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    Home » Visual Effects Society Launches VFX Women Who Lead Initiative

    Visual Effects Society Launches VFX Women Who Lead Initiative

    By SHOOTFriday, April 10, 2026No Comments120 Views
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    The logo for the Visual Effects Society's VFX Women Who Lead initiative

    New effort chaired by Neishaw Ali; Global Summit coming in fall 2026

    LOS ANGELES --

    The Visual Effects Society (VES) has launched its new VFX Women Who Lead initiative. This new global effort will aim to ensure that every woman in the visual effects industry, at any point in her career, has the support, visibility, access, and resources to succeed. The initiative is led by a committee of female VFX leaders from across the VES, spearheaded by chair Neishaw Ali, the founding partner, CEO, and executive producer of SPINVFX and a former member of the global VES Board of Directors.

    “I know firsthand how vital this kind of program is because I’ve lived the gaps it’s trying to close. I’m so proud that the VES is creating a platform for all industry leaders who want to ‘give back’ and help shape a more inspiring future for women. Together, I’m confident that we will drive meaningful change, create hope, and foster growth in the years ahead,” shared Ali.

    VFX Women Who Lead will inspire change year-round through several paths, including a peer mentorship program, and resources such as a “Careers in VFX” video series, a newsletter compiling industry news and opportunities, social media spotlights, and much more. Most notably, the committee will host its inaugural VFX Women Who Lead Summit–an international gathering of industry leaders to share stories, build community, and define what equitable leadership looks like. This event will be held in fall 2026 in Los Angeles, with details to be announced.

    The VFX Women Who Lead initiative is built on four guiding principles:

    • Solidarity: Supporting women at every stage, from emerging artists to the female leaders already shaping our industry.

    • Growth: Providing resources that unlock opportunity, shatter glass ceilings, and help women rise into roles they were always meant to lead.

    • Visibility: Celebrating achievement, attracting new talent, and expanding access where doors have historically been closed.

    • Systemic Change: Working alongside a global community of allies to dismantle barriers, rewrite outdated systems, and build a future where equity is the standard – not the exception.

     

    Together with initiative chair Ali, additional members of the VFX Women Who Lead committee include:

    • Christina Caspers (vice chair): Visual effects managing director and executive producer at Cinesite and Trixter GmbH, and former chair of the VES Germany Section Board of Managers

    • Emma Clifton Perry: VFX consultant, production VFX supervisor, and former 1st vice chair of the global VES Board of Directors

    • Lisa Cooke, VES: Visual effects producer and former chair of the global VES Board of Directors

    • Caroline Garrett: Production AI principal for Europe, the Middle East, and Africa at Netflix and former head of visual effects at Cinesite

    • Amanda Heppner: Lead creature and lookdev artist at WeFX Inc. and vice chair of the VES Toronto Section Board of Managers

    • Kim Lavery, VES: Visual effects executive producer at Gentle Giant Studios, VES Founders Award recipient, and former 2nd vice chair of the global VES Board of Directors

    • Janet Muswell Hamilton, VES: Sr. VP of visual effects at HBO, and former 2nd vice chair of the global VES Board of Directors

    • Kelsy Wittman: Executive producer at Mr. Wolf, chair of the VES Vancouver Section Board of Managers, and chair of the Vancouver Post Alliance

    • Jennie Zeiher: CEO of Alussein VFX, and former president of Rising Sun Pictures

     

    Nancy Ward, executive director of the VES, stated,  “The VES is glad to support the efforts of these dynamic, successful female leaders in their unwavering commitment to expanding career opportunities in VFX around the world.”

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    Category:News
    Tags:Neishaw AliVFX Women Who LeadVisual Effects Society



    Jane Schoenbrun Jolts Cannes With Queer Slasher Movie “Teenage Sex and Death at Camp Miasma”

    Friday, May 15, 2026

    "A good electric chair" is how Jane Schoenbrun describes their first Cannes Film Festival premiere.

    "I really felt like my body was in a state of convulsion," says Schoenbrun.

    The day after the premiere of "Teenage Sex and Death at Camp Miasma," a bold, bloody queer slasher film starring Hannah Einbinder and Gillian Anderson, Schoenbrun and their co-stars were still buzzing from the ecstatic response. The movie, one of the most prominent American films in Cannes this year, gave the festival a gonzo jolt.

    For Schoenbrun, the leading trans filmmaker of their generation, the film extends their intensely personal exploration of gender and the movies that defined their youth. But their first two films — 2024's "I Saw the TV Glow" and 2021's "We're All Going to the World's Fair" — were the raw, burning products of Schoenbrun's transition. "Teenage Sex and Death at Camp Miasma," drawn from Schoenbrun's happy, exploratory post-transition life, isn't that.

    It's about desire and sex. It's a biting satire of reboot-mad Hollywood. It's a schlocky and subversive slasher movie homage. It's a lot of fun, and quite tender, even when bodies are blood-spurting geysers.

    "This is the first movie that feels like it represents the fullness of who I am," Schoenbrun says.

    But Wednesday's moment of triumph in Cannes was hard-won. Ten years ago, Schoenbrun, now 39, was working in the film industry in a job they hated.

    "The first time I came here, I just felt like, 'Oh my, god. I can't believe I'm in Cannes.' I went to, like, 'The Lobster,' at the Palais in my boy tux. I was like: 'This is it. I've done it,'" says Schoenbrun. "Then the next year I came back and I was so depressed. I decided to quit my job. If I'm depressed at Cannes,... Read More

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