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    Home » Visual Effects & Animation: SHOOT Top Ten Chart

    Visual Effects & Animation: SHOOT Top Ten Chart

    By SHOOT StaffFriday, July 17, 2009Updated:Tuesday, May 14, 2024No Comments2084 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    By The Editors of SHOOT

    --

    Have a look-see at the quarter’s leading VFX and Animation spots, which showcase a wide range of genres, looks and approaches.


    SHOOT Top 10 Visual Effects & Animation Chart

    Title

    Visual Effects/Animation

    Agency

    Production

    1

    Toyota Prius’
    “Harmony”
    (video below)
    Perceptual Engineering,
    Auckland, New Zealand
    Jon Baxter, VFX director/lead Flame; Puck Murphy, Mike Robinson, Leon Woods, Melissa Goddard, Ian Quigley, Amber Wilson, Flame artists; Kereti Kanawa, Hannah Walker, support crew; Glenn Wilson, Rachel Guidera, 3D pre-vis (Toolbox: Flame, Final Cut Pro, Maya)
    Lizard Lounge Graphics, Wellington, N.Z. Chris Mills, digital artist (Toolbox: Maya 2009, Shake, After Effects)
    Fin Design+Effects, Sydney Chris Spry, Stuart White, 3D supervisors; Tim Streets, 3D modeler; Tom Corbett, 3D animator; Mark White, 3D TD. (Toolbox: Maya, Mental Ray, Real Viz)
    Brickyard VFX, Santa Monica, Calif. Patrick Poulatian, 2D artist; Diana Young, VFX producer. (Toolbox: Flame)

    Saatchi &
    Saatchi LA,

    Torrance, Calif.

    The Sweet Shop, bicoastal/international Mr. Hide, director.

    2
    AMF’s “Caterpillar”(video below)

    The Mill, Los AngelesRobert Sethi, CG supervisor; Asher Edwards, producer; John Leonti, CG/shoot supervisor; Jamie O’Hara, Steve Beck, Chris Cushley, Matt Longwell, CG; Becky Porter, lead compositor; Zach Lo, Tara DeMarco, Giles Cheetham, Chris Knight, Phil Crowe, compositing; Damien Van Der Cruyssen, telecine.
    (Toolbox: Maya, Shake, Flame)

    Forsman & Bodenfors,
    Stockholm

    Camp David, Stockholm
    Filip Engström, director

    3

    PepsiCo International’s
    “Rising”

    (video below)

    Framestore, London William Bartlett, VFX supervisor; Simon French, lead TD; Michael Stanish, producer; Paul Denhard, Dan Seddon, Michele Fabbro, Paul Jones, Jason Mayo, Poi Chanthasartratsarmee, Jabed Khan, Ian Ward, Mark Wallman, TDs; Alex Doyle, Mary Swinnerton, modelers; Paul Chandler, texturer; Steffan Perry, colorist; Pete Jones, PA.
    (Toolbox: Maya [rendered with Mental Ray], Houdini [rendered with Mantra])

    CLM BBDO,Paris

    Rattling Stick, LondonDaniel Kleinman, director

    4

    Hormel Spam’s
    “Bored Room”
    (video below)

    LAIKA/house, Portland, Ore. Mike Wellins, director; Lourri Hammack, exec producer; Rebecca Bowen, producer; Nicholas Weigel, art director; Aaron Sorensen, character designer; Chris Purdin, Robin Ator, character designers/storyboard artists; Nick Childs, Photoshop artist; Scott Foster, Kam Gates, Matt McKenna, sculptors; Jeannie McIvor, armaturist; Katie Mello, lead character fabrication; Sara Neiman, character fabrication; Javid Howell, Amy Wulfing, painters; Rob Melchoir, lead set fabrication; Claud Gilbert, set fabrication; Rob Desue, prop master; Karl Richter, sr. TD. (Toolbox: After Effects, Maya, Photoshop, Flame)BBDO Minneapolis
    LAIKA/houseMike Wellins, director

    5

    NBA’s
    “Elevated MomentsSãoKobe to Shaq Aley Oop”

    (video below)

    Brickyard VFX, bicoastalGeoff McAuliffe, VFX supervisor/lead 2D compositing; Kirsten Andersen, VFX exec prdoucer; Amy Appleton, VFX producer; Jimi Simmons, Sean McLean, 2D compositing; Gina Downing, lead rotoscope artist; Sean Carroll, Henrique Ghersi, Anu Liikkanen, Charles LaPage, Jessica Jacobson, Rory Fitzgerald, Jeremy Brown, Rotofactory, rotoscope artists; Robin Hobart, Rusty Ippolito, lead CG artists; Vinny LaCour, CG artist; Brian Morse, Chris Kwiatkowski, tracking.
    (Toolbox: Lightwave, Flame, Flint, Silhouette, Synth Eyes)

    Goodby, Silverstein & Partners,San Francisco

    Bob Industries,Santa Monica, Calif.Dayton/Faris, directors.

    6

    Blue Moon Beer’s
    “Creation”

    (video below)
    Moo Studios, Los AngelesAndrew Huang, director/animator/CG/editor; Shaun Sewter, director/animator; Gianni Serra, animator/CG; David Lyons, producer
    (Toolbox: Maya, After Effects)

    Integer Group,Denver

    Moo Studios Andrew Huang,
    Shaun Sewter, directors

    7

    EA Games/
    The Sims 3’s

    “Let There Be Sims/Happy”
    (video below)

    Nexus, LondonSmith & Foulkes, directors; Chris O’Reilly, Charlotte Bavasso, exec producers; Julia Parfitt, head of production; Luke Youngman, producer; Jo Bierton, production manager; Mark Davies, project lead; Fletcher Moules, Dylan White, Alasdair Brotherston, compositing; David Fleet, technical director (modeling).
    (Toolbox: Maya, 3DS Max, Photoshop, After Effects)

    Wieden + Kennedy,Portland, Ore.

    Nexus Smith & Foulkes,
    directors

    8

    Denver Museum of Nature and Sciences’
    “Dinosaur”

    (video below)

    Smoke & Mirrors, New York. Sean Broughton, director/creative director/editor; Steven Parrish, lead sr. CG artist/lighting; Michael Donovan, lead CG artist; Serkan Ertekin, lead animator; Wei Louie, CG generalist/tracker; Greg Calas, lead modeler; Nic Seresin, sr. Flame artist; Celest Gilbert, exec producer.
    (Toolbox: Softimage XSI 7.01, ZBrush 3.01, PF Track V4, Photoshop, Flame 2010)

    Carmichael Lynch,Minneapolis

    Smoke & Mirrors, N.Y.Sean Broughton, director Steven Parrish, live-action director

    9

    Sony PlayStation Home’s
    “Welcome”

    (video below)

    TEAK Motion Visuals, San FranciscoGreg Martinez, Jan Frei, exec producers; Joshua Miller, 3D VFX supervisor; Ken Ackerman, TD; Frank Glinski, Brian Rulapaugh, VFX artists; Mark Everson, Smoke artist; Greg Gilmore, compositor; Emily van Nierop, producer. (Toolbox: After Effects, Maya, Smoke)

    Client-direct: Sony Computer Entertainment AmericaTEAK Motion Visuals Greg Rowan, creative director/director

    10

    US Cellular’s
    “Crayon”

    (video below)
    Deim Chau, sculptor
    Arsenal FX, Santa Monica, Calif.
    Mark Leiss, Joseph Grosso, VFX artists
    (Toolbox: Flame, Maya, Mac Color)
    Publicis &
    Hal Riney,
    San Francisco

    Biscuit FilmworksTim Godsall, director

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    Category:Features



    In Legal Dispute Over “The View,” ABC Accuses Trump Administration Of Trying To Chill Free Speech

    Friday, May 8, 2026

    In a strongly worded filing, ABC accuses the Trump administration of trying to chill its constitutionally protected free speech and hinder open political discussion.

    The point of contention: The popular show "The View," and whether it's subject to equal time rules.

    ABC's filing to the Federal Communications Commission, made public Friday, came in a dispute involving one ABC station in Houston, KTRK-TV. But the wording indicated the network was embarking on a broader battle with the administration.

    "The Commission's actions threaten to upend decades of settled law and practice and chill critical protected speech, both with respect to 'The View' and more broadly," said the filing on behalf of both KTRK-TV and ABC.

    The commission replied, in a statement emailed to The Associated Press, that equal time law "encourages more speech and empowers voters to decide the outcome of elections. The FCC will review Disney's assertion that 'The View' is a 'bona fide news program' and thus exempt from the political equal time rules."

    The ABC filing appeared to be the latest volley inside and outside the legal arena between the U.S. media and the Trump White House over what journalists perceive as the president's attack on free speech and the media's ability to do its job. Trump has been critical of media outlets whose journalism runs counter to his agenda and sensibilities.

    Among legal battles in the courts: a dispute between the Pentagon and The New York Times over access; a battle between the White House and The Associated Press over how to refer to the Gulf of Mexico; and Trump's anger at The Wall Street Journal over reporting about Jeffrey Epstein.

    The dispute concerns content on "The View," ABC's long-running morning talk show,... Read More

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