Global Creative Ranking, Region
- 1. North America
- 2. Europe
- 3. Asia Pacific
- 4. Latin America
- 5. Middle East & Africa
The One Club awards shows each have their distinct focus. The One Show judges focus on creativity of ideas and quality of execution, while juries for the ADC Annual Awards, now in its historic 100th year, maintain their long-running concentration as the champion for craft, design and innovation.
The One Show 2021 Global Creative Rankings were announced yesterday. The One Club Global Creative Rankings, combining results from The One Show 2021 and ADC 100th Annual Awards, will be announced later this week..
Review: Director-Writer Megan Park’s “My Old Ass”
They say tripping on psychedelic mushrooms triggers hallucinations, anxiety, paranoia and nervousness. In the case of Elliott, an 18-year-old restless Canadian, they prompt a visitor.
"Dude, I'm you," says the guest, as she nonchalantly burns a 'smores on a campfire next to a very high and stunned Elliott. "Well, I'm a 39-year-old you. What's up?"
What's up, indeed: Director-writer Megan Park has crafted a wistful coming-of-age tale using this comedic device for "My Old Ass" and the results are uneven even though she nails the landing.
After the older Elliott proves who she is — they share a particular scar, childhood memories and a smaller left boob — the time-travel advice begins: Be nice to your brothers and mom, and stay away from a guy named Chad.
"Can we hug?" asks the older Elliott. They do. "This is so weird," says the younger Elliott, who then makes things even weirder when she asks for a kiss — to know what it's like kissing yourself. The older Elliott soon puts her number into the younger's phone under the name "My Old Ass." Then they keep in touch, long after the effects of the 'shrooms have gone.
Part of the movie's problem that can't be ignored is that the two Elliotts look nothing alike. Maisy Stella plays the coltish young version and a wry Aubrey Plaza the older. Both turn in fine performances but the visuals are slowly grating.
The arrival of the older Elliott coincides with her younger self counting down the days until she can flee from her small town of 300 in the Muskoka Lakes region to college in Toronto, where "my life is about to start." She's sick of life on a cranberry farm.
Park's scenes and dialogue are unrushed and honest as Elliott takes her older self's advice and tries to repair... Read More