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    Home » VFX creative director Andrew Pellicer joins Harbor

    VFX creative director Andrew Pellicer joins Harbor

    By SHOOTThursday, March 28, 2024Updated:Sunday, July 7, 2024No Comments592 Views
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    CHICAGO --

    Harbor has added VFX creative director Andrew “Pelli” Pellicer to its roster. He will be based in Harbor’s Chicago studio.

    Pellicer has overseen award-winning campaigns including Jeep’s Super Bowl “Groundhog Day” starring Bill Murray reprising his role from the beloved film, and the CG-Animated Dairy Queen “Officially Fall.” Pellicer’s noteworthy achievements have established enduring partnerships with brands such as Disney, Samsung, Bud Light, and Visa. Throughout his career, he has collaborated with directors like Jim Jenkins, Misko Iho, Max Malkin, Maurice Marable, and Jake Schreier.

    Pellicer’s entertainment credits include 20th Century Fox’s The Wolverine, Marvel’s Captain America 2: Winter Soldier, Warner Brothers’ 42, Lionsgate Films’ Mortdecai, and 20th Century Fox’s A Good Day to Die Hard.

    Prior to joining Harbor, Pellicer held positions at studios such as The Mill Chicago, Logan, and Shade VFX. 

    Pellicer said of his new roost, “Beyond featuring some of the industry’s finest creatives, Harbor stands out for its substantial commitment to nurturing emerging talent and fostering diversity, making it an inspiring and dynamic environment.

    Tony Robins, Harbor’s advertising managing director, stated, “Andrew brings a wealth of experience and expertise to his new role, with a background in both advertising and entertainment aligning with our vision. Our approach at Harbor is to curate a delta-force of talent who can guide our clients through their projects, delivering success after success. I have been a fan of Andrew’s work for some time and very happy to welcome him to our VFX team.”

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    Tags:Andrew PellicerHARBORTony Robins



    Review: Writer-Director James Gunn’s “Superman”

    Tuesday, July 8, 2025

    It's a bird, it's a plane, it's a … a purple and orange shape-shifting chemical compound?

    Writer-director James Gunn's "Superman" was always going to be a strange chemistry of filmmaker and material. Gunn, the mind behind "Guardians of the Galaxy" and "The Suicide Squad," has reliably drifted toward a B-movie superhero realm populated (usually over-populated) with the lesser-known freaks, oddities and grotesquerie of back-issue comics.

    But you don't get more mainstream than Superman. And let's face it, unless Christopher Reeve is in the suit, the rock-jawed Man of Steel can be a bit of a bore. Much of the fun and frustration of Gunn's movie is seeing how he stretches and strains to make Superman, you know, interesting.

    In the latest revamp for the archetypal superhero, Gunn does a lot to give Superman (played with an easy charm by David Corenswet ) a lift. He scraps the origin story. He gives Superman a dog. And he ropes in not just expected regulars like Lois Lane (Rachel Brosnahan) and Lex Luthor (Nicholas Hoult) but some less conventional choices — none more so than that colorful jumble of elements, Metamorpho (Anthony Carrigan).

    Metamorpho, a melancholy, mutilated man whose powers were born out of tragedy, is just one of many side shows in "Superman." But he's the most representative of what Gunn is going for. Gunn might favor a traditional-looking hero at the center, like Chris Pratt's Star-Lord in "Guardians of the Galaxy." And Corenswet, complete with hair curl, looks the part, too. But Gunn's heart is with the weirdos who soldier on.

    The heavy lift of "Superman" is making the case that the perfect superhuman being with "S" on his chest is strange, too. He's a do-gooder at a time when no one does good... Read More

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